I Am Tired, Oh I am Weary, I Could Sleep For 1000 Years, but that Won’t stop me from sharing Hawt new Music :) Bandcamp Friday Approaches

So the world is in turmoil with war and pain. It has seeped into our scene and cast a wicked shadow over our lives around the globe. In addition the news that Bandcamp has been bought by Epic Games. A large company known mostly for Unreal Engine and Fortnite. I don’t pretend to know what this will mean for the future of independent music. Generally speaking in my experience involving a big company in something doesn’t make it better. However the technology of Bandcamp has not really progressed much in the past few years as it has grown. Perhaps the resources and tech of Epic will improve the experience of Bandcamp while maintaining it’s independent opportunity . For now I shall remain optimistically terrified and keep writing reviews of the glorious new darkscene music I am finding.

Sidewalks and SkeletonsExorcism – I recently had the pleasure of interviewing Sidewalks and Skeletons for the webcast and was really excited to expand my knowledge of the “WitchHaus” genre. When I first decided to dive in I reached out to a few friends: Kenzi Burke (FIRES) and Hunter Hunter (W/O) for suggestions. Sidewalks and Skeletons of England was one of the first suggested. I suppose going in I had some pre conceived notions of what “WitchHaus” meant, but I have to say I was presently surprised by the texture and diversity of sound on this album. From track one “Exorcism” a glitchy sliding bass beat slither of technomancer energy tendrils, to “Shadow” feat: Goo Monday with it’s throbbing electronic club pulse, this album rings with a clarity and precision that tells a winding story of internal energy. I kept being struck by influences I never expected to encounter like shoegaze and ethereal which gave the entire journey a slick and winding synthesis. I am always impressed when in 2022 I hear something new. A fresh blend of ideas from a chemist taking previous concepts and making new science. It doesn’t happen enough. It is happening here.

Ok I picked Eternal rest but this was such a close second. I want to wear a black turtleneck and do a jewelry heist listening to this track. Then escape in a high speed chase in a mini Cooper.

Favorite Track: Eternal Rest (With CashforGold) – This is what I was searching for with WitchHaus. Violet mist rising from a concrete floor. Ice rink backbeats sliding effortlessly around strobing lights. I was also introduced to the breathy beautiful vocal stylings of CashForGold who I learned was a Detroit native. Subtle electronic textures you can feel.

https://remissionentertainment.bandcamp.com/album/exorcism?fbclid=IwAR1I8OeIQpXQO_4qv2hFA63RG5H5S50DClXwiFhpyulzlA66ijEHETqI_XQ

https://sidewalksandskeletons.bandcamp.com/album/exorcism

Morgue VVitchLore – New three song EP from Tara Saavedra who I got to see at 2021 Cold Waves in Chicago. I feel like the buzz around this talented artists continues to expand with every telling. Much like the title of this new EP their Lore is being whispered around the scene like a guarded secret we cannot help but share. These tracks are a transportation to a garden of shadow dreams. A spinning layer of veils and enticing vocals that remind me of Tina Root with their charismatic enchantment and alien foreboding. A dark Grimm fairytale of electronic texture. Experts Production by Tara, as well mastering by Francisco Mendez. The future is so bright for this project.

Favorite Track: Lore – The title track is such a haunting and dynamic resonance of phantom images. I love the way drums/synths/vocals all sit in the mix in even measure until you are captured in a virtual sonic reality.

https://subgoth.bandcamp.com/album/lore

Dread RisksAutomated Disappointment – “GiddyYip this DeathRock Electro Cowboy shit!” A wise man once said about Texas IndustroDoom band Dread Risks. That wise man was me. Releasing 3/25/22 on ReMission this album is a return to the meaner barb wire aggression of industrial music. As an evolution from the past this aggression is no longer aimed outward but directed at addressing and concurring personal trauma. I love the molten glass cutting attack and melodic beauty of the vocals. The overhand bastard sword swing of the drumbeats. Berserker rage in clean focus. This is the next great wave in electronic musical concept.

S

https://remissionentertainment.bandcamp.com/album/automated-disappointment

Récipe MoradoRe•Habilitación – The Oscura Festival introduced me to Venezuelan post-punk band Recipe Morado, and I was immediately entranced. Relentless basslines follow you like a bloodhound while Siniestra’s spectral vocals ripple like an aftershock Even with a limited understanding of the lyrics I felt the pull of emotion and energy. The snare beats snap with crisp intensity on “Vueltas en Sante Fe” pushing the pedal to the floor with 90’s dark rock flavor. I love the bounding chaotic style changes throughout the album. A darting shadow always changing form. The Central/South American darkscene is a rich and fertile land I must continue to explore.

https://recipemorado.bandcamp.com/album/re-habilitaci-n

SnogEight Offerings For The Undead – From Australia artist Vince Valentini of Fate Razor places you in an intimate craft and pushes you a pole at a time down a winding River Styx. Leaning into crafted poetry and slow grinding rhythms. This is a whispering demon of Nick Cave void seeking sensuality blended with the clean complexity of Robyn Hitchcock story telling. With track 4 “Domesticated” the tone does a hard turn into slow sewer sludge industrial crawl. I love the twists and turns of this journey. An introspective thought piece that follows the journey rather than steers the course.

Favorite Track: (I Am Not) An Algorithm – A beautiful oscillating electronic pulse with overlapping vocal melody repeating a self actualizing chant . Hands reaching out to touch reeds on still water. I felt like this track connected all the parts reaching for light in the combined concept.

https://schmerkindustries.bandcamp.com/

Ashes FallenStand Your Ground – Always impressed by the ever expanding range of Cali goth rockers Ashes Fallen. They also seem to always be actively seeking ways to address the pain and injustice in the world. Here with a new single with all proceeds going to Direct Relief for their humanitarian mission in Ukraine. I love the punchy Dave Vanian snarl to James vocals. As well as the blended harmonies from Michelle and Jason. A very throwback Synthpunk edge which feels relevant to the world situation. A bonus remix by The Axiom Divide to cast a shadow against the fire.

https://ashesfallenmusic.bandcamp.com/album/stand-your-ground-for-ukraine

Sever The Servants – Brand new collaboration that sprung from the Sounds and Shadows group. A world grinding doom tank apparatus rolling through a nightmare hellscape of Hide Tepes and Mike Nolen imagination. Stone walls on all sides as Hide starts filling the room with dank modular synth water. Mike who doesn’t usually do vocals hisses out a poisonous danger that left me floored and impressed. I hungrily await the future offerings of this project. A perfect synthesis of styles to form a stronger bond.

https://severtheservants.bandcamp.com/album/dread-bloom

ERIC OBERTOCloser Than Ever Before – Brand new single from ex Tungsten Coil star reborn. I had Eric on for an interview which will release tomorrow 3/4/22. I loved hearing the story of him coming back into the music scene with an emphasis on horror film soundtracks. This single is a glitchy prayer of longing into a dark starless sky. I defiance of mortality through acceptance. The track comes with a cinematic video co directed with Erik Gustafson of ADORATION DESTROYED.

https://ericoberto.bandcamp.com/track/closer-than-ever-before

It’s As Cold As my Dead Goth Heart, Time for New Music

So I have been buried in everything I have wanted to do so far this year. Between work, the amazing Oscura Festival, End of the Year top albums. I finally have a moment to stop and catch my breath. Just in time to hear Bandcamp Friday is back on for next week. So how about I review some new music which is warming my bones as the world freezes over.

binzatinaAnestesia – This first album is from 2018, but I am just finding it and it NEEDS attention. This was a recommendation of our dear friend Juls (Pilgrims of Yearning). The band hails from Chile and combines a 90’s triphop Portishead slither slide drum beat, with and smoky lounge sensual vocal performance by Lya Godoy. This sound is a warm bath in the dark surrounded by candlelight. It’s flickering pictures on the wall with a healthy dash of explosive dynamic in just the right moment to wake you from your trance. Lulling you just as quick back into dreams. Beauty, passion, depth, this is the sound of your next romantic escapade.

https://binzatina.bandcamp.com/album/anestesia

DogtabletTJY4 – Brand new January 2022 release from Industrial scene legends Martin King (Test Dept), Roberto Soave (Associates), and Jared Louche (Chemlab). This new remix EP hits the mark just as you would expect from masters of the craft with the unbridled freedom to create expressionist sonic art. Giving over the reins of vision to great up and comers like (The Burying Kind), Sapphira Vee, and Melodywhore to expand the vision into fresh ground. Dogtablet continues to amaze me with their understanding of how to turn raw sound into transmitted human emotion.

https://dogtablet.bandcamp.com/album/tjy4

ESA (Electronic Substance Abuse)Designer Carnage – The greatest thing to happen to modern EMB industrial does not disappoint with the latest offering. Out on 2/14/2022 but available for pre order now. This remains the hardest, meanest, smartest, body earthquake, grit your teeth, be invaded by the spirit music. Jamie continues to skate the razor edge of unnerving terror and sonic rapture. He is officially on my “I will buy every release unheard until you fuk up two in a row list”. I see absolutely no chances of that happening any time soon.

https://esangp.bandcamp.com/album/designer-carnage

Dove TribeCollected Prayers – I have been waiting for this project to find it’s perfect stride for so long. Norway’s Hide Tepes has captured the low-fi bat cave early Sisters of Mercy tone and seamlessly blended it with their own emotive high art abstract. When I need an artist to push my boundaries and remind me of a time when music was raw, unruly, and unpredictable. All four tracks are captivating narratives that change direction and speed like a foreboding wind. There is one that stands out to me “When The Music’s Over” a lip curled prayer in the early art house sewer of early Bauhaus and “StillJoy Division. That haunting overlapping guitar riff, that cursed mantra to keep moving forward lest you disappear. This is one of the great visionaries of the modern scene.

https://dovetribe.bandcamp.com/album/collected-prayers

Blood DanceBurn Slow – Second single from Mexico City SynthGoth Blood Dance. This lovely creeper with some deep goth roots. The beats were a slowly boiling put but these carefully placed guitar leads are all sizzle. This track also features backing by Bari-Bari. This track really gets me excited to keep delving into the rich Mexico City darkscene.

https://blooddance.bandcamp.com/album/burn-slow

Bradley CoomesCommunion – Louisville KY songsmith Bradley Coomes has brought together an eclectic range of vocal talent to synch with his emotive shimmering 3D sonic images. This is one of those albums that really matches it’s cover art. An impressionist feeling exchange ranging from early 2000 minimalist opium rock like Low and Mogwai. To a sunrise shadow of dreampop. The way each guest vocalist is used to perfect effect really shows the love that went into this songcraft. If I had to choose a favorite track, I was absolutely captured by “Sabrina” featuring California shadowpop crooner James Edwards of (Male Tears). Expansive beauty and symmetry while cracking with golden strands of brimming romance teetering at the brink. I also want to shout out Jennifer Wilde of (Sword Tongue) for stepping so far out of their established style on “Little Bird” to shine with sullen Haight Ashbury mystical swirls that cast a striking contrast on the rest of the journey. Memorizing and hopeful in equal measure.

https://deusmarginalia.bandcamp.com/album/communion

The GatheringParade – New album from Vancouver Cold Transmission band The Gathering. While the previous LP was a nostalgic homage, “Parade” leans into the resurgence of Post Punk / Darkwave building up in real time. The album was recorded by Jackknife Sound by Jason Corbett (Actors) and also has additional vocals by fellow (Actors) Shannon Hemmett on “Ocean Star“. I love the unstoppable forward momentum and crisp accented drum beats. Everything vibrates with a clarity and precision that stops me in my tracks with my mouth open appreciating the ice sculpture prism of every track. Standout track is “Building A Bridge” with it’s zig zag endless pin prick attack. The blending choir of vocals create a haunting melody that was stuck in my head for days. There is something so special when someone uses the patience to have a song concept reach it’s height of development.

https://thegatheringbc.bandcamp.com/album/parade

Récipe MoradoRe•Habilitación – I discovered this gorgeous flowing up-tempo post punk from Venezuela at the Oscura Festival. Complex high energy tendrils of complex shoegaze supported whisper punk. I love the reckless abandon of the constantly shifting music and controlled reaction of the vocals. A wonderful synthesis of modern clarity and Jesus and Mary Chain effortless abandon.

https://recipemorado.bandcamp.com/album/re-habilitaci-n