It is Halloween weekend, that special time of the year where everyone celebrates leaning into the darkness which our scene embraces all year long. As I get ready for an Amaranth show on Sat I will share some reviews of what I have been listening to during the spookiest of months.
Ashes Fallen – New Normal – Brand new Single from Sacramento goth rockers, this one has this awesome Batcave B52s vibe. Energetic and dangerous like a twirling skirt on a dance floor. I can hear the curl of James lip on the vocal deliver. The keyboard has a Hammond B3 organ feel that adds to the Skoth Madness effect. banger.
Cyborg Amok – Etiam – Another quirky goth rock hybrid blend from the Father/Son NJ project. A definite psychedelic Syd Barrett meets Depeche Mode flavor. The multiple decades of influence, sharing music within your family really gives a unique sound and every song feels like a legacy and discussion.
released October 8, 2022
All songs written by Greg Bullock, (except, Golden Years, by David Bowie).
All songs performed by Cyborg Amok:
Greg Bullock: Lead Vocal and Synthesizers.
Brydon Bullock: Drums/Percussion and Backing Vocal.
Adam Vaccarelli: Bass on all songs (except Wicked Close).
Frani Lugo: Guitar on (Some) Sleep Tonight.
Drums, Vocals and “(Some) Sleep Tonight” Guitar recorded at Retromedia Studios, Red Bank, NJ
Engineered by Adam Vaccarelli.
Synths, Loops, Sequencing and some backing vocals recorded in GABWorx, Studio B, New Egypt, NJ
Engineered by Greg Bullock
Produced by Greg Bullock
Mixed by Adam Vaccarelli at Retromedia Studios.
Mastered by Mark Trewella at Full Circle Mastering, Ashville, NC
Desmond Doom – Surf-Goth EP – My favorite Shoegaze is The Jesus and Mary Chain style surf Shoegaze. It makes sense I fell immediately in love with Australian surf goth with a haunting blend of New Order Movement and the slushy cascading bop of The Ventures. A lot to get lost in here, people need to know about this.
Secret Shame – Autonomy – Currently out on tour with one of my favorite modern darkscene bands Vision Video I am constantly amazed by the slippery edges and bursting intensity of the NC band. I’m just blown away by how many sonic emotions are crammed into this firefly jar. The haunting lilt of the vocals, the gnashing wolf jaw guitars, the shifty darting baselines. The production here is razor sharp. Anyone who says modern music lacks complexity is not listening to this. 10/10.
Recorded at Drop of Sun June 2021 and February 2022 by Alex Farrar
Mixed by Alex Farrar
Produced by Secret Shame and Alex Farrar
Mastered by Carl Saff
Cover art by Lena and Aster
Cover photo by Jonny Leather
Layout by Nathan
released October 28, 2022
Lena – Vocals, synth
Aster – Guitar, backing vocals on Zero
Matthew – Bass, synth, backing vocals on Hide, additional guitar on Accelerate and Pink Staircase
Nathan – Drums
Additional guitar and backing vocals on Hide by Lemon Malandra
METAMORPH (Margot Day) – Kiss of the Witch – Lovely new shadowhouse from New York with the captivating Margot Day and produced by Erik Gustafson of (Adoration Destroyed). This is wispy ghost grind, club music with a captivating cyclone of soul circling the abyss. I love hearing Erik’s fingerprints behind Margot’s storytelling and delivery. A powerful combo to fill the room behind your cauldron.
Tears for ʇhe Dying – Eyes Wide Open in the Dark – I have an upcoming interview with the raw stalking intensity from the Georgia batcave project Adria Stembridge. The purple flame fury of her truth will make the hair on your arms stand up. You can really hear the devotion to early goth sounds in every track. Blood runs down the walls of my vision when I play this EP. A wandering chaos surrounded by tendrils or The Cure Pornography and sinister siren vocals full of Switchblade Symphony. One of those bands I really look forward to seeing live to fully appreciate
KMFDM – HYËNA – So this isn’t a band that needs my support. One of the well known voices in Industrial music. I recently saw them for this tour in Pontiac while seeing Bradley Bills of CHANT. This album brings you much of what you love if you are a fan of KMFDM. Bonfire bright drum beats overlayed with trash compactor crushing guitars. I think the biggest change from the KMFDM of my youth is the maturity of Sasha’s voice. It is a more mellow growl without losing the glistening sharp metal.
Kali Dreamer – October Requiem: 1988 – Derek Christopher turned me on to this Columbus OH artist who is doing a truly unique blend of old school goth and hip hop cadence with a macabre edge. I was immediately hooked, the poetry of the lyrics with the truthful confidence of cadence. You can’t mistake the terror rap elements of Esham in the dark lyric style but the talent and beauty of Kali’s vocals add a modern and gorgeous element. I was truly floored by the quality of this. I just don’t hear enough to suprise me with it’s uniqueness anymore. This album achieved that.
Favorite Track: Hellbender – This was relatable, bouncing, heavy concept gorgeous flow. The guitar was a perfect contrast. Everything about this fusion sound is pure chef kiss.