The newest offering from Stoneburner now on COP International is now available and Steven Archer keeps finding ways to ferociously raise the bar in modern industrial music. Teaming with COP International and adding in a legendary producer like John Fryer [NIN, DM, Cocteau Twins, etc] pushed the precision and clarity of message. To create an album full of ruckus noise and chaos which focused on lyrical message about a giant wolf god reigning apocalypse on a world that had lost it’s way. The metaphor tackles hard truth in everything from feminism to mental health. Crushing percussion and uncharacteristic pop hooks combined with wry wit to sling shade at the industry from within.
In true Steven fashion there is also a mystery to solve within the album:
We offer the physical as well as a digital version of this album and tried to figure out what could entice you the unsuspecting fan to get the actual CD. So Steven came up with an elaborate scheme. Within the artwork of the CD version is a hidden puzzle. Solve the mystery and get eternal bragging rights! You will also get a secret email address. If you are the first person to crack the riddle you will receive the original piece of cover art.
Currently on a must see tour to support. Find Stoneburner passing through your city:
10/15 Fallout, Richmond VA10/21 Darkotica, Cincinnati OH10/22 Small’s Bar, Detroit MI10/29 Mr Small’s Funhouse, Pittsburgh PA10/30 Dracula’s Ball w The Crystal Method @ Underground Arts, Philadelphia PA10/31 Ivy City, Washington DC11/3 Red Sea, Minneapolis MN11/4 Liar’s Club, Chicago IL11/5 X-Ray Arcade, Milwaukee WI11/6 Black Circle Brewing Co,Indianapolis IN11/7 The Crack Fox, St Louis MO11/12- 11/14 Unconvention (also w Ego Likeness), Iselin NJ
Currently #3 on the Sounds and Shadows Darkscene Chart !
Favorite Tracks include:
No Light No Spark – I just adore the brutal tank tread juggernaut feel of this track against the melodic chanting. A vibrant explosion of energy against a desolate darkness.
Spectrum – Sharp striking dance track addressing the neurotypical and expanding understanding of brainwaves in the current world. Donna adds vocals here to add shining blade contrast and light.
Overall: This is Steven taken off the chain and turned to 11. Unapologetic making industrial music of wild machines and wires. Spewed forth with venom to a world without a concern to how it will land. This is the true punk rock ethos driving giant steam punk construction vehicles. This is the industrial that Joe Strummer prepared us for.
The modern Darkscene has always been a place to push the boundaries of standard definitions of gender and self concept. Exploration of what society has subscribed is called into question through self discovery. Much like the umbrella that is goth and the genres within the artists who create the music form a broad and complex spectrum. I don’t want to dive deeply or speak for those that make up this rich tapestry. Instead I will focus on shining a light on some of the great non binary artists I have discovered.
Mystic Priestess – Oakland California dark punk band brings a cobweb lace batcave chaos full of elder goth tones and floor shaking intensity. The percussion is a non stop primal assault. The effective use of time change and intensity make each song dynamic and captivating. The instrumentation used shows a range and craft to the rough and passionate style. Eternal Resurrection features a muted saxophone that perfectly contrasts and shows a depth beyond standard 4/4 punk. The vocals carry a chanting energy teeming with life and prowling danger. A creature from a buzzing bog moving with jerking purpose ready to strike out at anyone who makes eye contact. I love that no matter how deep I dove into this album, I never found the floor. There was always another layer.
Favorite Track: Christian Lies – This opening tom fill makes my heart beat fast. It’s one of those recorded tracks you can’t help but picture live. The energy is infectious and the breakdown at 1:40 just collapses the floor and leaves you in a free fall ready for the trap to spring. A politically charged flame thrower that holds the spirit of what punk was always suppose to mean. I want to hear this song as I charge up the hill to burn post world capitalism from the landscape.
Sister Sarin – I first became aware of this Baltimore artist when they played percussion for Steven Archer with his Stoneburner project. Hemlock has one of those terrifying and remarkable energies you can’t help but spot from across a room. The sound is immersive and textual. A carefully orchestrated journey that makes the abstract realm of emotion take on shape through tone and hook. I’ve always been fascinated with chimes. That place where percussion and melody meet. Hemlock has an amazing talent for creating a dance of these aspects that seem to always strike a cohesive picture in my mind. Right Where I Belong is one of the few tracks that feature vocals and they are gorgeous. A sort of David Gahan’s ghost calling from beyond the veil. This EP is my soundtrack to a steamy ivory bathhouse lit with candles. It’s a challenge, it’s a comfort, it’s real.
Favorite track: Tripwire – Here those amazing chimes are on display. The percussion is complex and in the front. It’s a mystery of anticipation I’m drawn to because I want to be surprised.
Vortex Empath Xen, Moira Scar – Another Oakland California talent. A very experimental and raw sound with a minimalist efficiency. Sometimes with something this raw in production it might have a hard time capturing me, the more i listened the more it grew on me. It feels like being invited into an underground lair of where a secret society is preforming Kaos majick with thick smoke and hundreds of flickering candles. The guitars growl firing around the room like a demon summoned by Raw Power. This was never intended to be an easy hook driven listen. I feel the intention is to be unnerving. The vocals are delivered with power and unity like a flung spell taking shape from the void. I found myself constantly wondering if a cleaner production would clarify or ruin the vibrating hunger. This is an album you need to be in the right place for, however if you are in this place, it’s staggering and emotive.
Vinsantos – I first witnessed NOLA artist Vinsantos opening for Peter Murphy in a Chicago church and my heart stood still. It was as though they grabbed ahold of the center of their rib cage, tore themselves open, and 1000 ravens and doves flew out. The entire catalog is masterful in a way that makes the hairs on my arms stand up. This single in particular is a blend of the conceptual story telling of Robyn Hitchcock and the effortless emotion of Q Lazzarus. This song builds, it delivers, it places it’s hands on the side of your head and makes you stare into the windows of it’s soul. You need this, everyone needs this.
HIDE – If there is something more intense, powerful, and visceral in the modern scene than HIDE, I am hard pressed to say what it is. The Chicago based duo play slow meatgrinder machinery sounds that roll towards your body and you watch yourself chewed away by the awesome, unstoppable force of the lyrics and soul splitting delivery. There is nothing fun or happy go lucky about this phycological assault on the senses. This is true high art delivered with a morning star to the face instead of a paint brush. Sometimes when you hear an album, you are changed forever and terrified to keep listening. This is one of those records. You need to summon your courage, you need to listen, you need to be changed.
Favorite track: Daddy Issues – Holy shit, a brutal and unapologetic judgement on modern society and rape culture and Brock Turner. The fury and delivery of his fathers quote is staggering in it’s force. They hold a mirror up to society and then smash society over the fucking head with it.
Synth Witch – An artist from Portland Oregon that does lovely slow creeping interstellar travel sounds. Gorgeous textured bleeps and bloops I want to fill my ears while constructing high risk plans in the dangerous far reaches of space. One of those artists that truly captures a visual wavelength without the use of lyrics to paint the picture. Set the controls for the heart of the sun and sail away.
Favorite Track:Dangerous – This immersive soundtrack for a space heist is effortlessly cool. Perfectly tailored leather jackets in dirty space.
Arden and the Wolves – Wonderful talent from Los Angeles that also does a podcast about magic and art(I linked it below) . They have a voice that absolutely drips with power. A look and sonic energy that resonates with every step. I found myself struck by the theatrical delivery and spiritual passion. It almost feels like the goth version of modern secular music delivered by a soloist in front of a choir . Shadowed by the mystical roots to make a contrast. This is a teaching sound, each time i listen I feel like I am unraveling a story.
DORIAN ELECTRA – Artist from LA doing a blood pumping spicy trip hop. I love the way they spray the sexuality around like a firehouse. The vocal timber has a really unique feel and the energy is pure darkpop adrenochrome pumped right in the vein. The album brims with guest artist which adds a lot of flavors and complexity. This has such glorious relatable pop sensibility but delivered with razor edge and soul.
Favorite Track:My Agenda (Feat: Village People and Pussy Riot) – This has such a slinky beat and a real fire in the vocal delivery while holding a smoldering flame of pop beauty.
Darkswoon – Portland artist with singer Jana Cushman who also has done soundtrack work for the film “My Summer As A Goth”. Smokey driving shoegaze flavor. I really love how the music has a wall of sound shoegaze feel but the vocals are very forward and ring clear like a bell. Andrew Michael really puts on a clinic with the movement of a fuzzy swelling bass tone.
Favorite Song:The Flesh – Huge 10,000 maniacs meets Kevin Shields vibes. This song is a twisting mechanical snake with Jane pouring visceral soul from their mouth. Chefs Kiss.
Sawtooth – New England EDM artist Lillian Edith Martin that does a body shaking synth heavy dance drive. I love the labyrinth of staircases and moving paths. It’s glorious to hear dance music take on such a fantasy tone. It’s like listening to imagination. Some great collaboration with Juliet Brownell-Lee (Gorgeous vocals) and John Greene (Makes my arm hairs stand up). I have gotten lost in each of these tracks in different moments for different reasons.
Favorite Track:Crawling Towards the Light Feat: Juliet Brownell-Lee – Such a perfect homage to fantasy and nostalgia with modern dance flavor and perfect movement. This song is such a journey.
grabyourface – Marie does the most amazing sad industrial hybrid music. Tortured soul bearing poetry poured over a beat like blood down a fountain. Hearing the courage with which they reveal the most intimate aspects of their soul in every song fills me with strength every time I hear it.
Favorite Track: Shore – From the album Sea in 2020. When you think of a song as haunting and revealing. Every time I hear this is leaves me shook. The imagery, the self reflection, the tone.
Shadows Beloved – My dear friend Adrian Auchrome from Maine does such an amazing job of resurrecting old school traditional goth like Rossetta Stone and seasoning it with anguished vocal delivery. What really hits my heart every time is the guitar tone perfection that blisters to the front to take center stage. This album is so under appreciated in the discussion of the modern goth renaissance. Emotional abstracts and artisan crafting in perfect blend.
Favorite Track:All We Want – Adrian is at their best when letting their beautiful voice be itself and ring forth. This song captures that. The guitar solo is a powerful masterclass in modern traditional goth.
Sloar&Mordor – Wisconsin artists Matt Florence andSvea Tiberius Trzebiatowski bring their love of Science fiction and pop culture into this dungeon synth art house explosion of Easter eggs and shake that ass beats. I love the spoken word delivery and raindrop synth sounds.
Kali Ra – Oakland California artist does amazing offbeat driving guitar slather that I want to be my entrance music when I walk into a party. It’s dark and has it’s own saunter. David Goad has a 30’s phonograph sex appeal on their voice. It’s breathy, beckoning, and full of temptation. The album “The Monarch” leaps around between tone and style ranging from 90s goth pop to 70s Glam rock. Their voice is the one thing that ties together all these colorful threads stretching out on a loom of sound.
Favorite Track:Gaslight – The spirit of Brian Eno has been summoned and infused with youth to entertain me in the modern age. I also love what a contrast this is to the other tracks.
Dea Decay – Florida Dj/Artist Dea does this lovely candy sweet synthpop full of magic and color. If I had to choose a word to describe their sound it would be vibrant. It features samples and head bopping energy.
Favorite Track : Catronica – Look I love the new She-Ra and in particular Katra. Feel good adorable energy and breakneck fun pacing. Yes please.
WINGTIPS – Chicago synthdriven apocalyptical dreampop which captured my heart a few years back and continue to impress. Gorgeous flowing imagery turned into sound and fired out of a smoke machine to create a shimmering wave of deeper dreaming. One of the truly exceptional performances to see live in the modern scene. One of those bands that continues to evolve in complexity with every passing year.
Favorite Track:Last Minute – They have had so many amazing songs since, but you never forget your first love. When I heard this track I was instantly transported to the post apocolyptic John Hughes prom and I never wanted to leave. It’s unforgettable beauty.
Since I have come this far 🙂 I also want to give a shoutout to three Djs very near and dear to my heart that help make this scene what it is 🙂 Pat Allen, Kate Mior, and Azy Bats. All of them are great ways to hear the best in new music and keep your finger on the pulse of the modern scene. Pat 626, Darkness Forever, and Obscura Undead.
These tiny beings that we let into our lives change us in ways we cannot imagine. The relationships we build are the supporting blocks of our existence. That which gives it perspective and texture. When my three year old cat Freyja was diagnosed with a very aggressive cancer in her leg the full power of how much we invest in our tiny companions really struck me. My fear of a future without her and the big questions of how to proceed. What that would mean weighed heavy on my soul. Cats were once worshiped by the Egyptians and many cultures as deities. There is no other creature save humans that truly embodies the idea of pride and love. When I created the review page Sounds and Shadows I found in my love for new music the power in hearing and understanding the lives of the artists who make it and shared that with people around the world. In these dark moments with Freja’s life hanging on a knife edge these artists who I had woven a connection with reached out to me and ask “How can I help?” This was an affirmation which touched me to my core at a time I needed most to believe in the importance of those around me. From around the world they came together in collaboration and kindness to offer their time, their art, and their charity. Freyja required an amputation of her leg which was successful and I am happy to announce saved her and left her the same glorious, loving ball of warm energy as she was before, albeit on three legs. The cost of her operation was quite substantial but it was a sacrifice worth making for my tiny goddess. Buying this compilation of songs contributed by dear friends is directly funding Freja’s care and operation. Any additional funds beyond direct medical costs will be donated to a non kill shelter charity to help other animals in need. A special thank you to Pete Burns for the immense task of mastering the compilation. Cate McFarland for the wonderful cover art which I feel really captures the concept. Slade Templeton for releasing it. Collin Schipper for being my rock and helping me put it together. As well as William Zimmerman for helping me promote. To anyone who has ever written a song, recorded it, and released it, you know how much effort goes into each one. How much love I have for all the artists below is hard to put into words. I never could have imagined something so beautiful and powerful could arise from this dark event. I hope it’s power touches you and reminds you to pay a special homage to your tiny God today.
Also Here is the podcast Part 1 where we discuss the first 8 tracks
I wanted to do a quick breakdown of all the artists who contributed a song to save my baby. When I look at the list of the amount of talent here it is a bit staggering. We had submissions from all over the world and quite a few collaborations of people who never knew each other before this project.
Lorelei Dreaming – (Edge of the World Dj Senseless mix) Chicago based dystopian electro dance. Comprised of Laura and AJ remixed by Madison WI’s Dj Senseless. This song is such a different sound for Lorelei Dreaming, it was the perfect opener with it’s emotional swell.
2. Amaranth – (For Freyja) Goth/Industrial/Synth Rock from Kalamazoo MI. That’s us 🙂 I had some really deep emotions that needed uncorking with this song. Collin wrote a great song way out of our normal wheelhouse including Derick on a mandolin and Kam with some very delicate brushwork. It’s the loudest I ever screamed in anguish on a song. Hope you enjoy it.
3. A Covenant of Thorns the lovely sweeping romantic goth synth from near Chicago. What an amazing voice with this song remixed by Chicago Rock/Industrial super group The Joy Thieves. This is my favorite ACOT song and I don’t know how I could have liked it more. Enter Dan Milligan, this remix found another level of what I already loved in beauty and clarity.
4. Corlyx – England by way of LA and Berlin glitter grunge electronic duo remixed by EDM Industrial noise mechanics Electronic Substance Abuse (ESA). This song Deform is such a wonderful combination of both styles. Caitlin’s voice is ethereal and airy, floating through the void when the creeping digital build starts burrowing into your mind.
5. Antipole – Norwegian post punk revivalist of Karl Morten Dahl. Ft Paris Alexander and Eirene are experts of taking what is glorious of the past and making it rise again into the present. They are the most reviewed band in Sounds and Shadows history and true masters of the music craft. This song is such a different flavor for them and one I immediately fell in love with. That same signature Karl guitar but with this crisp sizzling dance beat. Together with Eirene’s smokey sultry voice it’s a real burner.
6. Ego Likeness – Maryland dark rock industrial duo of Steven and Donna have been such an important part of this scene for decades. This Dräcos Deep remix by Sombre‘ of the song Darkness really places a cool highlight on Donna’s voice and a crisp dance beat.
7. Machinery of Desire – Traditional goth rock of Adrian Auchrome. I trade music back and forth with Adrian often. I say as no light sentence I think this is the best song I ever heard from them. I was touched beyond belief that they shared it with me for the compilation. The vocals really cut loose and highlighted their unique and romantic darkness. Gentle crawling guitar lines of piercing intensity.
8. Adoration Destroyed – The glamour gloom stars of Austin TX remixed by Philly’s Authentic Impulse. I really liked the way Erik’s voice sits on the bouncing glitchy effects and pounding drum beats. AD does such a great job on remixes themselves it was really cool to see what William was able to do with their song.
9. Crying Vessel – Swiss dark glam star Slade Templeton gets a double credit here. Both for this amazing song remixed by Dead Agent, but also for helping me release the compilation. Ed Finkler (Dead Agent) did a sizzling breakneck dance song and let Slade’s voice ride on top like the crest of a wave. Such wonderful movement and balance. This was a beautiful team up that happened for the first time on this compilation.
10. I Ya Toyah – Chicago’s one woman sonic explosion Ania has been remixed here by Arcontas Blank for her single Code Blue. This sizzles with her intense soul and some intricate and beautiful synth pad work. I really love how varied and dynamic the different sounds used here are.
11. Twin Tribes – (Dark Crystal) The lovely princes of Texas darkwave. Twin Tribes was the first band we reviewed for Sounds and Shadows and they remain one of the bands that inspires me in the modern scene. This track is a beautiful, swirling ritual of emotion and pageant. The future is so bright for this band.
12. Radiograph – (Catnipped) This is the solo project of John Edwards Palais Ideal in the Netherlands. I love this sizzling disco prog synth with a early New Order guitar line. Palais Ideal is always finding ways to step outside the box of what post punk could be.
13. Caustic – (Fuck that Fascist Beat) Silverwalks Remix – Madison WI old school Industrial/EDM brings an intense shoulder tackle political hailstorm. Remixed in a smoother synth slither dance style by Pennsylvania based Silver Walks. This track slams so hard both in your mind, and in dat ass.
14. Seven Federations – (Syzygy) – North Dakota based goth Industrial full of rolling bluesy soul and electronic glitch. I love how hard it is to classify what I am hearing. This song has a really cool sample/spoken word effect that reminds me of 90’s VAST.
15. Vlimmer – (Schnittstelle) – Alexander’s Berlin based ambiant darkwave project is a masterclass in structure and sound creation. The rate and quality of the music he puts out never ceases to amaze me. This song is a intense and terrifying well of emotion and abstract prism to twist the mind.
16. Dogtablet – (Showtime Melodywhore Slave Remix) – The project of industrial titans Jared Louche (Chemlab) and Martin King (Test Dept) created this wondrous album based on the concept of totemism. Every track feels like a different creature embodied. This track is a sultry triphop prancing creature of grace and agility. It has a very feline quick quality.
17. Kiss of the Whip – ( The Pain is Ours) – I have been a fan of the Baltimore based retro synth weavers on Cold Transmission for a while now. Beautiful familiar feels with modern edge and a layered beauty. This track is a roller coaster of peaks and valleys gliding though a rainbow landscape of color.
18. Steven Archer – (The Showroom) – The amazing artist of (Ego Likeness and Stoneburner) appear once again showing his range in this synth prog builder. I really love how different his vocals come across in this song. Theatrical and with a Nick Cave flare. What is it he can’t do?
19. Cliff and Ivy – (Will to the Power) – Alaska’s darkest couple have been creating batcave punk fueled witchcraft for over a decade. It is raw, fierce, and intelligent. I love the drive and bloody claws of this track. Ivy and Cliff really show the power of two people in perfect lockstep making eachothers art stronger.
20. Orcus Nullify – (March of the Lost) – South Carolina’s Bruce Nullify creates a brand of unapologetic terrifying rumble of old school death rock. I love the over the top imagery and slashing guitars. I feel like this track perfectly captured that style but with a focused clarity which added extra weight and power.
21. Ritchual – (You Lied) – Austin TX based Ritch Napierkowski of Adoration Destroyed and Nimbus has done this synthwave solo project and it is absolutely lights out. This song could have been a missing track on Depeche Mode “Sounds of Faith and Devotion” Just a delicious dark ear candy jam.
22. Sister Sarin – (Split) – Baltimore Percussion specialist Hemlock has done this solo project where she weaves intricate texture and pulsing drum beats to create lovely isolated sonic paintings. This song has a driving dance beat and saber slash keyboard melodies to create an instrumental full of movement and dynamics.
23. Swansect – (Clovermouth) – Norwegian noise artists Adrian Kjosnes of Missfit Toys and writer for Sounds and Shadows unleashes this terrifying and avant garde solo project. It has this brimming intense Goblins feel of sinister noise and stealthy builds. This track is a haunting horror movie soundtrack to grab your nightmares with it’s claws and leave you screaming for more.
11 Grams – (DNA) Half Washington DC half Australia the industrial electronica dance floor lords have been a part of this scene for a long time and always bring the highest level of precision and technique. This track is a slow dark builder that crackles with life and a whisper that draws you in.
Sombre’ – French post punk with a very cool organic world beat feel. They always remind me a bit of the Happy Mondays. Cedric has a resonant and soothing voice and the baselines always really drive. Here he does a wonderful remix of Ego Likeness. I really love how Donna’s vocals are highlighted here.