As the first Friday of February descends upon us Bandcamp (The best way to support new artists) has brought back Bandcamp Friday where every cent spent goes to the artists making the music. Here in Michigan we are buried in fluffy crystal snow and have no where to go. So make a cup of hot coco, grab a warm blanket, and tuck into some of the great releases which have found their way into my collection.
Sapphira Vee – Aerial Human – Sapphiria Vee has sprouted wings and taken to stormy skies with the newest release “Ariel Human“. A bracing new pace and sinister promise. Featuring a rouges gallery of impressive collaboration from Jean Marc- Lederman, Roger Ebner, then Mixed and mastered by sonic wizard Jules Seifert. Send your mind a flight. Sapphira’s ability to draw talent towards her with both her powerful voice and magnetic personality gives her access to a wide brigade of masterwork tools. As a producer she knows just when and where to implement each sound like a conductor in a symphony. Available 2/4/22 on Distortion Records.
https://sapphiravee.bandcamp.com/album/aerial-human
The Palest Grey – Always Haunted – Long have I yearned for this release of wine stained lips and flapping leather wing goodness from Malek, Ripley, and dear friend Azy of (Obscura Undead). Lofi open maw bounding horror charging down a darkened hallway by furious clomping drums and tendril rope guitars. This is wonderful music created by people who LOVE batcave goth. You can really hear that homage in the intensity and intent. The EP also includes a Virgin in Veil cover which is a powerful deep cut. I love how the vocals have this hazy shadow monster undefinable quality that fluctuates in range and ferocity. Out on 2/4/22
https://thepalestgrey.bandcamp.com/releases
Katy Needs A Life – With Friends Like Bees – This is another special release. I feel like I watched it grow up. Born here right in Kalamazoo MI, in Collin Schipper‘s (Amaranth) studio, done by Katy May (Sounds and Shadows). This record is everything I love about ultra sad dreamgaze pop, with none of the pretention I often associate with the genre. Every song is a flailing arms, heart flinging, explosion of narrative intensity. The music of Reggie, David, and Jake is a furious and frantic cohesion of chaos and pastel dreams. Katy has a voice full of purity and unapologetic raw truth that blasts through a sea of cold ultra produced crystal. This is such wonderous walking around with your own thoughts music.
Stand Out Track: I’m Going Down – This album is such a complete journey, I love each story and song. That said this track is constantly in my playlist when I need a moment. It’s a heavy builder that taps the emotion of great hits like Black Parade by MCR. It’s a nuclear unhinged crest of beauty and pain flung forth with reckless abandon. The perfect closer to the album.
This record is the first full length with the entire band and spells a glorious future for Katy and company. On top of that it is expertly mastered by none other than Jason Corbett (Jackknife Sound Studios) (Actors). I think sometimes those of us that do musical support of others get lost when it comes to our own projects. This is an unforgettable must have record.
https://katyneedsalife.bandcamp.com/album/with-friends-like-bees-2
Black Rose Burning – The Wheel – It’s strange, I feel like I have already reviewed this record, because I listen to it all the time. George Grant is a legendary part of the New York darkscene who has produced and written magnificent music that infuses heady concepts of fantasy and science fiction into beautiful towers of narrative beauty. With that history laid out, this album is the true opus of his career. A distinctive and complex expression of the modern post punk/darkwave scene. George has one of those voices of shooting star power which rings in the memory every time you hear it. I have said before it feels like Peter Gabriel doing goth music about Issac Asimov. This album is a must have in your collection. Also Mastered by Jason Corbett (Maybe you should ask him about mastering your band)
Stand Out Track: A Little Too Little – Grinding and filthy bass driving contrasts Georges lifting windswept beautiful vocals. I’m genuinely amazed this wasn’t a hit from the 80’s I had just forgotten about. A pleading love song tempered with regret. This song stabs me right through the heart every time.
https://blackroseburning.bandcamp.com/album/the-wheel
What are you going to buy this bandcamp day?
