My Brother Got me a $100 Bandcamp Gift Card For My Bday! What did I get so far?

It is like the whole goth community got a birthday infusion. I am on a reckless spending spree of new music. Here is some of what I am listening to right now. As always if you have a band you want to see reviewed, comment below.

Lyres Of UrEscape From Modern Man – New single from our talented young contributor Lou Blacksail with cover art by Joshua McCallister. I continue to be impressed by the passion and vision of this young songwriter. A raw and bass driven wind tunnel of echo’s and sinister carnival keyboards. I can feel the snarl curled lip in every delivery. Sometimes when I hear a mix that has a raw feel, I am taken out of the moment. In this single that way different aspects charge to the front adds a boldness and bravado. I feel like this is an artist the shines with potential and leaves space to grow. The emotion and natural intuition for form and hook are unmistakable. I am more impressed by everything I hear.

https://lyres-of-ur.bandcamp.com/track/escape-from-modern-man

Suzi SabotageNazi Goths, Fuck Off – With everything facing our scene I am amazed no one has released a track like Finnish siren Suzi Sabotage that takes the blunt power of a barb wire baseball bat that attacks the worst aspects of goth with unbridled fury. A slinky dark synth build with a razor edge message that pulls no punches. The new generation of goths demand an anthem of political passion and Suzi has delivered. A perfect punch the masses can rise behind. Nazi Goths Fuck Off.

https://suzisabotage.bandcamp.com/track/nazi-goths-fuck-off

Precious BonesMAGNA FRACTURA – I love the name, the concept, and sound of New Jersey barb wire rockers Precious Bones. Antoine Poncelet & Guy Tetro unleash an Iggy Pop/New York Dolls late 70’s chaos venom. A tight coil of front edge intensity and pulsing electricity. I love the call and answer style of the vocals which put me in mind of the Vaselines. It flows through the pipe of uplifting joy and angry edge. This whole album is such a runaway stage coach sparking cobblestones in a tight alley chase. The organic slicing fury mixed with dangerous violent stories that has a real murder ballads feel. I love how this tale keeps changing speed and turning. I never want to look away. Horror punk with a retro feel. August 2021 release. This album is dedicated to the memory of founder Guy Tetro, a tragic story and impressive release.

Favorite track: Mysterio – Thick pulsing baseline. Start and stop reckless abandon. The vocals are the perfect volley of story telling dialog. It’s engaging and edgy without trying to sound that way. It’s one of those tracks that hits perfectly on it’s intent while the listener is left feeling it was a perfect storm with no destination in mind.

https://preciousbones.bandcamp.com/album/magna-fractura

StoneburnerSpectrum – Another face blistering hurricane wind blast from Steven Archer. This time taking a revealing and visceral offering about mental health to offer connection through the turbulence. I love the wide prism of colors in tone for the single and remixes. When I think of Steven’s sound I use words like focus, contrast, and intensity. This track is a softer and varied concept which shows range and subtilty. The bsides Bahr Bela Ma and Open Letter redirect back to the percussion assault and rhythmic chant vocals I associate with Stoneburner. This unity with COP International continues to let the wolfcore off the chain and give a fertile field for raw creative energy to foster. John Fryer has once again found a laser prism to channel the emotion of Steven’s art.

https://stoneburnerofficial.bandcamp.com/album/spectrum

CarrionShatter the Seals – New two track EP on Brutal Resonance from the charred angels of Carrion. I love the new direction. The monster is no longer lurking in the darkness, it’s sinister intention a slow whisper behind your back. Now the monster is charging towards you full speed with teeth barred and howling your doom. The vocals are a striking snake hiss. The drum beats are frantic and marching. Biggest of all this guitar distortion is clean, mean, and red eye glaring at you. The seals have truly been shattered and the demons unleashed on this plane. I’ve never heard Hide lash out with such unbridled intention. Buy this album, bath in blood, smash your meaningless possessions with a baseball bat.

https://brutalresonance.bandcamp.com/album/shatter-the-seals

Ratio StrainCentury Of The Self – San Diego band I am just finding from the drummer of W.A.S.T.E. This release came out in January 2020 but i am glad to discover it now. 8 songs of mind shattering hard industrial which is going to hurl a challenge in your face like a gallon of moonshine to the eyes. The vocals are sample laden and I will admit made me blush several times. This is music intended to cause discomfort. It’s also slick tight dance beats that had my head bopping while I stood in fear and awe. The panning of the drums was an expertly done effect and really makes the room spin to the napalm explosions. You think, you dance, you shake, you break.

Favorite track: Objectify – This song made me wildly uncomfortable and unnerved. A real blinding light held up to the misogamy prevalent in he world. It is not a soft message and hurled with such strength and aggression it left me speechless. (Warning) Not safe for Work 🙂

https://ratiostrain.bandcamp.com/album/century-of-the-self

VlimmerMeter b​/​w Kartenwarten – Alexander is back again, with a new two track EP and again stretching the range of one of the great sonic sculptors of our time. This is shake your ass club thump. The open expansive feel of the synths, the thunderous driving bass, I couldn’t help throw my hands in the air. Beautiful syncopation and vocal cadence. Track one Meter has a Blondie Atomic energy while pulsing in hues of violet and crimson.

Favorite Track: Kartenwarten – The glorious sway and slide of this track. I’m on a cliff staring at the sea, feeling the slow shifting power of dark water. So many textures and concepts bleeding together in harmony. A true work of beauty.

https://blackjackilluministrecords.bandcamp.com/album/meter-b-w-kartenwarten

Lorelei DreamingFuture Fables – Long have I awaited this 6 track EP complete with wonderful remixes by Chicago dystopian pop princess Laura. It’s so clear and textured from their previous release. Laura’s voice breaks through the wall and takes it’s rightful place on center stage. The album opens with an absolute banger in Of Stars. I’m loving the rippling synth sounds to add a fantasy feel. Each song is a striding step forward for an armor clad paladin facing down the demons surrounding her. This album was so worth the wait and every song is an adventure. The remixes are a brilliant contribution with the likes of Kanga, Sawtooth, Eva X, Angel Metro, and more. I love seeing so many top tier ladies involved.

Favorite Track: To Leave This Heaven – Sparkle explosion of dance delight and spinning cyclones. A real Violator Depeche Mode swagger with silk swirling gentle touch.

https://loreleidreaming.bandcamp.com/album/future-fables

Steven Archer Rants part (I’ve lost count)

Steven Archer is the amazing talent behind Ego Likeness and Stoneburner as well as fantastic visual art. You should listen to it and buy said visual art, but for now….. 🙂

https://stoneburnerofficial.bandcamp.com/

https://egolikeness.bandcamp.com/

We are all behind the curve right now

We are all excited for shows to start back up. I personally have been working towards my upcoming tours for a year and a half. As have many bands. We all want to get out there and blow your faces off. All of that said I wanted to throw something out there. Our scene is not young. Most of the “back bone” acts, all those bands you take for granted that play at all the festivals or come through on tour all the time, have been doing this shit for a long ass time. And all of us are aging rapidly. There’s a meme going around that says “guest list is canceled” because bands and venues need your support. I’m all for that and hopefully all of you will understand how much everyone on this side of the ticket counter needs you. Last night I did my first DJ gig in two years. It was a wonderful experience to see old friends and do the thing. But let me tell you, over the past couple of years the arthritis in my hip has gotten much worse (don’t try to stop a car with your hip, kids.) And a casual survey of my fellow compatriots tells me I’m not alone in that. My point being that, our scene for as amazingly accepting of the whole range of humans can occasionally be kinda snarky (I know, right?!?) with the things it takes for granted. Support isn’t just a financial thing. Support is accepting that everyone is two years older than they were when you last saw them. Bodies change, people slow down, artists go in different musical directions and on and on. Maybe try not to lock into the idea of “getting back to the way things were.” That big black pirate ship has sailed. You know people complain from time to time that the scene is ,”stuck in the past?” Well, now is the time to embrace the new world! Instead of expecting shit to pick back up the way it was, consider this whole thing an experiment in Tabula Rosa. A chance for all of us in the “wear a lot of black, dislike the sun, like sounds that go boom and collect dead shit” community to look at the big picture and appreciate what is happening now. It’s easy to take our scene, the venues, DJs, bands, publications, record labels and the rest of the infrastructure that keeps it moving (out of love, because ain’t nobody getting rich doing this shit) for granted when it’s a constant thing. But now all of us know what it’s like when all of it comes to a rapid crashing end. We all know what it’s like to miss the life we just accepted was always going to be there. It’s the new normal, the new model world… If you aren’t vaccinated. Get it done. Go out to club nights! Tip bartenders. Tip DJs. Buy band Merch! Tell promoters how much you appreciate them. Maybe ignore the fact that some artists are shaped slightly different or a bit slower than they were last time you saw them. And appreciate the fact that they are still up there in spite of the new pains in their bodies or the fact that the covid depression caused them to gain weight or maybe their shows aren’t as tight as they could be, because it’s difficult to get together and practice. Because believe me, all of us are painfully aware that our bodies have changed. And as much as we want to get on stage and be the pure vision and vehicle for the music that we see in our heads. The reality is what we see in the mirror or experience trying to walk up stairs reminds us every day that time moves on. But we are still going to get up on those stages or in those booths and venues and do what we do. So, if you have any petty observations about shit like that, how about keeping them to yourselves. Celebrate the fact that we are finally able to get together and do horrible things to each other in darkened clubs and not take the whole thing for granted. –

Steven (Ego Likeness, Stoneburner, and a dude who needs to get his hip replaced at some point)

It’s Wed My Dudes, On 5/7 It Will Be Bandcamp Friday May Edition

I have not been great about writing reviews this month. However that has not stopped my compulsive purchase of badass new music. So I am going to delve into my cups as well as the latest in hot new tunes. I invite you to follow my meandering thoughts and broken sentence structure. It is my genuine hope you find something here that will inspire hope for you as the tension of the last year and a half seems to have a light in the distance. As always leave a comment below if you have an artist you would like to see me review in the future.

kenzifiresSlumber Party” by Ashnikko – The amazing shooting star Æðra Justice Burke of FIRES has started a new WitchHouse project and blew my doors off out of the gate. These slinky flowing hip hop beats crisscross with waves of color and heat. I think the most amazing impact is the ability to stop everything, hang in silence a moment, then pirouette and walk away. I don’t know the original song well, but you can bet your sweet bippy I am looking it up now. Everything she touches is a laser beam right to my heart.

https://kenzifires.bandcamp.com/track/s-l-u-m-b-e-l-i-g-u-s

DoppelgängeRMercy and Eternity – Currently the hot topic in Post Punk/Darkwave is the amazing icy wind blowing out of Russia. Doppelganger has been leading that charge for a while now. Building an impressive catalog for 25 years and honing an impressive smooth icicle sound with a razor point. Rolling live drums with crisp transitions. Light shard guitar cadence. A bass line the drives the tempo with intuition and an unseen presence. The vocals are subtitle and hold a wisdom. When someone says you have an old soul, that is the effect these vocals create with me. I am kicking myself for waiting so long to find this band and if you haven’t heard them please don’t waste another day.

Favorite track:

Dancing With Shadows – A flowing wisp of smoke with quick moving guitars and deceptive transitions. Another power of this band is that it sounds like itself. The vocals in particular could easily get lost in the “Baritone Post Punk” singer trope. It has instead a fresh confident take that is not another Ian Curtis/Andrew Eldrich.

https://doppelganger-ru.bandcamp.com/album/mercy-and-eternity

HALLOWSAll That Is True Dies – New single from recently relocated Seattle band Hallows on Cold Transmission Music. In addition to the single you get two remixes by Dead Astronauts and Profit Prison. As well as exquisite mastering by Pete Burn and Slade Templeton. That is an all star team and gets me excited. The first time I heard this band I was struck by the glorious blend of vocal styles. It really creates a story between these voices. Like an other world echo of memory that haunts a home. I love the simple idea layered with tragedy and humanity. This is a song of reflection and immersion. After the banger club hit, that quiet moment when our characters lock eyes and get lost.

https://hallows.bandcamp.com/album/all-that-is-true-dies

Into GreyWaiting Here – So this is a band from Columbus Indiana that found it’s way to the Sounds and Shadows group and holy shit it is good. I’m working my way through the previous catalog. It is rainy days and water colors. Deep resonant vocals that put me in mind of Golden Apes. Cutting poetic lyrics of longing and doubt. A lot of overlapping busy guitar leads which create motion from an otherwise crushing weight. It’s a nice effect that draws a beautiful contrast. Quickly rising on my list of modern bands making goth romantic again.

https://intogrey.bandcamp.com/track/waiting-here

StoneburnerSell Out – Steven is newly signed to label COP International and broke out the first single. To no ones surprise it is a total banger. It was produced by living legend John Fryer and features remixes by Klack, Stabbing Westward, and Sick Jokes. I love the crushing 100 MPH pop stinger tempo and tongue and cheek clever delivery. “I want to look good in the DJ booth” “You have to sit through my noisy ass shit”. This is a cleaner burning view into the wit and humor that Steven uses to connect with his audience outside of his music. I love the left turn in direction to show the range and endless creativity Stoneburner continues to bring.

https://stoneburnerofficial.bandcamp.com/album/sell-out

Shadow FashionOne Black Rose – San Antonio darkpop darlings have dropped a new single and this is my favorite of their releases to date. I fell deeply in love with this track. It hits on so many genres and decades in one dark clean insta classic. Huge John Hughes romantic swirling film feels. Patrick’s vocals are crisp and dreamy. It has a modern production with a nostalgic tone. This single really paves the way for a bright exciting future. I’m jaw dropped blown away by how much this track is stuck in my mind when I least expect it. Must have.

https://shadowfashion.bandcamp.com/track/one-black-rose

Dove TribeAll In The Waiting – No one is a bigger fan of the artistic exploration of sound by Hide Tepes of Carrion than me. He is on a constant journey to create some of the most cutting edge sound crafting in the modern scene. So when I heard he was doing a new project with a more rock focused old school bat cave sound I knew to expect something exceptional. The song “New Cold War” is a powerful political statement with an emotional delivery that harkens me back to 1959 by the Sisters of Mercy. A track that transports you and paints a picture of strife and rebellion. It shows Hide’s voice in a completely new light that left me spellbound. Currently available for pre order for a 5/15/21 release. I feel like this EP has the raw power to be a game changer in a genre hungry for new sound.

https://dovetribe.bandcamp.com/album/all-in-the-waiting

Lyres Of UrI Look Good On You – I know, I know, you are thinking Ken are you just reviewing all of your contributors at Sounds and Shadows? No, this new single from Lou Blacksail is pure blazing fire and marks more young talent that is hitting a stride which strikes me deeply. The vocals are a sinister reflection of 80’s pop. I love how accessible the hooks and cascading synths feel while the vocals hint at something secret. A dangerous curl of the lip and arrogance of the eyes. As Lou continues to find his voice, I continue to be more invested and impressed by a future talent in this scene. Show support now for this “It” factor artist.

https://lyres-of-ur.bandcamp.com/track/i-look-good-on-you

MORIS BLAKIrregular Revisions Vol. II – Brand new remix album from Boston EDM wizard Brian Blacknoise. Powerful reimagining from 2019 The Irregularity of Being. This album is a epic dance journey where sounds are sculpted from chaos into form. A masterful job of enlisting vocal performances from the likes of Alicia May, Luna, and Pete Crane to add layers that elevate the intent and narrative. Finding a fresh image in songs you have previously done is no easy task, but this remix album cracks the standard code. It’s a collaboration that takes something wonderful and fires it through a prism.

Favorite Track: I have a tossup here. Between Alicia May‘s vocal delivery of empowerment and grace on Burying Place, and the and the HAEX remix of of Erase Displace. Both brought such a fresh vision to Brian’s vibrating walls of earthquake destruction. Honestly I am hard pressed to find anything here I didn’t enjoy.

https://morisblakngp.bandcamp.com/album/irregular-revisions-vol-ii

ΣΕΘ(SET)Disorders Of The Heart feat. Morgue VVitch – So this was a powerful and abstract find from Arizona featuring Morgue VVitch. An unnerving and beautiful forest of terrifying Will o Wisp lights. Goblins horror texture blended with dungeon synth adventure. I loved the spoken word intro and the fingers on your spine chime movement. What left me enthralled by this was how unfamiliar and dangerous it felt. A chilling feeling of desperation leaving me hungry for life. I want to explore deeper in this haunting mystery.

https://subgoth.bandcamp.com/album/disorders-of-the-heart-feat-morgue-vvitch

Steven Archer Rants

Shit Man….You Old

Shit man… you old…I started this whole music thing way back in 90, when I started DJIng at clubs before I could legally be in them at 19. I stated my first band in my early 20s and didn’t start Ego Likeness until I was 28? or so. At the time I thought I was too old to really have much of a career doing this. In August I will turn 50. And the record I will be dropping this year is the most fully realized thing I’ve ever done. I remember reading that Michael Gira didn’t start The Swans until he was 30. And there are plenty of new and old scene artists, some in this group that are 40+.“Ok, so, what’s your point? This music is for old people?” No, don’t be an asshole. The point is that it’s never to late to do the thing you love. And if anything, starting later in life gives you a bit of an advantage in that you have a much more mature (hopefully) outlook on life. Which goes a long way when it comes to writing lyrics and how you deal with the professional aspects of the whole thing. There’s an old saying ,”youth is wasted on the young.” I’ve never been fond of it, because I feel like I did a lot of great shit when I was younger and used the time to develop skills I still use. But there really is a lot to be said for the sense of self and… “I don’t give a fuckness,” that comes with time and perspective. I am in no way saying one is better than the other. Each side of the coin has a lot going for it. But for those of us rapidly aging it’s easy to dismiss the desire to do X thing as childish. And it’s easy for young people to look at older musicians and assume that they aren’t able to bring new elements to music, or that it won’t speak to them. Which is a shame on all accounts. Personally when I was a kid, I never listened to music aimed at young people. And as an artist I couldn’t write for kids if you put a gun to my head. Make what you make, keep it honest, put it out into the world, repeat, and eventually it will find an audience it resonates with.

https://stoneburnerofficial.bandcamp.com/

Trade Secrets Are Bullshit

This is less of a rant and more of an observation. A while back I was on a thread with a musician and they were complaining about people asking what gear they use. And someone piped up “don’t tell them, it’s trade secrets.Which to me, and hopefully to you, is just silly. Because as we all know, it’s not the gear, it’s what you do with it. Garbage in/garbage out and all that. Each of us probably has a couple of tricks, or pieces of kit that they use that others might not, and it may solve a specific problem for them. Which is fantastic. But in the end it all comes down to the ideas. I started thinking about this because I just saw a thread here asking how music reviewers do their thing, if they have a system for it. And I’ve seen a few others asking how to do X or Y thing and the people who know about that are more than happy to jump in and get into an otaku level of detail about how it works.I’ve been also thinking about the small but aggressive backlash I’ve gotten on some of these posts, and I think I figured out something that those people might not get. I do it for the same reason so many people here are willing to help and be transparent with their shit. *Sure you don’t like the way I word things, too bad, be the change you want to see and write your own column.*It comes down to love. The people who want to share their information with you, myself included, LOVE what they do. They have poured themselves into learning how to do it. And they want others to get just as much out of it as they do. In the end, that’s the entire motivation. Also, there a couple of simple facts that everyone should keep in mind.1. Ain’t none of us big enough to worry about trade secrets. We are in a tiny corner of a genre that the mainstream world doesn’t even market to anymore.2. When you raise the water level for one person it raises it for everyone. Let’s say someone you help becomes the next Nine inch nails. And suddenly the spotlight is back on this style of music. Well, that’s fucking great for all of us. Because that means the available audience is much bigger. TL;DR: help others when you can. Trade secrets are bullshit.

Superpowers

Steven Rants: you’re a superhero get your shit together….Superpowers. All of you are superhero’s you just don’t know it yet. (Some of you may, but then you won’t need this.) My hope is by the end of this you will see and understand what I mean. And this is a big ass hall of justice. Here’s what I mean. We are all different superhero’s with different powers. Some are Superman, some are the green lantern, some the wonder twins, and there are a few, but not many Batman’s… batmen? Battsmen? Batmens? Now, your superpowers… they ain’t all that compared to being able to fly. (If you can fly drop me a line, we should talk.)So the first thing you have to figure out is what your super power is. Here, let me give you some examples.*im picking people that I feel comfortable making statements about. I’m not picking favorites.

1. Ken, Super-Kens power is that he’s really good at social dynamics. He can get along with most people, and he can get people from all over the place to support his ideas, join a group like this, and out of respect for him and each other, not act like dicks.

2. My buddy Ian who just joined this group, one of his super powers is he knows synths inside and out, literally, he tears em apart, puts em together and brings them back to life.

3. My wife Donna, if you need to know anything logistically about touring in a van, she can tell you how to deal with any situation that comes up. She can do a 12 hour drive, set up, play a show, be nice to people, sell Merch, crash for four hours and do it again day after day, all while not letting her fibromyalgia keep her down. When we take big bad industrial bands out as our opening acts I sit then down and say ,”look I get that you’re tough as shit and all that, but you need to understand that D has bigger balls than all of you put together, and if you forget that, or don’t jump when she says jump, you’re going to be in for a bad time. Because if she tells you to jump, there’s a real good reason that you probably just don’t see.

4. Myself (I get to be in this list because it’s my damn list and I came up with the idea. Bite me.) I’m ridiculously tenacious, and I have total faith that the things I make are good and matter. Once I have an idea I will do anything I can think of to bring it to life, learning new skills, putting the time in to make it happen, because I have always been poor and have never been able to afford to pay people to do them for me. Also, possibly my best superpower, and one anyone can learn to do… I have no shame. None at all. I will pull every available string, and use every available connection to push my agenda. Because I believe that strongly in the quality of my ideas and work. “You think you’re that great huh?” No, but I’ve busted my ass, I’m good at what I do and I think it’s interesting. There are tons of people better than me, which is one of the reasons I’m willing to be so shameless trying to get my shit out there. Because doing this is *all I know how to do* I have no fall back plan. I get that attitude puts some people off. But fortunately not having any shame, I don’t really care much. “Ok, cool Steven, so what?” Chill. I’m getting there, relax, put your feet up, and most importantly, stop interrupting me. So, let’s step back and look at the big picture. You make this shit that you love, art, music, whatever and you want to disperse it to the widest possible audience, because otherwise what’s the fuckin point, right?This is where knowing what your powers are comes in. Purely from a marketing standpoint point, look what Ken has done in, what, two years? He’s put together a great blog, he’s made this group come together from all over the world. And consequently, because he’s a good guy and is putting all this work in, his market share, his “Ken” brand is skyrocketing. And because of all of that, when he wants to put his band on the road or get some remixes, or even just ask for help he’s already got his foot in a shit ton of doors. Just by doing what comes naturally to him. Because NETWORKING, BRAND RECOGNITION and your brands REPUTATION matter as much if not more than actually being good at what you do. (Kens good, natch)I mean shit, how many people do we know that are really good, but no one knows them, and how many horrific acts are out there playing garbage music for people? Once you figure out your superpowers you can use them to jumpstart your career, or at least keep it moving. For instance put out just a stupid amount of material over the last year and a half, along with 19? 20? Videos, a book, and however many paintings. And each of those helps get my projects in front of more people. It also helps showing people further up the ladder that I’m active and keeps people aware of my shit. I was speaking to someone recently who said ,”when I got back into doing X thing, you were one of the first people I ran across because you can’t *not* run across you.” So, for good or ill, my whole brand or trip is here for all to see. And if people don’t like it, so be it, it’s me, and I accept that result. The point is this. There’s a good chance that you have one or two things that you are really good at. In some cases you might just have a great personality, some of you might be batman and have just a shit ton of money, use that shit to buy promotion, or whatever. Know how to fix synths? Make sure everyone knows, maybe you can help an artist you like in exchange for an opening slot on a tour or a remix or some shit. Because one thing about super powers. No matter what you can do, there’s always someone who can do some shit you can’t. Figure out how to leverage that to your advantage, make yourself available. Because to the person who *can’t* do what you can… you really are a fuckin superhero. And that shit fuckin matters.

First Friday of February. That Means Bandcamp Day is upon us Again!!

As 2021 begins and the world continues it’s isolation we find comfort where we can. For me that has been finishing an album, enjoying our ShadowBook Facebook group, and finding amazing new music to drop my hard earned duckets down for on Bandcamp day. The first Friday of every month Bandcamp gives all of it’s proceeds from album sales directly to the artist. So let me fire through what will be taking up residence in my ever expanding collection.

StoneburnerNo Light No SparkIt is fairly well known Steven is a friend of the page. That is why I appreciate it so much he never makes me forfeit my integrity by consistently putting out increasingly amazing albums. In this one he calls upon an army of Industrial compatriots to remix some of his recent work. (Bellhead/Assemblage 23 / Machines With Human Skin / Dogtablet/ Sister Sarin / Stabbing Westward / Joy Thieves / Bativia / Hollowboy / Pill Brigade). It’s always a joy to here material you love, reimagined by other people you love. Often they do something I always want to hear from Steven, which is giving even more clarity to his concepts and poetry.

Standout Tracks: All of them.

Amnesialand (Dogtablet – Soldier Ant Mix) Static strikes like brushes, a machine powers up, Steven’s rapping flow is clarified and direct. I love how the drums slide off the beat behind him.

Are You There The Way I’m Here (Assemblage 23 Remix) A slow and deliberate grind that isolates the lyrics. Striking hard on the front beats. Just wave after wave of giant stone wheels crushing the land before it.

No Light No Spark (Terror Management Theory version) Giant and terrifying in it’s scope. This track stomps around on iron legs with drunken fury. A stalking beast of a song.

https://stoneburnerofficial.bandcamp.com/album/no-light-no-spark-deluxe-remix-ep

You can never have too much Stoneburner in your collection.

SINEDesolate District Feat. Chris Connelly – This is an absolute burner single that came out last year. It’s starburst drums and satin vocals, weaving through a shattered landscape. Then it adds in Chris Fuking Connelly. I love this call and answer flow of the vocals. The power of the drum beats shakes your spine. This song is a dance club hit every place in America needs to be thumping through a system. When Connelly is the icing on your cake, that is one hell of a cake. Hot poetry like this “The name’s contagious, written in smoke
You force fed energy, starved and soaked
You misread crime when you look at decline
Desolate district dissolute signs”

https://sineofficial.bandcamp.com/track/desolate-district-feat-chris-connelly

Die RobotFrantic – Portland’s cybernetic punk energon cubes released this single in May last year. It’s that perfect synthesis of funky electropunk and smash your face flying robot fist. Great mixture of voices and sensual inflection. I got done stomping my feet to this single and picked up the whole discography. My advice is get this and then when your legs can’t dance anymore build better ones out of broken robot parts.

https://dierobot.bandcamp.com/track/fanatic

I Ya Toyah Out Of Order – Chicago/Poland’s favorite one women sound extravaganza has this eagerly awaited sophomore EP out 3/26/21 which is now available for preorder. So far one single is available and just like every time Ania puts out something new, my jaw hit the floor. Instead of napalm energy, this new sound is a cutting laser or focus and complexity. Like a fine wine every moment it lingers in your throat offers a new flavor and tone. This is a must order and early contender to be on albums of the year. It’s so seldom you see someone with the talents of Ania work as hard as she does at her craft to grow exponentially with each release.

Also a bundle package available Unisex T-shirt designed by Chicago artist Danesh Kothari, printed on soft and natural Bella Canvas, plus limited edition holographic sticker, and CD in 6 panel art wallet with 6 page lyric and art insert.
Photos and art by award winning European artist Krzysztof Babiracki.
15% of each physical album sale goes to American Foundation for Suicide Prevention to aid mental health cause. Ania is an amazing human changing the world with everything she does.

https://iyatoyah.bandcamp.com/album/out-of-order

The Churchill GardenFade Away – Gorgeous new dreampop single with a team up of Andy Jossi and (Whimsical) singer Krissy Vanderwoude. This track is a tear rolling slowly down the cheek just as the sun strikes it to make it sparkle. I kept feeling my heart rise up towards my throat as layer after layer emerged and joined a cacophony of tender sweeping wind. Music to make your feel.

https://thechurchhillgarden.bandcamp.com/track/fade-away

Luis Vasquez A Body Of Errors – I hate to be that guy, that says I was at that one show. I’m just kidding, I love to be that guy. I got to see The Soft Moon at Berghain and it altered the course of my sonic life. This new solo album is a percussion driven instrumental masterpiece. Rising cities, cities destroyed, the screams of a dying age. Textural emotive hums infusing the body and blasting a prism of colors into the mind. I’m not usually one for instrumental works but just like anything when it is done at this level it is something that moves you. Future Sounds of London with the edgy tension of Coil. I want to be back in that bunker in Berlin riding the wave of this journey of sound.

https://thesoftmoon.bandcamp.com/album/a-body-of-errors

Doors In The LabyrinthThe Shadow Of The Monolith – I love when a band has so many present influences that their is no effective way to categorize it. New album from the Pittsburgh native Josh Loughrey has a textured coldwave isolation crashing up against sizzling guitars and wilderness crooning vocals. Full album release is 3/15 but this first single is full of promise and explosive energy. I had the opportunity to see Josh open for Adoration Destroyed/Lorelei Dreaming and this is an artist with a bubbling volcano of passion ready to explode.

https://doorsinthelabyrinth.bandcamp.com/album/in-the-shadow-of-the-monolith

Collapse of Dawnof dreams and nightmares – This is a sound that really leans into it’s album name. A sinister stalking wispy electronic sound. Both Saphirra Vee and Melodywhore contribute vocals and it is a powerful combination to give the shadow images both sensuality and dark intention. My personal favorite was “Silent Howl“, it managed to elevate the surrealism to further the dream metaphor. Just like a dream or nightmare I think the true star of the show were the tiny brushstrokes of sound you don’t remember you heard until later reflection. Everyone who listens will get their own story. I’m glad I heard mine.

https://collapseofdawn.bandcamp.com/album/of-dreams-nightmares-2

Kandinsky NoirDOM​-​J (Feat. Grabyourface) – This track immeadiately puts you back on your heels with explosive force and smashing guitars. Very old school industrial tone with a sharp high speed modern sound. The effect is made even stronger with a wonderful guest vocal by Marie of Grabyourface providing French lyrics. This one is even more special for me because the collaboration came out of our Sounds and Shadows group. A beautiful textured jam with teeth and blood.

https://kandinskynoir.bandcamp.com/track/dom-j-feat-grabyourface

DissonanceDamage 1st Assault (Feat Melodywhore) Ok I am a long time fan of Cat Hall, she has one of the most underrated voices in modern electronic. So when I say this is my favorite track I want you to appreciate the weight of that. James lays down a filthy grinding beat that really let her voice off the chain. Puts me in mind of that aggressive feminine power of Lords of Acid and My Life With The Thrill Kill Cult. All broken glass and velvet sass. I can’t wait to hear more from this powerful collaboration. The single also features some powerful remix work from Joe Haze , Machines With Human Skin, Steven Olaf, and more.

https://dissonanceband.bandcamp.com/