What am I thankful for this November? Bandcamp Day!

As the world tilts and tumbles and the chill settles into the land. What is the new music that I am feasting on this Bandcamp day? I just did the review and interview with Raymond Watts and I am a bit star struck and over the moon. You all know S & S for new up and coming bands so lets talk about what just came out.

Death Loves Veronica : Our dear friend from San Antonio has not been idle during the pandemic. Another new single and one with a totally different feel from her previous material. Lovely grinding old school industrial with her slow whisper burning ember voice. I love the gentle drone and build. A very David Lynch broken mind story. Veronica keeps finding ways to deliver and stay fresh.

https://deathlovesveronica.bandcamp.com/track/lies

The Unquiet Grave: This amazing compilation really needs it’s own review. I think Amaranth was set to be on it at one point. 32 Tracks with a huge variety of goth styles. Put together by Athan Maroulis this is the best value you are going to get in goth music. A great way to find 10 new bands you are into for $10.


1. Shadow Assembly: Languish
www.facebook.com/ShadowAssembly
2. A Cloud of Ravens: The Tempest
www.facebook.com/acloudofravens
3. Ships in the Night: Lost Times
www.facebook.com/shipsinthenightmusic
4. I Ya Toyah: Glass Eyes (The Joy Thieves Remix)
www.facebook.com/IYaToyah
5. Blood Bells: Destroy
www.facebook.com/bloodbells
6. Double Echo: Remains
www.facebook.com/DoubleEchoTheBand
7. The Kentucky Vampires: Holy Heretic
www.facebook.com/thekentuckyvampires
8. Null Device: And I Fall
www.facebook.com/NullDeviceMusic
9. Ghost Painted Sky: Cleansed
www.facebook.com/ghostpaintedsky
10. The Mystic Underground: The Ugliest Duckling
www.facebook.com/themysticunderground
11. Eva X: A Softer World
www.facebook.com/evaxband
12. Funeral DJs: Kiss of Death
www.facebook.com/funeraldjs
13. Red This Ever: Man Up Now
www.facebook.com/redthisever
14. Double Eyelid: Dead is Better
www.facebook.com/doubleeyelid
15. 51 Peg: Cut the Wire
www.facebook.com/51peg
16. Evil Symbols: Fascination (feat. Bat Kalaayan)
www.facebook.com/Evilsymbols
17. Dispel: Modal Consequence (The Threshold)
www.facebook.com/scott.doland.3
18. The Shyness of Strangers with Rhoneil: Return to the Ground
www.facebook.com/shynessofstrangers
19. ItheVirus: Obedient Delusions
www.facebook.com/ithevirusmusic
20. Ghostfeeder: Fascia
www.facebook.com/Ghostfeeder
21. Dead Blood Cells: The Candles, They Flicker
www.facebook.com/deadbloodcells
22. The Skeleton Closet: The Fine Line
www.facebook.com/SkeletonClosetMusic
23. Grey Gallows: Enemy
www.facebook.com/greygallows
24. Jaka’s Story: Dream-Land
www.facebook.com/JakasStory
25. Blood Dance: Child of Fear
www.facebook.com/BloodDanceBand
26. No Exits: Noticed
www.facebook.com/NoExitsLA
27. Rituel Encens: Passions
www.facebook.com/shellstorefr
28. The Horror Diaries: I Get Low
www.instagram.com/horrordiariesmusic/
29. Dead Souls Rising: Overthink
www.facebook.com/DeadSoulsRising
30. Cables For Clouds: Rain On Your Day (Radio Edit)
www.facebook.com/CablesForClouds
31. The Unquiet Void: Song of My Soul
www.facebook.com/TheUQVoid

The Ghost Of Bela Lugosi: (Poisoning of Every Seed) Another scorching new single from Vin. It really rattles my mind just how different every new track sounds. Everyone is a masterwork. This is a flowing newwave disco jam with 80s Depeche Mode flavor and punk rock sleaze. Vin lets the shining beauty of his voice gleam through on this one with more polish. Another genre shift, another hit.

https://ghostoflugosi.bandcamp.com/album/poisoning-of-every-seed

Blindcopy: Hot new single “Blacklight” from Memphis electronic artist Jack Alberson. Loving this bopping Information Society style with some southern soul. The way this track keeps bobbing and weaving you can never quite grab hold of it in the best possible way. The motion and energy created is hypnotizing. 5 remixes one from our dear friend Melodywhore.

https://migrainerobotsounds.bandcamp.com/album/blacklight-single

Caput Medusae – Dreamy new single from German darkwave artist called “Kiss Me Deadly” This track is always lurking around the corners and moving through the shadows. Tina Mar has a voice that is always in your periphery but always surrounding you. This is music I want to hunt ghosts in a abandoned mansion.

https://caputmedusae.bandcamp.com/album/kiss-me-deadly-single?fbclid=IwAR1O7XcG_gfeVSHbLtQNkZl28A9CArqjixVwQq0-HLjFhAwiUppu3HgBclI

White Mansion : Speaking of haunted mansions, Cold Transmission’s Arkansas post punk stars have a lovely new synth driven single “Alone”. The song has a lovely isolated New Order “Movement” feel. The bassline is a thrumming pulse and the vocals convey a loneliness and you can taste on your tongue. Wonderful single but I would be remiss to not mention the remix by label mates Kiss of the Whip . Tristian took that dark moody power and refracted it through a prism to highlight all the best elements.

https://whitemansion.bandcamp.com/album/alone-single

Black Rose Burning: (Open The Gate) I just need so much more of this style and quality. NYC artist George Grant released this gorgeous EP of ultra dark acoustic singer songwriter jams with a true goth aesthetic. His voice is so passion Peter Gabriel but that ever driving percussion acoustic rings like The Cure “Wish”. Sometimes to find the next evolution you need to strip the concept down to it’s bones and I am drinking deep of the marrow of BRB.

https://blackroseburning.bandcamp.com/album/open-the-gate

Actors: Last but certainly not least is a new single from Actors called “Love U More” and holy shit. I didn’t know exactly what to expect but this surpassed whatever I had in my head. We did a live reaction of the video which I will post soon. It’s all the things I loved about “It Will Come To You” and more. Jason’s vocals are blended perfectly and float on a cloud city of synth glory. Shannon’s vocals are brought to the front and make a perfect contrast. The tone is much darker and has a force of soulful pop with a deep message. I really can’t stress enough that you need this. This band is the future and I am here for that future.

https://actors.bandcamp.com/track/love-u-more

“Fucking Visceral” An Interview w/ Carrion

The definition of Carrion is “the decaying flesh of dead animals” and morbid as I am that immediately peaks my interest. Enter the world of Carrion and subsequently the worlds of Swansect, FTMOB, and Missfit Toys.


HH: First off, feel free to introduce yourself and give us a quick summary of your artistic work and vision.

C: While names are inherently meaningless for this instance we can use the moniker Hide Beliya`al. My work and vision is one and the same as, in my opinion at least, is of absolute necessity. In more direct terms however I could describe it as an expression of my experience on earth in every which way.

HH: So you’re an extremely prolific artist with 4 active projects currently: Carrion, Swansect, From The Mouth Ov Belial, and Missfit Toys. Do you ever experience burn out? What keeps you inspired?

C: I guess I do in short bursts but I usually don`t let it stop me if there is work to be done. As for what keeps me inspired, this is what I`ve done my entire adult and teenage existence, it`s literally the only way of life I know so it`s quite a natural state of being at this point in time. I suppose I have a wound overflowing with various substances, I can`t stop it as I`m not in control here. As far as MissFit Toys goes it`s my first time being in a full on band with other people in a long while and it`s not something I would do if it wasn`t for me finding some sense of value in both the outcome of it as well as the people I surround myself with. I also like that it enables me to take a small step back and not have to be the one leading it at all times, I originally started out as a bass player so I never purposely went for the frontman role but through the years found myself there regardless. MissFit Toys also lets me explore a side of industrial I generally have very little interest in beyond that band in particular. It`s the only band I currently perform shows with, at least that was the plan until the horsemen arrived.

Missfit Toys

HH: What first compelled you to dedicate yourself so fully to your art? Can you talk a little bit about your song writing process?

C: I never quite understood how some people could take something so fucking visceral as art and the creation of something out of nothing as merely a hobby. I suppose it`s a sign of the times we live in but I digress..There was never a moment where I made that concious decision, I always approached this with a sense of seriousness to it. Even way back when I started my first few bands I`d find myself in a situation where I took it “too seriously”. While others may not mind skipping a rehearsal in favour of some other activity I saw this as lack of dedication which eventually led me to abandoning the idea of working with others for a long time. My songwriting process is quite abstract as most creative processes tend to be. Lyrically I don`t feel like I`m writing them as much as I`m simply dictating, taking notes of the things I`m told and shown by something I couldn`t possibly pretend to understand. There`s definitely a spiritual element to the process.

HH: Does it hurt your vocal chords to scream like that?

C: Haha, not at all. Of course if it`s been a while I might need a few minutes before I`m there so to speak but it`s not a matter of pain. I have however ended up vomiting after recording but that`s more due to pushing it as much as possible for a prolonged period of time.

HH: When I think of Norway I cant help but think of corpse paint, music videos recorded in the dark forest, and indecipherable logos. Do you draw any influence from black metal in your work? Do the goth, metal, and other scenes overlap at all?

C: Where I currently live is what I imagine people see in their minds when they think of this place. I live in kind of a middle of nowhere place surrounded by trees. I do take alot from black metal yeah, I`m more inclined to listen to rock and metal than any industrial honestly. As far as scenes overlapping that would require a scene to exist in the first place which it doesn`t really in that sense although just in terms of the people I personally know who are, let`s say darkly inclined, yes that seems to be the case.

HH: Your work very often references Christian themes, e.g. heaven, crosses, salvation, sanctity, and fire. Were you raised religious? How do these themes play into your work?

C: I wasn`t raised as anything in particular but I`ve always had a natural pull towards the more spiritual aspects of existence. I grew up in a house I`ve later been told is built upon a viking graveyard in a tiny place just 20 minutes from where it`s said Christianity first came when arriving to Norway so perhaps that`s to blame? Religion, or spirituality rather does play a big part. Carrion is in its simplest form to be seen as a diary where each entry is a retelling of a direct experience or thoughts and feelings related to the topic at hand. I tend to prefer using a highly symbolic language, if one was to dive deep one might discover a thing or two, the veil is thin once you take a proper look. On a more mundane level however I`d like the listener to not be forced into thinking what the song is about, preferably you can find your own meaning, maybe something you could even relate to on some level. I am human after all and with that it`s no surprise things sneak in there, things we all experience such as heartbreak, joy etc

HH: You split time in between an isolated village in Norway and Southern Florida. Do the contradicting landscapes inform your work at all?

C: Not necesarilly in the way you might think. I`m not one of those people who needs a certain setting to write a certain kind of music. I`m perfectly able to write a Carrion song under the scorching Florida sun as I am in the foggy Norwegian woodlands.

HH: What does the future hold as far as your music goes and what can we expect from you in the near future?

C: The most recent event would be the release of the Carrion single “The Blood Ov Saints”. I do plan to follow it up with a second single called “Until The Reaper Comes”, which is one of the heaviest songs I`ve written and it feels like a good snapshot of how I feel regarding the current apocalypse. There is also an all modular album created under the moniker of From The Mouth Öv Belial, it`s mostly improvised instrumental pieces except for two tracks which has vocals done by the entity known as AGGRESS. I may or may not gather the results of the current writing sessions and release as an EP [or an album if there is enough material] though I`m rather hesitant about making any definite statements about it as I`d rather not say something now only to have it not happen. Fans of MissFit Toys may know this already but we do have a new album in works as well as a single”Blithe Din” which will hopefully be released soon along with remixes by variety of great artists.

Stream Carrion’s “The Blood Ov Saints” here:

Artist Links:

facebook.com/officalcarrion instagram: @carrionkvlt personal IG: @Mordsengel officialcarrion.bandcamp.com fromthemouthovbelial.bandcamp.com