I Just Need A Tiny Moment, For Me and For This Music.

Tomorrow April Bandcamp Day embraces us. I returned from a desperately needed weekend getaway to see Actors at Smalls. Out at a bar, seeing one of my favorite bands playing live. With my friends around me, dancing, smiling, drinking. Ok the drinking got to be a bit over the top and I got sloppy gushing to Jason after the show. I think you take my point, it felt like fun was in the world again. Feeling locked away for so long. Work, isolation, trying to finish an album, seeing so much music come sailing over my head at the speed of light. Wanting to share but not finding the spoons to write reviews. Kicking the can down the road until tomorrow. Seeing that show though, it reminded me why I started. This new album was a progressive step forward for Actors, the excitement of a new member, music into energy, into joy, into energy returned. I came home reminded I needed to stop. Stop pushing myself to write because I had so many bands to share, so many friends to send my love to, and just stop. Stop and listen to music. Write about it after. It would be done when it was done. I might not finish for Bandcamp Day. When I do finish, I will tell you about the songs I stopped to listen to, alone in the silence.

Gasoline InvertebrateCracked Wax Battery – Brian Gaupner (The Gothscicles, Space Couch, TigerSquak Records) holds a special place in my heart. I feel a bit of twin spirit in how he approaches music. That feeling that music is an experience better shared. The visual of a Cracked Wax Battery is such a striking image. That bleeding yellow goop pouring out of an old battery carcass. Bringing in great artistic names that are also friends of a mutual vision like: Gopal Metro , Ed Cripps, Zoog Von Rock, and MORIS BLAK. A plasma whip of electronic dance beats cracking the air with aerobic intensity. Brian takes some of the jovial madness of Gothscicles off his voice and replaces it with hissing menace. The NES throwback energy of these synth lines are a nerdcore street cred of belonging. Gasoline Invertebrate always makes you feel inside the curtain.

Fav Track: Please Rate Your Pain – This song is everything the album is striving for, distilled down into a concentrated idea. The samples which raise a gallows humor poke at society. The rippling checkered cloth of constant motion. Brian’s continuous chant against the monetized concept of pain Olympics in modern society.

https://gasolineinvertebrate.bandcamp.com/album/cracked-wax-battery

silver walkstear me downDan McCullough the recent New York resident has continued to blow me away with every thread he slowly unravels for this album. This latest single out 4/8/22 is a super band level support cast to bring the shimmering sand swept race through grains of time to life. Coral Scere delivers a breathy elegant leaping vocal performance. In fact this single features an all star cast.

music written and arranged by Daniel Mccullough
vocals and lyrics by Coral Scere
backing vocals by Tim Heireth
additional noise loops – Steven Archer

all tracks mastered by Eric Oehler at submersible studios, Wisconsin
artwork by Steven Archer
silver walks logo by Jim Marcus

I really feel this in my bones. Dan has been taking his time to hone each song to perfection. The attention to detail and craft show. This is special.

https://silverwalk.bandcamp.com/album/tear-me-down

Panic PriestSecond Seduction – So this is a 2020 release from Chicago synth crooner Jack Armondo, one of the best baritone voices in the modern darkscene with an amazing ear for melody and construction. This album released on Negative Gain was a forceful step forward for the artist. It has a cavernous echo of isolation which was so relatable and present for many in 2020. The guitar work was an ever twisting glass staircase of builds and contact. Adam Black of Midnight Mannequin Records took on the mission of bringing this powerful album into vinyl format with this re release. The expansive warmth really deserves this hand held delivery. Looks like I need to buy this record again.

https://midnightmannequin.bandcamp.com/album/second-seduction

Black AngelThe Black Rose – Dark rock deity Matt Vowles has released another new album, honestly I don’t know where he finds the depths and time to keep churning out this much material at a high level. Where 2021 Prince of Darkness had a very LA hard rock 90s flavor, The Black Rose goes back even further with a modern gothic slant on early devil rock like Black Sabbath. It creeps in like a dream with slow stinging drums, deep lacerating guitar riffs, and a staggering vocal melody somewhere between Ozzy and Lane Staley. Someday soon a wise label is going to snatch up Black Angel and push them to the moon.

All tracks written, recorded and produced by Matt Vowles on behalf of Solid Recordings Publishing 2022
Vocals by Corey Landis and Maneesha Jones
Album cover by Eshmoon DM

https://blackangelmusic.bandcamp.com/album/the-black-rose

VaselyneHere To Begin – New 2 track EP out from Amsterdam based new members of the COP International family Yvette Winkler and Frank Weyzig (ex Clan of Xymox). I love the forceful proclamation of a title “Here To Begin”. All sales from this EP will be donated to support The Ukrainian People in their struggle for freedom. I’m always an enormous fan of bands that step up for their beliefs. The music has a travelers sung story around a crackling fire feel. Faces wreathed in shadows with distant pounding toms and blended finger pick acoustic and slushy growling wolf guitars. It builds like a spell into a gorgeous blown glass solo. I love the warmth and organic construction. This begins an intriguing new sound for the diverse COP roster.

https://vaselyne.bandcamp.com/

Latenite AutomaticStatues – So I am standing near the merch booth at the Actors show in Detroit, and Jason introduces me to this handsome young rake and says “Ken, this is Scott, you need to check out his band”. Well I am always going to take that recommendation. Thus I was led to Canada based Latenite Automatic. I was struck first by the dangerous blend of club beats and rock and roll attitude. The vocals are a dark growling vibration sitting under the surface of the mix. Breaking the water in parts to create tension and intensity. The solo of this track sets the fretboard on fire. You have my attention gentlemen, time to dig through the back catalog.

https://lateniteautomatic.bandcamp.com/

StoneburnerContracting Iris – I know, Ken, you are always talking about Stoneburner. Well, have you heard Stoneburner? There is a reason. A new 2 track EP based on the science fiction story by  Peter Watts. I love the ambitious artistry of this concept, where music is inspired by the written word, they find each other and build a stronger broader idea. The story now has an audiobook version with Steven’s score and Donna reading. I hope Steven has pioneered another idea that catches on in the scene. The music conjures images of Lynch “Dune” with it’s post apocalyptical chaos and danger, set against a background of high leather fashion. I kept picturing Sting doing a knife dance in a pit of unworthy opponents.

https://stoneburnerofficial.bandcamp.com/?fbclid=IwAR0ca30k7SPvPjRMeLXKsFNjuuvSCQai8vFqjhMF4dr0TMuiPmpquGtzT-s

Sever The ServantsNowhere – Second single from the powerhouse team up of Hide Tepes and Mike Nolen. A mechanized iron lung terror track. A shambling chant of desperation and quest for meaning. I love hearing two artist I am a fan of individually finding ways to smooth each others edges and improve the effect of both. Now on Produkt 42 a new label getting big steam in the scene.

https://severtheservants.bandcamp.com/album/nowhere

PSY’AVIAHBittersweet – Massive new 42 track release from Yves Schelpe led project Psy’Aviah. This is bursting with guest talent like Claus Larssen (Le√¶therstrip), Mari Kattman (Helix) , Cat Hall (Dissonance), Kimberly (Bow Down Ever) and so many more. I don’t have time on bandcamp day to give the true deep dive of justice this release deserves. It is glorious higher thinking trip hop electronica with a poets soul. A robust and soulful stew of Portishead, Suzanne Vega, with modern spice and production. I’m honestly floored by the world building ground covered in this single release. It feels like 3 albums of contrasting and quality material. We should all pick this up and explore it deeper together.

https://alfamatrix.bandcamp.com/album/bittersweet-bonus-version?fbclid=IwAR3scZq_alMH4iax-nYcBANuus6LZVhgUj4Jihcj96v-Ds-cHPI47w5jObw

As always if you have something awesome to add, please share a comment below. I always want to hear about new music.

Ken is back on his bullshit. Apparently My Bullshit is Industrial

It is 10:30pm on a Saturday and I am 3am drunk. Let us stumble through bandcamp and seek out what is sparking joy on this fine October night.

COMPACTORTension Crucible – Brand new album from New York City artist. They have a unique creativity to both his music and the formats he releases it in. I am always astounded by his out of the box thinking for the delivery system of his tracks. People use the term Industrial music, but I feel like Compactor really embraces the blue collar concept of found machinery recorded, converted, and repurposed into true Electronic music meant to infuse with the human body. There are no words. This is not poetry. This is working music. Rhythmic, grinding, sparks flying from sheet metal destroyed with power tools. This is grease and grime with clean streaks of sweat. It’s music of inspiration to drive yourself until you can’t do more. To complete the task. Seldom do I review an album with such a clear purpose.

https://compactor.bandcamp.com/album/tension-crucible

Favorite Track: War of 1312 – I’m not sure what the reference is to. The marching beat, the syncopation, the metal on metal tension building in aggression and machine precision is unnerving as it is powerful. A perfect summary of the tightening of the muscles this album creates. (I learned later this was a reference to the Code 1=A 3 = C 1 = A 2 = B in regards to the street clashes between BLM protesters and police) Added a whole new layer.

unitcode:machineThemes for a Collapsing Empire – Dallas TX Industrial artist has been on my radar for a while. This new album hits a whole new gear. I remember being at Cold Waves this year and hearing person after person in the know say “Holy shit have you heard this album”. This is a masterclass in marble statue precision craftsmanship in electronic music. The vocals are melodic and driven in a way that haunts your head. I love how clearly the poetry of the lyrics rings out beyond music that fills every wall of a dance club. It follows the template of classical industrial while finding a tone distinctly it’s own. People need to know about this, it needs to be appreciated.

https://unitcode.bandcamp.com/album/themes-for-a-collapsing-empire

Favorite Track: Falling Down/Drift Away – It’s so hard to choose, because while Falling down is the zenith of everything i just described that makes me love this album. So Eric. Drift away brings in Emileigh Rohn of CHIASM with her fusion reactor bright burn voice over a slower deeper musical concept to break up the runaway freight train of the other tracks.

SlighterVoid – LA electronic songsmith producer with another powerful release. Colin Cameron is an absolute maestro of riding the razors edge between drifting spaceship on the edge of the known galaxy and that hook that gets stuck in your mind for days. The true modern day composer commanding a symphony of expression at the tips of his keyboard. The aptly named Void is a lost soundtrack of space horror like Event Horizon. Cameron has a sexy whisper voice that leads you like a siren into the unexplored darkness. Brilliant use of guest talent like Vocals on “Spill Blood” by R.A. Desilets. Proving again to be at the top of the game while drawing far outside the lines.

https://confusioninc.bandcamp.com/album/v-o-i-d

Tigersquawk vs. COP International – I love Compilations, I love Tigersquawk, I love COP International. One low price for 36 badass tracks to put you in the know of some of the best EDM Industrial in the world. This is wide in it’s scope. It is mixed and mastered by Slam, with wicked art by Greg Rolfes. So much value in one place where I guarantee you will find 7+ bands that you will immediately follow. The level of quality and diversity here is staggering.

Favorite Track: Ok normally this would be near impossible because there is so much good here. The Batavia is a undisputable jam. In fact everything i hear from them is pure gold. However one track did absolutely destroy me. Gasoline Invertebrate feat: Chris Connelly remixed by IvardensphereScarlet Slip” was a dream team too powerful to overcome. It had Brian’s leg day industrial with Connelly spitting highspeed pew pew poetry and buzzing bass beats. It’s absolutely captivating. One of those tracks you didn’t know you needed until you couldn’t live without it.

https://tigersquawkrecords.bandcamp.com/album/tigersquawk-vs-cop-international

Industrial music wasn’t a thing that happened in the 90’s. There is still so much ground to break. Still so much to be excited about.