Excitement at 11 as I review Procession Magazine and Cleopatra Records’ final installment of “The Unquiet Grave” 

Growing up in the Velveeta Valley suburbs of Detroit in a time before the Google search, Spotify playlists, Youtube suggestions, and Sounds and Shadows I had a sacred ritual. Once a month I would coat myself in black from head to toe and pedal my bike to a mini mall which contained a record store. Here in the new CD releases I would take my caddie/busboy money and purchase the latest Cleopatra Records sampler. Now these compilations took many themes, tribute cover albums, up and coming goth bands. This was how you found the next band that connected you to the wider world. I would race back home, tear apart the packaging and dream of one day seeing my own name in the liner notes. This ritual mattered, it made me feel connected to other kids like me that I didn’t know. Somehow, I knew they were out there. When I saw Procession Magazine bring back this series of goth compilations, my faith was confirmed. To see one of our songs, appear here, that dream has finally come true. So, I welcome you all to join me in my room, as I light a candle, press play, and journey into the macabre world of “The Unquiet Grave” searching for dark diamonds in a cruel sea.

The Unquiet Grave – Cover Model: Angela Benedict
www.instagram.com/angelamariebenedict/
Photograph by Zimmer-Range Images
Graphic Design: Rene Ramos for Procession Magazine
www.instagram.com/procession_magazine/
Compilation produced by Procession Magazine and Athan Maroulis
Mastered by Xris Smack at Mindswerve Studios, NYC

https://theunquietgrave2020.bandcamp.com/album/procession-magazine-presents-the-unquiet-grave-the-final-chapter

This album is massive in scope. Featuring 43 tracks from a wide variety of goth subgenres and cities. I can’t write about every single amazing band featured. A good portion of the fun of a compilation is the exploration of every track. Waiting for some to speak to you and searching for their album. I will call out some small portion that spoke to me.

  1. NOIRThe Burning Bridge – From NYC the mastermind curator behind this compilation Athan Maroulis opens the journey with this writhing serpent of smoking desire. I can feel the fingerprints of Erik Gustafson (Adoration Destroyed) on the guitars and production which ebb and flow with crushing dark waters for Maroulis vocals to ride upon. A fitting tribute to David Bowie and a powerful opening volley to set the stage.

The Burning Bridge | NOIR (bandcamp.com)

3) Byronic Sex & ExileCu Foc – From Goth City Records in Leeds UK this was definitely one of those magic moments where I knew nothing of this band going in and immediately fell deeply in love. Throbbing and melodic gothic rock with a touch of western Fields of the Nephilim guitar twang. Crooning clear vocal delivery with just enough grit to feel dangerous. First EP dates back to 2016 and I will definitely be placing this on my list for a back catalog deep dive.

Cu Foc | Byronic Sex & Exile | Goth City Records (bandcamp.com)

5) Bedless BonesSad and Alone – This is an amazing track from an album I am quite familiar with. We reviewed it in 2019. Kadri Sammel and Bedless Bones have the distinction of being my favorite band from Estonia. I love the swarming dark forest life and creeping chaos. Kadri has a unique sizzling whisper of a voice with a cadence that makes it stand out in a crowd. Gorgeous witchcraft in midnight blue beams.

Sublime Malaise | Bedless Bones (bandcamp.com)

Slighter x Static LogicMirror In Darkness – Team up of LA based Cyberwizard Colin Cameron Allrich and James D Church to flip the script with this hurtling empty space driving beat spinning through a red light matrix. A synthetic breath on the back of your neck, a ghost in the machine.

Mirror In Darkness / Data-Loss | Slighter x Static Logic | Confusion Inc. (bandcamp.com)

A Cloud of RavensFlowers Melt Away – Our dear friends from Brooklyn Matt and Beth who are on Cleopatra Records have done this amazing tribute to Fahrenheit 451 the New York pre goth underground legends that included the previous mentioned Athan Maroulis on vocals. I really feel this slippery bassline and glam rich lilt of Matts vocals. I wonderful way to connect the past and future.

Flowers Melt Away | Fahrenheit 451 (bandcamp.com)

A Covenant of ThornsDahlia – This song holds such a special place in my heart. Scott-David Allen has brought the concept of romantic goth back into the forefront of the modern scene. Gorgeous heartfelt longing and loss, pulling apart your heart. This song was remixed on a compilation I put together at Sounds and Shadows which led to the collaboration The Burying Kind with Dan Milligan. If you have never explored the rich history of ACOT I really can’t speak highly enough of them.

Shadows & Serenades | A Covenant of Thorns (bandcamp.com)

Adoration DestroyedBlackout Again – Glamdustrial rockers from Austin TX led by Erik Gustafson. Off their album Ritual Deconstruction. AD always brings such a punishing and powerful mixture of bass beats and heavy dark cloud guitars. An important voice in the modern goth scene.

Ritual Deconstruction | Adoration Destroyed (bandcamp.com)

AmuletLast Ditch – Badass swamp curse energy from DC that again I am happy to say I found as a result of this compilation. Stephanie Stryker has one of those sky splitting voices that encompasses your entire sensory scope and this mello ground shaking bassline completes the ritual. I was an immediate fan.

House of Black + White | Amulet (bandcamp.com)

Dover LightsMemory Dissolves – So I was not trying to stumble on this band from the Ozarks. However when one finds a mixture between The Chameleons and Bruce Springstein it is unavoidable to call it out. I found this sound so mystifying and unique while pairing so many nostalgic feelings I couldn’t look away. This will definitely go on my deep dive list for later. I never knew I needed this, but I do.

Dover Lights (LP) | Dover Lights (bandcamp.com)

Eva X – Canadian darkpop goddess changes the tempo of the compilation with this driving foot stomping club hit. I love the twists and turns of cadence and tone. I always picture Gaby dancing in an ice palace full of refracting lights.

Black Blood (Dance and Destroy) | Eva X (bandcamp.com)

Cliff and Ivy: Alaska’s goth duoBring Us The Night – Our dear friends the power goth couple from Alaska. Again a wonderful tempo and intensity change for this journey. Breakneck deathrock with scintillating guitars and Ivy’s rock smashing voice. This track is a runaway ride in a minecar down a shadowy mountain. Wonderful music by wonderful humans.

Bring Us The Night | Cliff and Ivy: Alaska’s goth duo (bandcamp.com)

The AmaranthThighs – We have a song on this compilation. It is on our upcoming album Gothtimism. It’s weird talking about yourself. We write a goth song about waking up in a hotel with your partner and realizing a perfect imprint of your makeup pallet is on their inner thigh. The world needs more goth songs about going down.

Noxious | The Amaranth (bandcamp.com)

Shadow FashionChildren of the Night – I love the clash of emo and synthgoth from Texas based Shadow Fashion. Patrick the singer has an amazing voice and presence. It rides that perfect line between 2 kinds of nostalgia and a modern exuberant energy. Everything I hear from them is pure gold.

Children Of The Night | Shadow Fashion (bandcamp.com)

VAZUMUnspoken – Glorious GothGaze duo from our home state Michigan that have continued to crank out dark slushy walls of sound in a steady stream since 2017. I love the monster theme and water color tone. A truly unique and powerful sound.

Haunted House | VAZUM (bandcamp.com)

Doors In The LabyrinthDead Stars – The tragic and haunting gloom painting from Pittsburgh sonic texture artists Josh Loughrey. Powerful intensity that harkens back to Projekt records slow grinding emotional destruction. I’ve got to see them live before and the intensity of the experience is well worth the price of admission.

In The Shadow Of The Monolith | Doors In The Labyrinth (bandcamp.com)

I wish I could write about everyone present here, because they all have something to offer. Instead, I will let you make your own way down this murky mist covered river. Thank you again to Procession Magazine and Athan for putting together this immense undertaking. In the comments below tell me about a new band you discovered.

Unrated V by VAZUM

NOTE: This review includes an interview with Zach of VAZUM. See below.

Detroit’s VAZUM is a band I’ve had my eye on for a while now. Zach Pliska started the band in 2017,
with Emily Sturm joining in 2019. Since then, VAZUM has released three albums and an EP.
Unrated V marks their third full-length release and their second release this year.

Sonically, Unrated V has a fully realized sound. Everything sounds like it is meant to go with everything else. Clever arrangements and intricate songcraft are certainly the bedrock of the album, which also serve as the perfect fit for Sturm’s vocals. You’ll hear what I mean on the song “Lycanthrope”. Pliska’s no slouch as a vocalist either. The duet on Frankenstein Gurl showcases their voices in tandem and gives evidence of the chemistry these two artists share. The synths interact with the guitar parts and themselves in a very eloquent way; a sign of well-rounded musicianship, IMO.

With such song titles as “Lycanthrope”, “Frankenstein Gurl” and “Vampire”, it’s easy to guess their
aesthetic (- a style which they call “Deathgaze”). But there is certainly much more going on here than
your garden-variety deathrock dirge or yet-another darkwave push-button band-in-a-box. The instrumental, “Fantoms” is a cinematic tour of a horror movie nightmare-scape and is something you really have to know what your doing to pull off effectively; especially in the darker musical world.

And they’re not afraid to change gears. “Wytch Tech” has a decidedly more danceable approach and is surprisingly minimal compared to the songs leading up to it. “Summon Her”, another instrumental, is rhythmic clangy-ness in the style of old-school industrial. In fact, the entire latter half of this album is instrumental. VAZUM takes full advantage of this to explore sonic possibilities not always called for in 3 1/2 minute radio-friendly crowd pleasers.

All in all, I can’t say enough good things about Unrated V. It had me already looking forward to the next release; which, conveniently, was released on December 31st, 2021; the double single, “Gallows”.

Zach was kind enough to take some time with us and do an interview via text. Here it is…

Who are your influences and what did you take away from those artists?

Smashing Pumpkins had a big impact on me from when I was 10 years old and served as a gateway to other genres like classic rock, shoegaze, new wave, goth, progrock and jazz drumming. Emily is really into Gary Numan, Christian Death and Queens of the Stone Age. She naturally brings elements of new wave, deathrock and desert stoner rock into her songwriting. Lately we’ve been influenced by more atmospheric groups like Cranes and Miranda Sex Garden and listening to their production techniques.

I get a cinematic feel from your music. Do you draw inspiration from sources outside of music, per se?

Emily and I are both visual people and associate images with music. Emily is a horror and sci-fi film expert. She is strongly influenced by Dario Argento (Suspiria) and Panos Cosmatos (Mandy) with The Thing and Alien being in her top five. She is also really into the aesthetics and soundtracks of the video games Silent Hill and Bloodborne. Emily has a background in jewelry and costumes which she incorporates into our videos.

What’s next for VAZUM? How are you forming/adapting your plans in the age of COVID?

The pandemic set the stage for the path we’re currently on which is writing, recording and releasing a steady stream of music and videos. Before the pandemic there were a lot of distractions. I was playing drums in multiple bands and I didn’t take recording or producing seriously. We’re currently recording a new single called Thief which is about energy vampires. Thief will be on our next album along with our previous single, Gallows. We’re doing electronic versions of the songs too as we go along.

Please describe a typical day in the studio with VAZUM. What is the chemistry like?

We’re fortunate to have a good home studio set-up so it’s pretty relaxed. It’s nice being able to wake up on a Saturday morning, brew some coffee and get to work on a mix or overdubs. Recording and producing can be a long and tedious process but we are committed to seeing it through to completion. When we’re working on a new song we’ll usually play through it a bunch of times until we’re comfortable then begin tracking each instrument individually. Emily and I understand each other pretty well. We can learn and play a song without saying a word. We just feed off each other. I can sense when she’s going to a change and vice versa. I’m in the studio everyday working on something. I like experimenting with my gear. I mostly use hardware for compression, reverb and effects instead of plug-ins. On Unrated V we ended up using a Dark Glass distortion pedal on a lot of tracks and it worked out really well.

What is your take on the current state of the dark music “scene”? (Impressions, opinions, funny thoughts, etc.)

I think the music industry as a whole would benefit from toning down the nostalgia and giving new artists a chance. When a tour announcement from an artist that’s been around for 40 years is the biggest news story of the week, or the popular bands of the day all sound alike, I shake my head. The music industry is relying on nostalgia acts to keep itself afloat which is short sighted and counterproductive. And I think people are sick of it. Fortunately there are underground outlets supporting independent artists. We are very appreciative of the DJ’s that play our music and the websites that share our videos or write reviews. There is a healthy network of artists, DJ’s, bloggers, youtubers and playlisters all keeping the dark scene alive. I wish there were more mainstream outlets, but we will infiltrate those in time. Most independent artists seem to share a common belief structure and are supportive of one another. I’m optimistic about the future. As messed up as the music industry is, there are a lot of advantages at our fingertips. Being able to record, produce, market and promote from home is a huge advantage. The technology really does place the power back into the hands of the people.

https://vazum.bandcamp.com/album/unrated-v

https://vazum.bandcamp.com/album/gallows

https://www.youtube.com/user/theallelusive

Sounds and Shadows Podcast

Our podcasts have been really improving. Having interviews that are a real conversation with some of the artists I love and give all their fans a feeling of knowing them on a personal level. I wanted to compile them all in one place that give you the opportunity to find and enjoy them.

2/25/21 Grabyourface – Talented French artists Marie Dragontown on Negative Gain. Talking about their breakthrough album Sea, France, and their favorite pizza.

https://grabyourfacengp.bandcamp.com/

2/19/21 Tear Down The Wall discussion with Russ Robinson (Infectious Groves Podcast) and Dan Milligan (The Joy Thieves). Here we discuss the charity compilation of Industrial artists put out by Riveting Records in Colorado that has a cover version of every song on Pink Floyd‘s iconic album “The Wall

https://rivetingmusic4u.bandcamp.com/album/tear-down-the-walls

2/5/21 Programable Animal – Here we talk with Dropsea of the Chicago based industrial band. We talk about their vision and experience creating One Step to Hell on Negative Gain.

https://programmableanimalngp.bandcamp.com/album/one-step-to-hell

1/29/21 The Blue Hour – Video Premier of their song “Cold Bare” Also how they met and found love in the most amazing meet cute story of Sounds and Shadows history.

https://thebluehour.bandcamp.com/album/cold-bare

1/27/21 Matt Fanale of Caustic/ Klack – Talking about his projects, history, and balancing home life, Industrial Gossip, and rock stardom.

https://klack.bandcamp.com/album/deklacked-vol-1

12/22/2020 Rodney Orpheus from The Cassandra Complex – Amazing interview with one of the godfathers of goth. Telling stories of meeting Andrew Eldrich, their new album, predicting the attack on our Capital, and the past and present of Goth.

https://thecassandracomplex.bandcamp.com/track/the-crown-lies-heavy-on-the-king

12/14/20 Interview with Der Prosector – Talking about punk rock, Armilyte Records, British Premier League, and the power of curry.

https://derprosector.bandcamp.com/

12/7/20 Reaction to “Love U More” video by Actors

https://actors.bandcamp.com/track/love-u-more

12/2/20 Reaction Video to My Chemical Romance – We tried catching up on the emo classic and give thoughts as elder goths hearing MCR for the first time.

11/18/20 Raymond Watts <PIG> – Talks about his newest album Pain is God, his history, addition, and production techniques.

https://pigindustries.bandcamp.com/

10/17/20 Interview with Vazum – Talk about the Detroit scene, their Halloween album, influences, and collecting dead things.

https://vazum.bandcamp.com/

9/28/20 Interview with Caroline Blind of Sunshine Blind – Amazing interview discussing goth history, family, her new album, and breaking ground in the goth scene.

https://carolineblind.bandcamp.com/album/the-spell-between

8/14/20 Interview with Bootblacks – Talking about their new album, where Panthers name came from, touring, and working with Jason Corbet.

https://bootblacks.bandcamp.com/album/thin-skies

7/23/20 Interview with Crying Vessel – Talk about the new album, video production, horror movies, and working with Dean Garcia of Curve.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

6/25/20 Interview with Dogtablet Martin King (Test Dept) and Jared Louche (Chemlab) – Where they discuss history on the road, their song writing, snowball fights with Trent Reznor, Jared’s Shoes, and rescuing dogs.

https://dogtablet.bandcamp.com/album/feathers-skin

5/25/20 Interview with Empathy Test feat. Isaac Howlett, Chrisy Lopez, and Oliver Marson – We discuss films, their groundbreaking album Monsters, futbal, how Ollie is a stalker and potential murderer.

https://empathy-test.bandcamp.com/album/monsters-expanded

5/20/20 Interview with Suzy and Andy of Cold Transmission records – About building the label and being a family in the modern music scene.

5/17/20 Interview with Pedro Code of IAMTHESHADOW – Our first video interview to discuss Pitchblack, song writing, Love, passion, and life in Portugal.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

I Missed Posting For Bandcamp Day :( Yet here is some reviews.

It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.

Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.

https://swansect.bandcamp.com/album/kill-pop-goth

SpankTheNun: The Bunker Tapes II – This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.

https://vazum.bandcamp.com/

Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.

https://officialvanitykills.bandcamp.com/album/chapter-2-enemy

UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.

https://underskin.bandcamp.com/album/end-this-summer-ep

Razor Hawt video with this one too.

Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.

https://twintribes.bandcamp.com/

Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.

https://panicpriestngp.bandcamp.com/track/when-daylight-disappears-demo

Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.

https://klack.bandcamp.com/album/two-minute-warning

Detroit Darkness

I thought I might write a little something close to home. About the glorious music scene in my very own Michigan. I know, I said Detroit. However as anyone from the D will tell you, all white boys from the suburbs claim Detroit even if they currently live in Kalamazoo MI. While doing the podcast with SYZGYX last night I got excited talking about our local scene. Then figured why not share it with all of you 🙂 Lets start with some bands.

East Side

Josie Pace – Nightmare pop that takes top 40 sensibility wraps a rusty chain around it’s neck and chokes the shit out of it. Josie takes singer songwriter hooks then feeds them through a spicy electroclash beat. With an LA aesthetic and a motor city grit.

Schedule IV – Post Punk synth wave with giant sound and piercing powerful vocals from Steph Strange. They do a wonderful live show that is wound tight and full of soul. One of our favorite bands to play with SIV are a must see.

Vazum – Dark Retro dream rock with a flowing minimalist style. I really like their crunchy 90’s grunge style with dark edges. Large thumping drums and Zach’s slippery shifting melodies carry you on a roller coaster of driving fuzz.

Heavy Water Factory – Textural industrial old school that has been a part of the Detroit scene since I was a high school kid in black boots and a trench coat. When it comes to perfect production and beats that take over the floor Jesse McClure is one of the most respected in the business. It’s electric, it makes you dance, it’s the soundtrack of my angry youth. Just out with a new album after a long hiatus, HWF has not lost a beat.

Ritual Howls – The sinister dark rock poets have brought their European style Nick Cave shadow twang to the motor city and continue to spew forth quality content from the void.

The Ruiners – Detroit Gothabilly royalty have been a little quiet as of late. They hold a special place in my heart. I had the honor of playing with their must see stage extravaganza complete with ex Amaranth singer Nina. Her husband Rick Ruiner is Iggy Pop 1977 brought forth and made flesh. There is no party not made better by throwing Ruiners on the stereo.

Siamese – Thicccc bass lines and lovely crooning vocals are the trademark of shadowy retro rockers Siamese. They really blend the synths and rock seamlessly to create that metal gauntlet in a velvet glove.

Detroit also sports one of the United States oldest and best Goth Clubs “City Club

https://www.facebook.com/pg/LelandCityClub/about/?ref=page_internal

Featuring Djs – Jay Itchon, Charles English, with guests like Sandra Katz, and Leo Oakley

As well as Smalls, my favorite Detroit venue for live bands. They also have a badass Industrial night on Fridays and Saturdays.

https://www.facebook.com/smallsbar/?eid=ARAUlR3Gcafk-qUXIzgdn3iotK5_tNdpe9NuJng0HVB1aUMWYzeVNzuRZ-v5fuoab96DgpJwEkr9Zbd3

Featuring : DJ Aaron Hingst, DJ Elektrosonik ,

Suburbs

Audrey Burne – Our dear friends dark fantasy rockers Audrey Burne bring that witchy energy from Bay City. Powerful vocals and intricate construction. They have a wonderful intimate live show.

Damien Done – He toured through Europe doing dark folk. Then returned back to Michigan and reinvented with incredible midnight alternative post punk with a dark humor. Deep, rich voice that just draws you in. Why have I never played with them? 🙂

Ann Arbor also has a great Monday night goth event I have tragically never made it too. I hear great things though. Djd by Jay Itchon and Leo Oakley

https://www.facebook.com/FactoryAtNecto/

West Side

My home town of Kalamazoo MI sports on of the secretly greatest goth scenes in the midwest. Smack dab between Chicago and Detroit this has been a stopover spot and music mecca for many years.

Katy Needs A Life – Synth Princess and S & S contributor these ethereal 80s prom dream waves are always a great show. It’s lovely, pure, and authentic.

Sexy Toxins – Eurotrash disco sex party duo A Toxin and B Toxin take performance art and ass slapping beats that are a guaranteed good time every time you see them. I can think of few live shows in this life I had more fun at.

Nekomata – These doom metal droning sound explosion are so fucking good they make me listen to metal. It’s beautiful sludgy filth. Have you ever had your ass kicked by sound alone, because this is how you do that. Plus Myah is in this video.

Drink Their Blood – Some like their metal with a little more speed and sizzle and Drink Their Blood are furious wizards of the keyboard. Ben Boggs is a vocal experience not to be missed. Plus Saxophone + Metal !!!

Thee Elder Gods – Kalamazoo’s punk rock icons. The play loud, mean, and take no shit off anyone

Deadlight Holiday – High energy goth slush from Grand Rapids Michigan play a wonderful shoegaze darkness and have an electric stage show full of leather, sweat, and fury.

https://kidsaintnothing.bandcamp.com/releases

Kid Saint Nothing – This brilliant new release from my dear friend Reggie left me floored. It’s tender, genuine and full of pop hooks that stick in my mind. It has transported me with a scope that goes from fury to elegance. You must hear this. I can’t wait to see it played live.

Amaranth – we make bullshit goth about Ninjas, Swordfights and Lambos.

Kalamazoo also sports one of the best goth dance nights around Chaos. Anastasia and Asher (Dj Wyrmwood) have created a beautiful and inclusive environment for music and dancing to thrive. Every time I bring someone from a big city to our local goth party they are blown away wondering how is this happening in the tiny hamlet of Kalamazoo.

https://www.facebook.com/ChaosKalamazoo/

I’ll try and keep adding to this. If your city deserves a great write up to celebrate it’s music culture than hit me up and lets tell people why you are excited.