Review of Electronic Substance Abuse : BURIAL 10

ESA – are an English dark industrial / electroclash project by Jamie Blacker, which started in 2002. This new album is called Burial 10 and features vocals from Jo Hysetria (Massenhysteria), Caitlin Stokes (Corlyx), and Lecture.

https://esangp.bandcamp.com/

https://www.facebook.com/ElectronicSubstanceAbuse/

So right out the door this album is coming at you like a speeding train through a tunnel. It’s driving pistons and screeching metal furiously charging down your throat with reckless abandon. It would be easy to feel like that was chaotic because that is the emotional response it summons. This is a focused and precise weight of speed and power with intent and form. I feel like i am describing a high end automobile not a record, but this is the feeling of Burial 10.

ESA has been around a good while and gone through different styles. I feel like this album ran a bit of that spectrum on it’s own. It twists, writhes, and thrashes like a cornered animal. Unpredictable and fierce. Great use of guest vocalist like Jo Hystaria and Caitlyn to add more surprise twists to this story. The pulsating beats are a relentless onslaught which attack from so many directions. Gentle synth tones carefully placed expose the belly of the beast and add style and craft to this fierce creature.

Upcoming tour schedule

Favorite Tracks :

You are Safe Here (Feat: Caitlyn Corlyx) – I, of course, had to choose this one because it features the angelic, sensual voice of the amazing Caitlyn. This has the intense EDM drive but is tempered by her striking laser-fire voice. This is a club hit made to shake floors supporting giant speakers.

Caitlyn Corlyx

Burial 10 – The title track is a driving march. I really like the bizarre off-kilter chanting sample vocals. Part of the fun of ESA is they never seem to take the foot off the pedal. Even when breaking down with the spoken word vocal sections. Lots of high energy, never-let-up Prodigy feelings.

Blessed With Bruises – A nice change up here, bringing the tempo down and the trip hop feeling up while keeping the same steady crashing waves of sound. Instead of a high-speed chase, this is a slow, smooth roll, sliding around corners, channeling Massive Attack’s effortless cool.

Jamie Blacker

Overall this is a fury of intensity sure to make your club walls shake. Find the biggest speakers you can and crank this until the neighbors cry.

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