Thought provoking new video by California goth band Ashes Fallen from their new album “A Fleeting Melody out of a Fading Dream”. The opening guitar riff is classic traditional goth. James vocals take on a seriousness and edge that show the introspection on the growing apathy of a homelessness problem that confronts America. I think it is important in this stark black and white video that shines a light on the troubles of the displaced on the streets, not showing faces or invading the privacy of those enduring the struggle. A powerful track which is accentuated by the visuals of the parts of California streets not shown in TV and movies. It’s a grim shocking picture that the dark hook of the music keeps playing in your mind.
James: “When I started writing this song, I was thinking about the San Francisco Bay Area, where Jason and I grew up. We along with so many childhood friends have been pushed out by the crazy cost of living, it’s just not the place it used to be anymore. There used to be an idealism in Silicon Valley but now there’s just so much greed. But as the song developed, I got to thinking about the people who don’t have the means to escape from gentrification, and how poor and marginalized people are being forced out of their communities everywhere, sometimes with no options and nowhere to go. And the more time goes on, the more relevant the song feels in so many different ways.”
Michelle: “I never cease to be shocked and grieved to see the poverty in this country. I just really wanted to show what we see through our eyes just driving around the streets. People pushed out of the city limits into the outskirts like they don’t exist. These are the faceless and voiceless people. I didn’t want to show their faces, so we showed ours instead.”
Interview with Ashes Fallen
Check here for top charities to help assist the homeless.
The Sinister Guitar Lord of Sacramento CA James Perry returns with a long anticipated album which releases June 4th 2021. I’ve been a fan of the hard rock edge and dark overtones of Ashes Fallen for a while now. This new record finally fully embraces the goth aspects of the gothic rock. I feel like the scene has been so hungry for a voice of processive morals and guitar driven dark music. The other major step forward for this release is the collaboration heard on keyboard and additional guitars by Michelle and Jason. The seamless blend of these other voices in the song writing process really elevate and highlight the best aspects of James talent. The mastering by Gordan Young crackles with deep lines and definition. James voice has really found it’s internal confidence and writhes and strikes like a sea serpent bursting through phrases and throwing weight on those show stopping fretboard fireworks.
Top Tracks: Honestly this who album is a front to back jam with 10 strong tracks.
Vampira (The ballad of Maila) – A lovely tribute to the horror film icon. Both in the lyrical content but also the absolute face melting riff and gothabilly guitar tone. The vocals are attitude, snarl, and croon. Michelle adds in a lovely offset tone on the chorus which swells and solidifies. The back and forth guitar solos on the bridge are an absolute masterclass in movement and melody. This song is a 10 on the AFB scale. (Absolute Fuking Banger)
We Belong Nowhere – Filthy hard edge guitar intro. James has more of a chanting subtlety and blend with Michelle’s harmonies. The chorus is a beautiful hook that pays the first 6 months rent in advance on an apartment in your head. The soul and anguish of old school goth with the complexity and precision of King Crimson.
Shout out for the Delphine Coma shirt
Overall: I was absolutely floored by the step forward this album took from a sound I already loved. I feel this record solidifies Ashes Fallen’s place as one of the premier voices in the modern gothic rock scene. This is not only a must have album of 2021, but one I strongly suggest getting on physical media. The album holds such layered and intricate texture, you will want to deconstruct it on your best sound system. I’m stoked to have the band on an upcoming episode of the Sounds and Shadows webcast.
So this has been a tough two weeks. It lead to a lot of introspection and will hopefully turn into growth. Just like all the toughest times for me, music has been that companion that is always there when I need it. This last few weeks saw many amazing releases and I will talk about some of them now. Please check out the bands, leave comments of what you liked. Send me things you are listening to you think I might not know.
Helevete Inc – The Inevitability Ov Nothing – This is a new rerelease from Helevete Inc. We recently had the opportunity to interview them, so keep an eye out. I feel in love with the hard old school style of this band. This album was such a drastic departure and really shows the range they have. A rich and meaning drenched darkwave goth sound. TION shows a gripping and introspective melodic aspect of their voice. These songs have such a powerful authenticity of someone stepping outside of their wheelhouse, uncertain where the music would take them. Confronting the fear and darkness of that reality. I feel so deeply in entranced by this record. It showed me something, it had glorious imperfections which revealed the artists and left you gripped by the connection. The album also has fierce and snarling beauty in the form of guest vocals from Jenny Rae Mettee. This is one of the most underrated finds of the year.
Favorite Tracks: Fades to White and On The Other Side
Overall Appeal: Enormous, I really enjoy Helevete but it hasn’t set out to be accessible. Most of the albums are very aggressive and challenging. This album really laid out connectable songs with the same level of emotion. The music was smooth, dark, and expertly crafted. This is an important modern artist making music for the sake of art. I really can’t recommend the impact of this album enough.
Cliff and Ivy: Alaska’s goth duo – Bring us the Night – Brand new single from my favorite goth couple in Alaska. They often straddle the line between Goth and Punk and this time they are leaning very punk. This is a furious tempo cursing the daylight and celebrating the night. Bang you head and paint up your eyes. Ivy’s machinegun fire poetry assaults you in waves and has an anthem cadence. I think the extra layer of cheese and fun really puts me over the top for this scorched earth hot single.
Gloom Wizard – The Beast Of Victor – Unnerving and ferocious single from Anibal our Sounds and Shadows moderator. This throwback sizzler has the tension and emotional recklessness of NINBroken. Yet maintains a lo fi analog dissonance. It’s brings you to the brink of aggressive explosion then drops the floor out with horror movie effects and video game synth feel. The chaos and tempest are tempered by Anibal’s powerful vocal performance which carries you through this terrifying journey of reflection. This song fills me with anticipation for future releases.
DIAF – Weida – So this review comes with a great story. The recommendation was from Elitist Joe. If you doth travel in thine goth circles you know we have now always seen eye to eye. One of the best parts of the last two weeks has been finding our common ground. So DIAF was a spot on recommendation. It is unique and intense. The vocals have that I have not heard this a million times entrancing flavor. It definitely holds a distinctly 90’s goth flavor, but with dance beat electronic boot stomping power. The melodies are captivating even where the language escaped me. In a world of remakes this album truly took me somewhere new.
Favorite Tracks:Erbsundt and Splitter – Two tracks that could not be more stylistically different bit both resonated with a truth and impact.
Overall Appeal : Strong, this is extremely varied, but the unique flavor of each track only increased the appeal. Everything is expertly played and mixed. An outstanding recommendation which also holds the meaning of a new friendship.
Blood Dance – Child of Fear – So this was a band I found on the compilation Escena Oscura Mexicana Vol. 1. I have been really digging into Mexican Goth/Industrial lately and this band grabbed me hard. Ultra deep Peter Steele vocals that creep like an onyx tank rolling over stone. Sultry post punk guitar lines and expressive synths. The vocals bounce up and down in range but never waiver in effect. This was another find that I fell hard for and will be looking for all future releases.
Black Rose Burning – Shout – Sometimes you just get a banger. This is one of those times. George of Black Rose Burning has assembled an all star cast of Brian Vigilone (Dresden Dolls) Anka McGowen (The Long Losts) Alex and Andrew (Hallowed Hearts) James Perry (Ashes Fallen) and Adrian Auchrome (Machinery of Desire) to reimagine the Tears for Fears classic Shout. The song remains just as poignant as at it’s release. George has a encompassing voice which both soothes the soul and splits the sky. The abrupt transitions keep a constant motion and the layered guest vocals pay homage to the wonderful harmonies of the original. I really loved the organic and driven feel of the drums. The guitar solo was a inspired addition and added a current and red toothed power. An amazing rendition that hit on all cylinders.
Herr Nox – Where Shadows Fade – I am in love with this new trend in talented song writers pulling in a variety of guest vocalist to splash paint upon the canvas and expand the range of their own art. This album is a haunted house of textured rooms. With patterned guitars and sultry saxophones. The album pushes the darkwave concept with progressive rock inlays. An avenue I have seldom seen explored. This album featured a complexity of 80’s Killing Joke and an expansive feel of 90’s industrial. It’s a varied catalog of rooms to explore. An album that can’t be appreciated in one sitting.
Favorite Tracks: Black Butterfly – A power ballad rock anthem with electronic sensibility. Gotta Light – Rare I would pick an instrumental track but the saxophone swaying sultry feel left me captured and transported.
ACTORS – Like Suicide – This album keeps flowing in one single at a time. Each one leaves me more impressed than the last. The gorgeous synth line and delayed guitar blending hits a razor edge I haven’t heard since U2 Boy. Jason and company are writing songs at a level that shows there is still places to explore in 2021. The heavy concept here of facing a hopeless cloud and trying to find strength. This song conjures that same lost beauty of Joy Division but with an elegant construction. I am truly at a loss for how they continue to push their own goal post and expectations with every release.
Kill Shelter & Antipole – A Haunted Place – Here it is, Pete Burns is operating on a level in modern postpunk/darkwave that is rewriting the script. Here instead of recruiting a variety of singers like his groundbreaking album Damage he takes the vocals upon himself. His voice is rich and rings with the power of a well aged bell. To build on that previous level of variety in the soulful lyrics, he has added possibly the top Post Punk guitarist in Antipole‘s Karl Morton Dahl. It’s an effortless compliment which locks perfectly as a puzzle falling into place. Every track is done with such expert precision and runs the spectrum of emotion. This is an early contender for album of the year. Like an expertly honed novel I could hear this record 1000 times and find a new detail to zero in on each play through.
Best Tracks:Raise the Skies – This single is a masterwork. It is the song equivalent of a perfectly crafted watch. Every gear an intricate motion happening in exactly the right time. Of Roses and Thorns – I loved how stripped down this felt. It allowed the chorus to open so much space and Pete’s voice went to a higher more delicate range.
Vanity Kills is the intense, cyberpunk-industrial band of Joe “Crow” Aaron. S&S has already covered them on several occasions: an interview from 2019, a review of album Chapter 2: Enemy, and a shoutout in the Halloween Compilation Release.
The band has been a friend of S&S for years. But where are they now? I reached out to Joe Crow himself to figure out what he’s been working on since the release of his last album. In the works are: 1- a third chapter album, 2- a B-sides album, and 3- a collection of covers.
The covers are being release intermittently on YouTube with the intent to compile them on Bandcamp upon completion. The B-sides, which are, according to Crow, “a collection of songs that didn’t make it on to the last album, alternate versions of previously released songs and remixes,” most likely going to be released in March. Chapter three’s release is as of now still uncertain.
Onto the topic of the B-sides and third chapter, do you see yourself exploring some uncharted creative territory?
Definitely. The b sides record is definitely a product of experimentation. There’s some more mellow moments there, some really dark stuff and some stuff that’s just outright weird.
The third chapter also tonally different to the second and first. It feels kind of like a 90s industrial album with modern production techniques. Sort of going back and taking influence from the places that first got me into the genre when I was in my teens.
It’s likely the B sides record will be a Bandcamp exclusive as a companion piece to Chapter 2. So everyone who has that will receive it automatically and be included with future purchases.
Regarding production, have you indulged yourself in any new equipment?
Nothing too extravagant. Picked up a Roland r8 for a bargain and a tb303 clone. I’ve also invested in a good amount of software instruments. As much as I’d love to get into more hardware it’s just not feasible at the moment and the ability to create new patches without routing audio and midi each time helps me stay in the zone with my limited attention span.
So, on your previous album and in a previous interview, you cited bands like Stabbing Westward, Ministry, and even Prince as having influenced you. Since the third chapter is going to be comparative to a “90s industrial album,” is there any new set of artists behind its inspiration?
Well all of those are there, probably more than the last record. As well as things like My Life with the Thrill Kill Kult, Circle of Dust, Nine inch Nails early material, through to the more electronic rave artists like the Prodigy, Underworld etc.
Gosh I love that early NIN stuff
Pretty hate machine and the broken EP will always stick in my mind as my personal image of NIN. I love damn near everything else but those are 2 I can go to any day in any mood.
Any closing remarks for your fans?
The support we’ve had for this album has been immense. I didn’t expect it after so many years if inactivity but old and new have come out in support and I’m eternally grateful. We’re going to finish off the album cycle with videos for every song from chapter 2 and swiftly onto the next chapter. So there’s plenty still to come. With some surprises along the way and one day more shows. Thank you so much and stay safe.
Ashes Fallen
Ashes Fallen is a California-based gothic rock band composed of James Perry (lead vocals, guitar), Jason Shaw (guitar), and Michelle Perry (vocals, percussion, keyboard, art).
Their most recent release, We Belong Nowhere, was put out this august. So, what have they been up to since then? I reached out to member James Perry to investigate.
Recently, they were part of the ARG (Anti-Racist Goths) streaming festival. It took place on January 1st, but you can watch their segment of it here.
“It was a real honor to be a part of it,” member Perry tells me. “Davey Bones and company are great.” The band performed their songs “We Belong Nowhere,” “Blood Moon,” and “Unrequited.”
How has it been adapting to virtual/streaming instead of live concerts?
I guess the main thing I’d want to add around that is just that the fact that we’ve been able to put on virtual performances has opened some doors for us and enabled us to participate in some really great events including being on the bill with some acts we really love and that influenced us, so while it’s unfortunate we can’t get out there in person, the situation has also presented some great opportunity for us. I don’t see livestreaming as a “replacement” for in person live shows, just another vehicle we can use to create and get our music out there. Michelle has always wanted to be able to design stage shows for us but it’s just not practical when you’re going on second out of four bands on a Tuesday night and you have 10 minutes to set up, but when we’re performing at home, we can have all the time we want to make something special visually! Last September, Michelle and I moved to a turn of the 20th century converted church and have made that our home base for the band, and it’s been a great space for online performances!
Do you have plans to take part in any more online streaming festivals?
We will be playing at Virtual Temple 3 at the end of January (January 30th, at 7 PM Pacific / 10 PM Eastern), hosted by Temple in Salt Lake City. We’ve been lucky enough to be invited to perform at all three of their “Virtual Temple” events and they’ve been great, a lot of fun. We go way back with DJ Mistress Nancy, she’s a good friend. Hopefully someday we’ll get out to Salt Lake City to perform in person, and get to meet all the new people we’ve met online through live-streaming performances and virtual club nights and everything! That’s all we have scheduled for now though. We’ve been working hard on writing our next album, and we’ve decided to take a break from performance to allow ourselves time to get it finished.
I’d like to hear more about that next album. What new creative directions are you exploring with it?
We were a brand new band when we recorded and released our new album, and most of the songs were songs I’d already written and had performed as a solo artist, and we’d only played a few shows together. We all think our sound has evolved some, although I don’t think people who liked our first album will be disappointed or anything! We’ve made a conscious decision to simplify and strip down our sound somewhat. The arrangements aren’t nearly as busy. We’re still very much a gothic ROCK band with two guitar players, but we won’t be relying on thick, metal-type guitars so much of the time. Michelle and Jason are both contributing more to the songwriting this time out, and Michelle’s going to be doing more singing on this album.
As far as subject matter goes, the last couple of years have given us an awful lot to talk about! We’ve got songs in the works about the political situation in this country, letting go of the past and moving on, the pandemic, as well as the passing of my mother just a few months ago. She was the sweetest person you could ever hope to meet and my first inspiration to become a musician. We’ve also got a song in the works about Maila Nurmi, better known as Vampira. Michelle really wanted us to record an ode to her, and it should be a fun track! It’s not so much about the Vampira character, but the woman who created her, and how she created this amazing legendary vision that was so influential, and yet she had her creation essentially stolen from her, and then lived in utter poverty and isolation for decades before finding some modicum of recognition in her final years.
Wow, that sounds like a lot to look forward to. Any estimate on when it’ll be released?
It’s a little hard to say. We haven’t been able to get together as often as we’d like because of the pandemic and because “real life” gets in the way so often! We’re just about done writing it though, and just need to spend some time getting it all together. I’m hopeful we can have it out the first half of the year.
The singles we put out last year, “Thy Will Be Done” and “We Belong Nowhere” will be on the album too, and hopefully they give some indication as to where our sound is heading.
Thanks! Last question- any closing remarks for your fans?
Thank you all for your support and please stay healthy! We can’t wait to be able to perform in person again and dance and celebrate the darkness together again.
Black Rose Burning
S&S has written about Black Rose Burning before in a review of Open the Gate, listing it as one of the “Top Postpunk/Synthwave/Darkpop albums of 2020” at the end of December. High compliments! Open the Gate was released mid-November.
So, what have they been up to since then? I reached out to instrumentalist and producer George Grant for more information. Plan to expect, if all goes well, the release of a second record in spring.
Are you diving into any new stylistic territory or techniques on this new record?
I think it will retain my signature “sound” which I think is mostly my voice (I don’t hear too many – if any- like it in the genre, and I’ll probably be relying on a more synth-based production this time. A bit more experimental? Probably. Still infused with heavy hooks? Definitely also. I don’t think I’m ready to write my version of something like Pink Floyd’s Echo’s yet. But I will at some point.
You released a cover of Red Skies- The Fixx in the past. Any plans for more covers, potentially on this new record?
I have a few floating around on my drive – the one that looks most promising right now (if it ever actually happens) is what I think is a cool version of Buzzcocks “Ever Fallen in Love”. Anything else I’ve been toying with hasn’t gone far enough to even count yet.
Oh I absolutely love that song!
I also may be doing a collaboration with Scary Black closer to spring as well. We’ve talked on it – but haven’t made solid plans as of yet
That would be cool, I love Scary Black
Yeah I dig him a lot too. As a writer/musician and just as a person too
Now for a hardware question- have you treated yourself to any new gear in preparation for your upcoming music creation?
A LOT of software. I’m always looking for new sounds. The more ammo – the more sounds. As far as gear – I have so much already I couldn’t even think of what more I could need. I even dug out the theremin to see if I could use it on the new record! The recordings could easily turn into a free-for-all.
Yes! A theremin! I’ve got a kinda-theremin of my own, and it’s definitely great for weird noises. Can’t wait to hear you potentially use it. Any last thing you can tell your fans about the new album without spoiling too much?
If they liked the last one – this one will be even more epic. The first record was my training course...
Goth music and culture has always been rooted firmly in the past. It often has felt this subculture awards time served in the scene and knowledge of the obscure history of the bands, clubs, and fashion of our progenitors. However in order for a culture to carry on it must evolve and strike a chord in future generations. This happened in the 90s, then again in the mid 2000’s as new waves of goth music found and audience. Each time adding to the story by paying homage to the generations before it. As time went on “Goth” has splintered into smaller subgenres which have pushed further from that original concept until a tangled and complex web reached towards the edges of other genres. I for one embrace how rich and diverse the concept of goth culture has become. In future articles I want to explore some of these subgenres and how they are impacting modern music. In this article I will be focusing on the return to the core. That first idea of guitar driven dark music, with throbbing basslines, ethereal keyboards, and haunted lyrics with romantic natures.
1st Wave: The Velvet Underground, Joy Division, Siouxsie and The Banshees, Killing Joke, Bauhaus, The Cure, Sisters of Mercy, The Birthday Party, Red Lorry Yellow Lorry, Fields of the Nephilim, The Mission, Christian Death, Alien Sex Fiend.
2nd Wave: Rosetta Stone, Nosferatu, The Wake, Children On Stun, Dead Can Dance, Lycia
3rd Wave: Angels of Liberty, Merciful Nuns, Switchblade Symphony, O’Children, Ritual Howls, Pink Turns Blue, The Horrors, Sunshine Blind, Golden Apes, Black Tape For a Blue Girl, Razed In Black.
Finally a new slew of darklings is raising that torch and producing the next wave of goth rock. I think it is key that these are bands who came up listening to the post synthesis goth and found their way back to the root. It gets me excited for the future.
The Kentucky Vampires: Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding.
Scary Black: Another amazing new goth act from Louisville KY. What the hell is in the water out there. This is a one person band that has such electric energy and frightening tone. Singer Albie has one of those deep baritone voices that comes from the bottom of a well and fills you up with emotion. 3 albums and the napalm fire single Starlight Dancer.
Twin Tribes: These lovely lads from Texas have taken the world by storm. Dreamy private ritual sounds that bring the beauty and heartbeat of The Cure back into the mainstream. Tender poetry and swirling texture smoldering in a cauldron on a moonlit night. Already with two breakout albums and additional singles they are setting the standard for the softer side of gothic rock.
Black Angel: London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future.
IAMTHESHADOW: When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image i want to see in the mirror. Now on Cold Transmission Music.
Cliff and Ivy: Alaska’s favorite goth couple Cliff and Ivy have brought back the isolated howling wolf tooth and nail of goth. The punk blend of The Damned and Alien Sex Fiend. It’s raw, fierce, and unapologetic. Ivy takes the back of your head with her beautiful prose, then smashes your nose with a headbutt of power. Cliffs thick guitar riffs are a growling beast let off the chain. Iron Gauntlet in a velvet glove.
Crying Vessel: Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.
Mary: My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him.
Death Loves Veronica: This lovely lady from Texas brings that same Souxie dripping soul and witchcraft elegance to modern goth. It’s smoky and pours straight from the vein into your ears. Really nice use of guitar to add weight in the right moments. Goth needs to echo through the listener on a personal level. You need to feel what they feel and that is what Veronica captures so elegantly.
Sounds Like Winter: All the way from Australia Art Banister’s popping sharp edge retro feel goth rock has a lot of that true early Joy Division/Warsaw vibe in the drum and tempo. The vocals are forceful and ringing in a hopeless monotone. All that fuzz and emptiness given flesh.
Adoration Destroyed: Also from Texas this band is leather pants sexy in musical form. Masters of blending modern pop and old school shadow shock. It’s animalistic and winding with crackling electric dance destruction. Erik has a voice that calls to you come hither and has a 10/10 on the shake that ass factor.
Orcus Nullify: The doom and shattering gothic rock sound and poetry unafraid to lean into the cheese and imagery of early goth. Thunderous bass driven rock about bog witches and grave dirt. I love the courage and delivery of this South Carolina sensation
Witchhands: Colorado doom metal with raw open wound sounds full of decay and ritual. That place where early goth rock stayed into metal and pain. Spewing forth a filth and blood soaked pageantry with blistering guitars mashed with organs and echos.
Redwing Blackbird: Another Colorado band with blistering speed and The Damned edge punk feel mixed with true goth sensibility. This album picked me up when i am feeling low…and then sends me low again. Great production and electric tempo.
Amaranth: Ken, do you have the strength of character to not engage in shameless self promotion and include yourself with this wave of goth bands? Fuck No! I feel good about the music we have made coming back. It veers from old school to proggoth/ to industrial but fuck it, it’s good. Give it a listen 🙂
BRIDES – Newest project from Adrian Borgia of Norway usually known for his lovely crafting with analog synths which really finds it’s stride by blending old school death rock with bleak emotion and infectious pacing.
NIGHT NAIL – American transplants in Berlin Germany newly signed to Metropolis Records. Night Nail is a complex abstract take on modern goth with experimental instrumentation and wonderful vocal harmonies between partners Brandon and Valentina. Hues of Japan under a cloud of extreme darkness, Night Nail is never afraid to take chances in the pursuit of new sounds.
MALE TEARS – James Edward‘s project from Los Angelos briming with pop goth beats and seeping with authenticity. Blending retro emotion and modern production. I love it more every time I hear it.
I also wanted to call out a few bands that rose from the grave to join the modern scene but have been making music all along 🙂
Caroline Blind: The stunning voice from Sunshine Blind has returned to cut an amazing solo album. Bringing in a who’s who from third wave goth to accompany her on this soulful and rich goth endeavor with a more organic feel. Her voice grabs hold of the heart strings and rides your into the ground. Breathtaking music contributions from Rich W. (The Wake), David Wolfenden (Red Lorry Yellow Lorry), Dave (The Dramedy), Ashe Ruppe (Delphine Coma), George Earth (Switchblade Symphony), Gordon Young (Pretentious Moi, Dream Disciples, Children on Stun), CWHK (Sunshine Blind), William Faith (Bellwether Syndicate, Faith and the Muse) and Geoff Bruce (Sunshine Blind, Faith and the Muse). Everyone who shows up hear really shows the impact of this artist on the scene and how much power this newest release packs.
The Wake: Speaking of The Wake, they have just unleashed a new album in 2020 and it is game changing outstanding. This record is going to get it’s own review but to not mention the power of this release would be an oversight. Such a sky opening laser of guitar beams interlaced with velvet smooth vocals and a canopy of bass to hold it inside. My breath is taken.
The Cassandra Complex: Rodney Orpheus of London’s Cassandra Complex has been keeping the goth sound alive for years. A tantalizing and sinister painting of sound with the history of human experience brought shining and new with each release. Recently on bandcamp he put out some remasters of those lovely goth anthems back into the light. A true crooner of the poetic experience of early goth music who actually toured with the early progenitors.
I didn’t come close to hitting everything, and with facebook now stopping videos, lists like this on our page might be the best bet for a full playlist of new music. So If I missed something you feel meets the requirement of guitar based goth made in the last 4 years. Please add in the comments and I will try and get it included. Much love, Precious Ken.
