The second single from Texas siren Veronica Campbell off her Cold Transmission released album “Chemical”. The video opens with shiny sinister Velvet Underground leather. Burning wire synth beats, and a bright red smile full of danger. The delivery and the distance are aggressive and enticing in a captivating duality. Veronica always brings a very personal and revealing style to her songs. I love that this is not set pieces or background. The video matches the music with it’s close up introspective feel. The shadowy ram horn character is present, but a foil not a focus. This song is tendrils of smoke always creeping around you while you fall deeper into eyes you can’t turn away from. The playfulness lends a strength. A sense of being the one in control. Red leather is the power tie that holds the authority in this room. The end is a twist I won’t spoil. This is another great example of how Death Loves Veronica is showing that strength, control, intelligence are the sexiness that captures the modern imagination.
In a shocking twist of fate I finished my May Bandcamp Day reviews a week early. Which means I have time to do a part II of amazing new releases before Friday 5/7/21. As always I have gotten into my tiny goth boat to sail the seas of amazing music from around the world that stirred my heart like a bracing wind on stormy seas. So look with me to the stars as we navigate these choppy waters. Leave some of your great finds in the comments below, and as always keep it dark yo.
Big Time Kill – Recovery – Let’s jump in with a bang to the new EP by Boston based BTK. This EP absolutely floored me. It’s a ear worm blasting blend of catchy intense lyrics flicking through a rollercoaster dynamic ride with glam, electroclash, synthwave, and grunge. The way Adam Schneider and Ben Caccia bounce through effortless transitions is engaging and artistic. To cover so much ground in 4 tracks is a masterwork. I know I am using big shoes here but this journey holds the toothy refinement of Pretty Hate Machine. An early contender for surprise hit of the year.
Favorite track: Cliche’ – Whipping chains of ghost riding fire. Drops away with a crooning desire. The chorus is an expansive hit that taps deep into a feeling any artist in 2021 has looked down the barrel of. Bubbling guitar leads counteract with Adam’s piecing sky splitter voice. “What are you gonna do, when the world keeps coming for you”. Banging guitar solo 10/10 on the pump my fist in the air scale.
Sweat Boys – Adrenaline (feat. Valerie Abbey) – Blistering blaze single from Benny Sweat who has teamed up with Valerie of Abbey Death to tackle goth classic Rosetta Stone’s synth anthem. It’s fresh in it’s violet electric pacing and the wispy beauty of Valerie’s delivery. I love Ben’s gift for taking something untouchable and making it his own. It has reinvented the song as well as his own style. Everything about this cover feels fresh. The flowing keyboards step forward to take the place of the guitar line and turn the dark sky neon. This single is an instant club hit.
Era Nocturna – Hell – Another Boston artist Era has has returned from a 13 year hiatus to release a new single featuring three remixes. Her voice has the stalking power of a giant black wolf, blood dripping from it’s jaws. A sinister ferocity and stalking cadence. The whole sound feels cornered and dangerous while exposing a vulnerability. The lyrics are a poetic journey like Dante emerging from the inferno. It’s hard, it’s mean, and it happens in 4.5 minutes. I hope this spells the return of a powerful darkpop voice. Special shout out to the Lilith My Mother remix which softens the edges and adds blending of the grey hues to the music. This brings a clarity and resilience to Daeva’s voice. I can’t wait to see what style will be her next prey.
Coor Brow-Obles – MacGuffin Baby – Bopping new gothglam single from Gillingham UK. I always love the high range old school croon of Coor’s voice. The tongue and cheek of beauty against S & M concept. Put your hands on me and choke me softly. I think Coor has a true star quality and I want to see the production level find the same heights of cleverness as the songs. A fun ride between Bowie and Syd Barrett that leaves me hungry for more.
Death Loves Veronica – Chemical – The first album from the glorious union of the Texas siren and Cold Transmission Music. I love the crashing tide synth drive and the contrast of warm whiskey sliding down the back of your throat. A ritual incantation and self realization. Every time Veronica announces a new release I am left wondering what new territory her voice will take me. Pre Order is currently available with the first two singles “Burn” and “Spindein“. The power of this album is how instead of you studying the painting while listening. The stalking control and awareness in the eyes of the music is staring back at you. You are the one on display and the tendrils of the music creep towards you and wrap you up.
Favorite Track: Spindein – Such a deliberate, calculated crawl of leather and feathers. When they say a song can get under your skin, this is what they mean. “Nothing dies, the way you do” I love the buzzing guitars at the halfway point. It really adds a second act to the story of the song. Light the candles, pour a glass of wine, get seduced by the power of music.
WeirdWolves – Overdrive – First single from the Austin TX band which combines Raphael Colantonio and Ava Gore (Daughter of Depeche Modes Martin Gore). It’s a nice early 2010’s electrosmasher club killer. Nice duet blend vocals. I had to really force myself to hear it on it’s own merit and not the power of it’s royal blood. Top notch production and some lovely giant mechanical snake sidewind slither. It was a brief but tantalizing introduction. You have my attention, but the bar will be high. I want to see open veins and dynamic power from a full length release.
Dead Animal Assembly Plant – Bring Out The Dead – Another bone jarring hit from our friends at Armalyte Industries. This album is venturing a little closer to the metal aspects of industrial/metal than I tend to go. Sometimes in life you just need music to smash shit to, and that’s what the Portland band is bringing with rapid fire whole sale destruction. What leaves me impressed isn’t the moments it hits hard, it’s in the subtitle intelligence where pulls back and lulls you into a false sense of security just to swing the bat at you again with reckless abandon. Another great highlight is the cover of the folk song “Gods Gonna Cut you Down“. They say when Johnny Cash covers a song he makes it his own. Sometimes though you need to rip it out of his hands and shake the shit out of it with blistering guitars and fiercely whispered vocals by Time Bitch.
Favorite Track: Sacred Disgrace – It’s all the power and fury of the other tracks, with Lulu Black adding an eerie and off putting violin line which makes the vocals spew forth with added vigor. A crushing dirge of power and beauty.
blackcell – Burn the Ashes – Ok this came to me as a hot tip from Michael Smith. Just to discover it is a collaboration of Eric Isbell and Matt Jones. Mastered by Chase Dobson. Dark, dripping, delicious death disco that I didn’t know how much I needed in my life. Take one part Ultravox, one part Cabaret Voltaire, a dash of modern production to sooth the lofi edges and you have the recipe for your next low key sexy dance party. A twisted carnival of Andy Warhol’s most fiendish nightmares made of shadows and spun in technicolor. I was not ready for this and fell deep. Prepare to hear a lot more about this band from me in the future. This gets the where have you been all my life award.
Favorite Track: Creep Like Fire – This is the song playing when John Travolta stumbles into the Black Lodge of David Lynch and wanders aimlessly while a thin man in a suit speaks in reverse.
As the world tilts and tumbles and the chill settles into the land. What is the new music that I am feasting on this Bandcamp day? I just did the review and interview with Raymond Watts and I am a bit star struck and over the moon. You all know S & S for new up and coming bands so lets talk about what just came out.
Death Loves Veronica : Our dear friend from San Antonio has not been idle during the pandemic. Another new single and one with a totally different feel from her previous material. Lovely grinding old school industrial with her slow whisper burning ember voice. I love the gentle drone and build. A very David Lynch broken mind story. Veronica keeps finding ways to deliver and stay fresh.
The Unquiet Grave: This amazing compilation really needs it’s own review. I think Amaranth was set to be on it at one point. 32 Tracks with a huge variety of goth styles. Put together by Athan Maroulis this is the best value you are going to get in goth music. A great way to find 10 new bands you are into for $10.
The Ghost Of Bela Lugosi:(Poisoning of Every Seed) Another scorching new single from Vin. It really rattles my mind just how different every new track sounds. Everyone is a masterwork. This is a flowing newwave disco jam with 80s Depeche Mode flavor and punk rock sleaze. Vin lets the shining beauty of his voice gleam through on this one with more polish. Another genre shift, another hit.
Blindcopy: Hot new single “Blacklight” from Memphis electronic artist Jack Alberson. Loving this bopping Information Society style with some southern soul. The way this track keeps bobbing and weaving you can never quite grab hold of it in the best possible way. The motion and energy created is hypnotizing. 5 remixes one from our dear friend Melodywhore.
Caput Medusae – Dreamy new single from German darkwave artist called “Kiss Me Deadly” This track is always lurking around the corners and moving through the shadows. Tina Mar has a voice that is always in your periphery but always surrounding you. This is music I want to hunt ghosts in a abandoned mansion.
White Mansion : Speaking of haunted mansions, Cold Transmission’s Arkansas post punk stars have a lovely new synth driven single “Alone”. The song has a lovely isolated New Order “Movement” feel. The bassline is a thrumming pulse and the vocals convey a loneliness and you can taste on your tongue. Wonderful single but I would be remiss to not mention the remix by label mates Kiss of the Whip . Tristian took that dark moody power and refracted it through a prism to highlight all the best elements.
Black Rose Burning: (Open The Gate) I just need so much more of this style and quality. NYC artist George Grant released this gorgeous EP of ultra dark acoustic singer songwriter jams with a true goth aesthetic. His voice is so passion Peter Gabriel but that ever driving percussion acoustic rings like The Cure “Wish”. Sometimes to find the next evolution you need to strip the concept down to it’s bones and I am drinking deep of the marrow of BRB.
Actors: Last but certainly not least is a new single from Actors called “Love U More” and holy shit. I didn’t know exactly what to expect but this surpassed whatever I had in my head. We did a live reaction of the video which I will post soon. It’s all the things I loved about “It Will Come To You” and more. Jason’s vocals are blended perfectly and float on a cloud city of synth glory. Shannon’s vocals are brought to the front and make a perfect contrast. The tone is much darker and has a force of soulful pop with a deep message. I really can’t stress enough that you need this. This band is the future and I am here for that future.
Goth music and culture has always been rooted firmly in the past. It often has felt this subculture awards time served in the scene and knowledge of the obscure history of the bands, clubs, and fashion of our progenitors. However in order for a culture to carry on it must evolve and strike a chord in future generations. This happened in the 90s, then again in the mid 2000’s as new waves of goth music found and audience. Each time adding to the story by paying homage to the generations before it. As time went on “Goth” has splintered into smaller subgenres which have pushed further from that original concept until a tangled and complex web reached towards the edges of other genres. I for one embrace how rich and diverse the concept of goth culture has become. In future articles I want to explore some of these subgenres and how they are impacting modern music. In this article I will be focusing on the return to the core. That first idea of guitar driven dark music, with throbbing basslines, ethereal keyboards, and haunted lyrics with romantic natures.
1st Wave: The Velvet Underground, Joy Division, Siouxsie and The Banshees, Killing Joke, Bauhaus, The Cure, Sisters of Mercy, The Birthday Party, Sisters of Mercy, Red Lorry Yellow Lorry, Fields of the Nephilim, The Mission.
2nd Wave: Rosetta Stone, Nosferatu, The Wake, Children On Stun, Dead Can Dance, Lycia
3rd Wave: Angels of Liberty, Merciful Nuns, Switchblade Symphony, O’Children, Ritual Howls, Pink Turns Blue, The Horrors, Sunshine Blind, Golden Apes, Black Tape For a Blue Girl, Razed In Black.
Finally a new slew of darklings is raising that torch and producing the next wave of goth rock. I think it is key that these are bands who came up listening to the post synthesis goth and found their way back to the root. It gets me excited for the future.
The Kentucky Vampires: Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding. Brandon of Sonsombre does mastering for them and helps add a sense of continuity to this new goth sound.
Scary Black: Another amazing new goth act from Louisville KY. What the hell is in the water out there. This is a one person band that has such electric energy and frightening tone. Singer Albie has one of those deep baritone voices that comes from the bottom of a well and fills you up with emotion. 3 albums and the napalm fire single Starlight Dancer.
Twin Tribes: These lovely lads from Texas have taken the world by storm. Dreamy private ritual sounds that bring the beauty and heartbeat of The Cure back into the mainstream. Tender poetry and swirling texture smoldering in a cauldron on a moonlit night. Already with two breakout albums and additional singles they are setting the standard for the softer side of gothic rock.
Black Angel: London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future.
IAMTHESHADOW: When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image i want to see in the mirror. Now on Cold Transmission Music.
Cliff and Ivy: Alaska’s favorite goth couple Cliff and Ivy have brought back the isolated howling wolf tooth and nail of goth. The punk blend of The Damned and Alien Sex Fiend. It’s raw, fierce, and unapologetic. Ivy takes the back of your head with her beautiful prose, then smashes your nose with a headbutt of power. Cliffs thick guitar riffs are a growling beast let off the chain. Iron Gauntlet in a velvet glove.
Crying Vessel: Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.
Mary: My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him.
Death Loves Veronica: This lovely lady from Texas brings that same Souxie dripping soul and witchcraft elegance to modern goth. It’s smoky and pours straight from the vein into your ears. Really nice use of guitar to add weight in the right moments. Goth needs to echo through the listener on a personal level. You need to feel what they feel and that is what Veronica captures so elegantly.
Sounds Like Winter: All the way from Australia Art Banister’s popping sharp edge retro feel goth rock has a lot of that true early Joy Division/Warsaw vibe in the drum and tempo. The vocals are forceful and ringing in a hopeless monotone. All that fuzz and emptiness given flesh.
Adoration Destroyed: Also from Texas this band is leather pants sexy in musical form. Masters of blending modern pop and old school shadow shock. It’s animalistic and winding with crackling electric dance destruction. Erik has a voice that calls to you come hither and has a 10/10 on the shake that ass factor.
Orcus Nullify: The doom and shattering gothic rock sound and poetry unafraid to lean into the cheese and imagery of early goth. Thunderous bass driven rock about bog witches and grave dirt. I love the courage and delivery of this South Carolina sensation
Witchhands: Colorado doom metal with raw open wound sounds full of decay and ritual. That place where early goth rock stayed into metal and pain. Spewing forth a filth and blood soaked pageantry with blistering guitars mashed with organs and echos.
Redwing Blackbird: Another Colorado band with blistering speed and The Damned edge punk feel mixed with true goth sensibility. This album picked me up when i am feeling low…and then sends me low again. Great production and electric tempo.
Amaranth: Ken, do you have the strength of character to not engage in shameless self promotion and include yourself with this wave of goth bands? Fuck No! I feel good about the music we have made coming back. It veers from old school to proggoth/ to industrial but fuck it, it’s good. Give it a listen 🙂
I also wanted to call out a few bands that rose from the grave to join the modern scene but have been making music all along 🙂
Caroline Blind: The stunning voice from Sunshine Blind has returned to cut an amazing solo album. Bringing in a who’s who from third wave goth to accompany her on this soulful and rich goth endeavor with a more organic feel. Her voice grabs hold of the heart strings and rides your into the ground. Breathtaking music contributions from Rich W. (The Wake), David Wolfenden (Red Lorry Yellow Lorry), Dave (The Dramedy), Ashe Ruppe (Delphine Coma), George Earth (Switchblade Symphony), Gordon Young (Pretentious Moi, Dream Disciples, Children on Stun), CWHK (Sunshine Blind), William Faith (Bellwether Syndicate, Faith and the Muse) and Geoff Bruce (Sunshine Blind, Faith and the Muse). Everyone who shows up hear really shows the impact of this artist on the scene and how much power this newest release packs.
The Wake: Speaking of The Wake, they have just unleashed a new album in 2020 and it is game changing outstanding. This record is going to get it’s own review but to not mention the power of this release would be an oversight. Such a sky opening laser of guitar beams interlaced with velvet smooth vocals and a canopy of bass to hold it inside. My breath is taken.
The Cassandra Complex: Rodney Orpheus of London’s Cassandra Complex has been keeping the goth sound alive for years. A tantalizing and sinister painting of sound with the history of human experience brought shining and new with each release. Recently on bandcamp he put out some remasters of those lovely goth anthems back into the light. A true crooner of the poetic experience of early goth music who actually toured with the early progenitors.
I didn’t come close to hitting everything, and with facebook now stopping videos, lists like this on our page might be the best bet for a full playlist of new music. So If I missed something you feel meets the requirement of guitar based goth made in the last 4 years. Please add in the comments and I will try and get it included. Much love, Precious Ken.
Today is the day when Bandcamp (The one music streaming and distribution company that seems to care an iota for musician’s) waives it’s fees and gives everything spent, to those making the music. It’s been a tough few months in particular and I am in the middle of Sotember (The month each year where I recharge and drink nothing stronger than Earl Grey tea)
Death Loves Veronica : In The Silence
Newest single from Texas darkwave sultry star Veronica Campbell. This song has a brighter more open tone than previous offerings. It really highlights the elegant purity of her voice. Also included is a beautiful synth rich remix of “In The Silence”. A cascading waterfall of cool crystal sound.
I have been waiting for someone to put raw emotion and sass back into the darkpop genre. This album crackles with mid tempo dance beats to fill the back walls of the club. The lyrics are an inward journey with an 80’s Madonna soul. Beautiful modern layered vocals to create movement and build. It’s one of those sounds that flows through your earbuds and into your nervous system and flexes attitude through your body. I feel like other people can hear these songs through my movements when I listen.
Chicago retro-synth dreamboats Wingtips have done this fitting tribute to criminally underrated 90’s Aussie pop band Savage Garden. I love the interlocking vocal duet here. The frosting sweet swirl of keyboards and chimes on this song make my heart dance with delight.
Firebrand driving doom dance with a nice sprinkle of Industrial guitar and finger firework keyboard work. I really like the effective chanting vocals which hit right on the needle of what I want from a club jam. Extra bonus remix layers on some teeth and glitch for a aggro feel. Stomp your feet and scream obscenity.
Listen to Klack or I will attack, and you don’t want that. A fresh new feel here from Matt and Eric. I really have enjoyed every evolution of this project. This has a Construction Time Again DM flavor. It has clever carefully placed samples. The beats have a real shake that ass groove. The keyboard melody lines are beautiful retro hooks. I really fell hard for these breathy cleanly delivered vocals. It’s something I hadn’t heard from them before and immediately wanted more of. The lyrics really became a strong suit here. This is an album plucked out of the timestream and dropped hard in 2020.
Kim Bell and company have released this lovely shadowpop with misty daybreak darkness. It has a dreamlike quality, with a Til Tuesday retro flow. I really like the front edge of Kim’s delivery on the vocals. This really gets me excited for the future direction of the project. Now on Swiss Dark Nights
I will always buy every GoFight release. I will never regret my decision. Jim Marcus understands the blending of body gyrating dance music in the way an Indian executive chef understands the blending of spice. The layering of elements allows you to get lost in what kind of a song you are listening to. His voice is that perfect growling beauty snapping at your heart with desire and terror. Another single, another home run.
I think this band from Toronto now on Cold Transmission takes the award of the day for something I had no idea I needed and now can’t live without. The scope of tempos here run from blistering car chase to lullaby shouting fuck. Gorgeous dreamy vocals that would make Robert Smith raise an eyebrow. I’m not sure where this was hiding but it just took my 2020 by storm.