Review of Death Loves Veronica “Lucid Dream”

http://www.veronicacampbellofficial.com/

https://deathlovesveronica.bandcamp.com/

Going to try something a little new for our review of the latest release of Death Loves Veronica. Katy and I are both big fans but both come from fairly different backgrounds. So we are going to do a duel review. Listening to the songs separately and not discussing. Then posting our thoughts here to feel this album through a couple lenses.

Overall Impressions:

Katy – I really enjoyed this album from beginning to end. The album is dynamic with different feelings associated with every song. Each track had its notable mentions, but a few really resonated with me in a long term way. Spending a bunch of time in my apartment makes me really appreciate albums that keep me wanting more. Death Loves Veronica is an amazing project that creates some of the best music for the timing of my life. This album was exactly what I needed and I’m so grateful it exists. 

 

Ken – I have been waiting for this record for a long time. I’ve been a fan of Veronica’s work for a while and she really took time with this one. It just bleeds soul and internal honesty. I think what left me so struck was how it had a powerful moody synth feel, but the vocals really showed her Texas style. I heard a real rich story teller feel of Dolly Parton or Patsy Cline. It fills a real void in the current scene and I found my mind often getting lost in the narrative of the songs. It has a moderate pace that grinds and builds and really throws a smokey spotlight on the journey and reflection.

 

What did it make us feel? :

Katy – Each song evoked a different kind of feeling, but overall I felt fulfilled. Some of the songs made me smile, others made me think deeply because the music or words felt relatable. I found myself gazing at the wall adjacent thinking of my teen years and how these songs feel just as relatable now as they would have then. 

Ken- I love the way Katy said it was related to her teenage years. For me I kept finding myself dwelling on a more mature voice reflecting on the wounds and lessons of the past carried with us into modern experience. I think it says a lot about a song writer when she can send an emotion and have the same basic concept touch different listeners through different lenses. These songs felt so solitary and sending communication across the world to someone lost. Obviously this hit hard in the modern world.

Blood King:

Katy- This song has layers. Blood King has a spooky vibe from the riff on the organ to the story being dictated vocally. Generally, the song has a very rock and roll feel to it, the kind that makes your feet move and your head bop despite being minimalistic musically. The first time I listened through it, that’s basically what I walked away feeling. Like, “Wow, that was a fun track!” Then I listened to the words closer and realized how incredibly dark the song is. 

Ken – I love the spooky organ on the opening. It really sets up this villainous character . Then the chorus kicks up the drums and torments the protagonist with a spectral voice telling us you can’t escape. Sizzingly buzzy guitars, I love the difference and range between the two vocal styles.

I Came Here For You:

Katy – This song is one of my favorites on the album. I don’t know how to feel when I listen to it. It’s very sexy in one regard, but once again has an overall feeling of creepiness. It’s almost like it’s the standpoint of the predator from Blood King instead of being from the standpoint of the victim. Once again, this song has a rock and roll feel to it that makes you move, but this track has a lot more mischief in its instrumentation. There’s a riff on a bass synth that gives the song more of a feeling or pursuit. The chorus is huge sounding and direct lyrically. Suddenly, you no longer feel like you’re quickly walking down a streetlight lit sidewalk, but in a people filled nightclub.

Ken- Hard agree Katy, this is such a jam. It’s slow and smokey. Those tiny pin prick finger taps crawl on your spine. This really has that sultry sexy soul to the vocals. This is a song of power, stalking, both a fear and admiration. I really heard a story, not of love, but of apprenticeship. I desire to touch danger, not to be with it, but to remake yourself with it’s aspect. That chorus is such a massive hit with the wall of sound on the guitar, but the tempo never increases. It leaves such a striking feeling of being stunned in your tracks.

Alone:

Katy – This is a slower ballad that revolves around lost, love. This is one of the tracks that makes me remember all those messy breakups from when I was younger. “I can’t dance all night without you.” I get that. I feel that. This song has an overall melancholy tone instrumentally with a heartbreaking chorus. Though it is somber, it’s still a pop song, so the synths add a little glee to the mix. Whether it’s the lyrics or the instrumentation, there’s something in this song to cling to and feel some kind of relatable feeling with. 

Ken- That snare is hitting so crisp. Veronica is using a airy and and distant voice in the intro. It really hits with a loveliness. The chorus line of “I can’t dance without you” is powerful and resonates something we have all felt. The forced facing of a memory which stings but also recalls the beauty of that moment. The background glitching static uses a cool sound effect to help add to the narrative. I love how much thought went into the composition of these songs. I am loving how in sync Katy and my take was here. I feel that speaks to how on target this song hits.

Witch:

Katy- “I am the witch, I will destroy you.” This song has me thinking of multiple movie plots that would all be very great and range from horror movies like “The Autopsy of Jane Doe” to a fierce empowerment flick about a woman done taking shit from some dude! Safe to say, this song gets me amped. It has a slower tempo but has huge synths and guitars making it anthemic. 

Ken- I really like the slow mystical groove on this one. Veronica does that wonderful sultry whisper, offset by a call back distorted voice to add broken glass edge. It has this cool LA almost Courtney Love feel, which for me is a huge compliment. I love Katy’s call out of how hard this hits for being a slow song. Use of dynamics to achieve a magical fireball to the face. Just dripping with bad ass feminine energy. This is a total last girl song.

Crushed:

Katy- This song is my favorite on the whole album. It’s so sad! The longing conveyed through this track is so impactful. The synths in the second verse wobble and create that tension and uneasiness, that discomfort… it’s the sounds of how I feel right now. This track also highlights how dynamically ranging this album is. Through most of this album, the songs are driving and poppy whereas this song has an almost lo-fi indie feel. Maybe it’s because most of the song revolves around a simple, but longing-sounding bassline. The things Veronica is saying are so simple and direct that they crush your heart. 

Ken- I knew right away why this was Katy’s favorite. Huge dreamy David Lynch vibes here. Almost a sinister surf shoegaze feel. Great transition at 1:30. The way the layers build here is so effective, just adding one piece at a time to keep the drive doing.

Closing thoughts?

Katy- I highly recommend this album. If you’ve been a follower of Death Loves Veronica, you should be excited. If you’re new to her work, check it out because it’s an incredible range of sound and influence. Death Loves Veronica has always been amazing at telling a story and really selling a scene and I’d debate this is the best landscape of those talents so far. Like I’ve said already, this was exactly what I needed right now. It’s not an album of the same thing over and over.  When the world feels like it’s falling apart, it’s reassuring to know that there’s anything to make it feel any better. Right now, there’s a ton of amazing art and music being made and we’re so incredibly lucky to be able to listen and share it. 

Ken- Hard agree, as someone who is already a fan of her work this album was my favorite so far front to back. It’s all the things she does well, done better. The concepts are direct and narrative. The vocals a slow drink of premium whiskey. More than anything though the way she uses a minimal amount of sounds to layer perfectly to add flesh and blood to the story of her words. I hear a lot of the soul power of a Chelsea Wolfe, with an electronic and intricate design. Doing more with less to tell the story of a journey to the past and back again.

Sounds and Shadows Podcast #13 Featuring Ania of I Ya Toyah. Recorded 3/7/20

I love every podcast we have done. This one was really special though. Ania is such a force of nature. Her music, her passion, and laser focus on her goals. I really feel this is the most personal and revealing conversation we have had of an artist. It felt so good how much she opened up about her life and journey. This is a future star and being able to feel the glow of her rise is a gift. As always I will link the bands we discussed as well as pictures of her dog.

https://iyatoyah.bandcamp.com/

https://katyneedsalife.bandcamp.com/

Intro song by Katy Needs a Life

https://armalyte.bandcamp.com/album/the-joy-thieves-a-blue-girl

The Joy Thieves Feat: Ania

https://zwaremachine.bandcamp.com/album/be-a-light

Lorelei Dreaming
This is Benek love him!
Listen to Benek’s musical work

http://egcine.com/?fbclid=IwAR0-Z2R-gq3nMWO4RXQYcr-f_-QCGh5Tyw0UVg_Hj_91nTLLOkIfytdrGLs

Lumbra Productions
https://www.facebook.com/pg/LumbraRecords/about/?ref=page_internal
I Ya Toyah donates to American Foundation for Suicide Prevention for every show

Review: Death Loves Veronica – Concept

Review by : Katy Knal May

Band: Death Loves Veronica

Label: Cleopatra Records

Members: Live act includes Jamie Cadaver on synths, Chase Bats on drums, Detra on bass, Veronica Campbell on vocals and synths.

Home Base: San Antonio, TX

https://deathlovesveronica.bandcamp.com/

https://www.facebook.com/deathlovesveronica/

Concept is the latest release by Death Loves Veronica. The album is industrial, cosmic, electronic, symphonic, cinematic, and synth-heavy. You’ll feel an array of emotion as you listen, but it won’t fill you with hope.  This Sci-Fi film inspired album is dark and may make you feel like you’re aimlessly lost somewhere far from the home you know.

It’s not often that I find myself listening to such ambient music, but this was truly a pleasure. This album is visual, deep, and thought provoking. When I first heard it, I felt elevated and emotional. 

Concept is hypnotic.  From the moment the first track, “Overdose” begins I felt taken somewhere else. The tracks flow together and form a story arch that is so intense I couldn’t help but write my mental movie to play along with the screen.

Something about how this score is laid out makes it feel like the setting is in a distant future where Earth is just a memory.  I personally felt like I was on a spaceship where everyone is sleeping in pods, waiting for a signal to awaken.  Suddenly, something goes horribly wrong and the ship has to make an emergency landing on a foreign landscape.  In the end, when “The Process of Sedation” finishes, the feeling of resolve and relief is huge.

Some favorite tracks

Process – There is only one song that has lyrics, “Process,” and it is my personal favorite.  What I liked the most about it was how the track teases as it slowly builds.  The track has a tension and darkness that gave me an odd sense of comfort by the end that was so relieving.  Not to mention, Campbell’s lyrics are perfectly ominous and her voice is airy, like she’s standing right behind you.  

The Process Of Sedation– Close your eyes and find yourself encompassed by darkness. The void feels lonely, but there’s a pulse keeping you going. While this is the longest track on the album, it’s also the most cinematic. It has a story arc of it’s own. One second you feel like you’re in a room with a malfunctioning motherboard, then some tribal beats come in and it’s like you’re reflecting on your own existence. Then there’s a part that’s so human, it’s like you’re back home on earth. By the end, that chilling effect that’s filled this album comes in and leaves you with a haunting feeling.

Probably my favorite aspect of this album is only one song has lyrics out of the five, so it’s the music alone that gave me a reaction. No one is narrating the story, which makes the plot more subjective.  A room full of people can listen to this album and get similar feelings at similar times, but have a completely different mental image of what’s going on. That’s fucking art, y’all.

If you’re interested in learning more about this album or artist, check out their website at  https://deathlovesveronica.bandcamp.com/. “Concept” will be available on September 13, 2019.

Who are the great ladies of the Goth/Industrial scene today?

Music in general has always been a bit of a boys club. Sadly I feel like ladies have always faced an uphill battle particularly as producers and song writers. The goth/industrial scene has had it’s share of amazing and talented ladies as well as a progressive view, but it has never been a 100% fair shake. Since I have been getting back into the cutting edge of new music I have been overjoyed and amazed at the influx of talented female led performers currently putting out wonderful art that adds to the discussion and furthers the diversity of this scene. So I thought I would take a moment to highlight some of my favorite new artists creating music that places emphasis on the female perspective and makes this genre richer. I can’t add everyone I am listening to but i feel excited that it took me just a few moments to have several amazing artists currently enriching this scene. These will be quick hits, but I have more extensive reviews of many of the ladies featured.

Hante – Hélène de Thoury has an amazing voice and textural songs of beauty and effortless grace. She has such an unspoken coolness to her songs that paint a picture in your mind. I am transported every time i listen to her.

Sunshine Blind – Caroline Blind was an artist I grew up listening to that helped shape and mold me and changed my worldview of music. She has continued to make amazing music with the power and beauty of her voice. I always describe Sunshine Blind as a Steel gauntlet in a velvet glove. This is a cover she did of the Swans “Godamn The Sun”. It’s simple, striped down, and amazing.

Black Nail Cabaret – Emese Arva is a freaking force of nature. Her presence and power remind me of the first time i heard Annie Lennox. Her voice is pure raw energy, strength, and beauty. Wonderful range and a revolutionary song writing style that makes me want to charge up a hill and believe in a better tomorrow. I challenge you to listen to this song and not feel inspired!



S Y Z Y G Y X –  Luna Blanc has a voice that feels like a slow drink of whiskey in a club owned by David Lynch. It’s smokey, immersive, and full of desire. Can’t get enough.

Cliff and Ivy – Ivy Silence is a dear friend and all around wonderful human. Hailing from Alaska with her husband they do a sharp edge stabbing dark goth rock full of punk sensibility. Her voice is raw and unapologetic and as it crashes through you with sultry fierceness.

Kaelan Mikla – From Iceland is an amazing female group that hits on every level. It’s driving, fierce, gorgeous music filled with simmering intensity and textural beauty. They are truly a cutting edge sound for the modern age. Every time i listen to them i get lost in the picture they paint with every song.

Corlyx – Holy shit i love this band. Caitlin Stokes has a clear and fearless beauty and style. She really captures the raw sexuality and intelligence of the modern scene. This new album has a filthy glittering glory reminiscent of the 90s but with modern flare and strength.

Audrey Burne – I always love when i can give props to a fellow Michigan band. Lilith Gates of Audrey Burne is a immensely talented and haunting vocalist that has a lovely Natalie Merchant lilt and wonderful stage presence. I’ve had the honor or sharing a stage with her and they have a wonderful driving dark rock feel that really captures a room.

https://firesngp.bandcamp.com/track/show-me-life

Fires- Aedra is a freaking force of nature. She sings with such intensity and burning passion about her experience and her song writing ability really pushes the boundaries of industrial electronic music. This album really changed the game for me this year.

Angel Metro – Soft, sultry, understated glory. Virginia’s Angel Metro does a wonderful blend of subtle dance beats and lilting tender beauty. She really exposes her inner most feelings for every song and this courage lends the tracks a real power.

Schedule IV – Stephanie Strange again from Michigan is a friend and amazing energy on stage. This is perfect precision post punk glory that blends her high range intense vocals and intelligent lyrics to create an entrancing and intimate experience. One of our favorite bands to play with and wonderful people.

Lorelei Dreaming – Laura Bienz leaves it all on the floor every night. I’m starting to reflect on how many of these amazing ladies i actually got to share a stage with. The energy, stage presence and political savvy combines with the intelligence of the lyrics to create a wondrous and unique experience. Do yourself a favor and bask in the fiery glow of this album.

I Ya Toyah – Chicago based Ania Tarnowska brings a fierce and rocket fueled electronic dance symphony of raw sensual strength to every performance. I love these explosive pop hooks blended with crashing dance rhythms.

Leathers – Is the sultry synth dream darkness of Shannon Hammett of Actors. It’s so great to see when a performer in a band of the quality of Actors finds her own voice and shows the ability to create such staggeringly beautiful music like this with her as the center piece. I love how far this reaches from the sound of Actors to really allow her voice to shine because it is one that deserves to be front and center.

Ego Likeness – So Donna Lynch has had a long, successful, and storied career and I could have picked a lot of songs newer than this, but it’s my favorite so I’m going with it. Donna is a hurricane of passion and darkness. She has been taking on intense topics in her art for a decade and creating beautiful songs about the horror which resonates with the feminine experience and having an intimacy of truth for decades.

https://nowherenowrecords.bandcamp.com/track/dragonfly?fbclid=IwAR3QR3MKDGuVWBQoA78u_s_okui5EkkmvAMrpmJBP2_xub88iZ8s3k8ODVo

Bess – Aussie dark alternative rocker Bess Linda is making churning sultry dance beats full of world beat toms and off kilter warm toned vocals to shake a dance floor.

Bones Uk – This recommendation came from Collin Schipper, filthy wide room fresh sounds. It’s pop hook sensible but cutting edge in your face intensity. You aren’t wrong “Beautiful is boring”

Death Loves Veronica – Veronica Campbell is a slow, back beat, sultry drive down a long empty road. It’s effortless tension, and subtle whispers of reality laid barren with brutal honesty.

SINE – I must admit I heard about SINE and Rona Rougeheart  through her collaboration with Curse Mackey. However once i dug into the power of her art for itself I found an intense flurry of disco dance beats underneath powerful vocals and world building soundscapes which captured me and brought me to my knees to beg for more.


VV and The Void – Valentina Veil has a wonderful whispering smoke swirl style. Really great at building tension in her songs to feel like a story.


Dissonance – Cat Hall has such a rich soulful voice with I feel gives a unique flare to her dark dance electronic sound.

Lingua Ignota – Kristin Hayter voice is one of the most intense things I have ever heard. It makes me realize i am not trying hard enough as a singer. Ferocious intensity shot forth like a flame thrower.

Hide – Raw, intelligent, and political. Gabel is a force of nature attacking change through the unnerving unapologetic fury of her art. This band makes me think, it makes me think about why i need to be better.

Wingtips – The duo Wingtips from Chicago features the amazing keyboard stylings of Hannah Avalon. Her stage presence and beautifully blended synths help make up one of the great new bands of the last few years.

Bootblacks – So many of these bands listed are for the vocal stylings. Lets not forget some of the amazing female musicians in this scene like Alli Gorman of BootBlacks. A straight up shredding axe master of the highest degree. Her riffs are creative and nuanced and such a big part of what gives this band it’s signature sound. This band has a very bright future and she is a backbone of that sound. New album out this year from Jacknife studios.

Cliff and Ivy – Alaska deathrock due that bring an intensity and punk flavor. Ivy has a poetry and fist first attitude which is captivating as it is rocking. Wonderful human as well that cares about lifting up others.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

Pilgrims Of Yearning – I think what I love most about Juls and POY are the way they express a wandering sense of displacement that comes through so clearly in their music. It’s rich, flowing, and organic. A lot of organic elements and her voice is in constant motion. I think this speaks to the passion for her heritage and the shadowy soul of her delivery.

https://pilgrimsofyearning.bandcamp.com/

The Blue Hour – Marselle Hodges has a made for coldwave spiritual sirens call from the vein of Dead Can Dance. Their music is the rustling of wind through trees on an autumn day. It’s gentle and powerful at the same time. She is also a frequent collaborator with goth superband Shadow Assembly and does all her own videography work.

https://thebluehour.bandcamp.com/

Normoria – Angel Moonshine is the forceful and silky voice of this industrial dance devastation. Her voice is a laser beam of focused light against crunching guitars and smashing drum beats. I can’t listen to this and not be impressed with the moxie and dripping power.

https://normoria.bandcamp.com/

Eva X – Glorious Canadian dark pop that is sensual and heart pumping dance delirium. I really love the way she changes emotion and delivery within a single phrase. It add so much complexity for a pop style music. The theatrics and emotion help add layers that set it aside from electronic dance beats.

https://eva-x.bandcamp.com/album/a-softer-world

I know I have missed so many impressive female artist which drive and push the boundaries of this scene. Just looking through what popped into my head without much through fills me with hope for a brighter, stronger future of diversity of the dark music scene. I hope you find something here you give a try to expand your horizons with.

Kat Squared was kind enough to put all these bands together on a Spotify playlist

Continue reading “Who are the great ladies of the Goth/Industrial scene today?”