Sounds and Shadows 2023 Top Darkscene Albums

  This has been a tough year for a lot of people personally. A year where we lost many friends and beloved artists in this scene. Though history strife and conflict have often been the inspiration for great art. A catalyst that helps us search for truth and test boundaries. This was a year of amazing new music that touched my heart and inspired me. As always I won’t try and rate or list every record I enjoyed. I think to cover everything and try and place it in a tidy box of genre is to lose the magic I feel getting to tell you all about something new. So I will tell you all about the Albums and Eps that touched me deepest in 2023. I hope in 2024 I discover even more and make twice as many friends like you to share it with. I’m not going to write in any particular order. If a record is on this list, I hold it in high esteem.

unitcode:machineCritical Fault – The growth and innovation Eric Kristoffer achieved with this release is staggering. Signing with COP International to release this cold icicle dagger of EDM pop hooks and pounding industrial machinery. Eric’s vocals are captivating and unexpected. Chris Hall (Stabbing Westward) did the a masterful and modern job of the mixing and you can hear both his influence as well his belief and passion for what Eric wrote. I expect by this time next year A Lot of fans of electronic music are going to be talking about unitcode:machine.

Critical Fault | unitcode:machine (bandcamp.com)

A Cloud of Ravens-Lost Hymns– Another story about huge achievements this year are the Brooklyn based duo infusing sharp jagged punk rock with the mystery and romantism of gothic rock. Produced by Jackknife Studio’s the heavy bass and exaltation in the vocals melt together into something spiritual that burns with passion. I love that Matt’s vocals aren’t afraid to be dramatic. His delivery adds so much to the narrative. The dedication to gothic driven rock is what ties together the record. The thing that makes it stand out in 2023. My favorite track is one of the most synth heavy electronic crooners “Old Ghosts“. A top to bottom stand out that explores the vocal range sense of exploration that makes ACOR shine brightest. This record is the perfect accompaniment for almost every activity. It longs to bring you on adventures.

‘LOST HYMNS’ | A Cloud of Ravens (bandcamp.com)

BELLHEADGood Intentions – Chicago based double bass duo Karen and Ivan are supporters of one of the largest scenes in the US. They play eclectic dark alt horror that confronts and energizes. The May release is a roller-coaster off the tracks, chaotic, dangerous, and alluring. Image rich poetry bouncing in a dialog of vocals to bouncing bass and stabbing guitars. Ivan’s voice is a whispered menace that gnaws the back of your neck while Karen’s cadence draws you forward. Favorite track: Valentine – This sad pop bopping guitar crossing something sinister and a blissful ignorance of what stalks you is an amazing sensation.

Good Intentions | BELLHEAD (bandcamp.com)

The Bellwether SyndicateVestige & Vigil – This record is a modern day classic. Released in 2023 to great acclaim by darkscene insiders, this is a record I think will keep gaining momentum in 2024. William, Sara, and Phil all hold impressive pedigree in this scene. Vestige & Vigil was their chance to place their stamp on the modern conversation of post punk by drawing in the collective anxiety and rage of the modern world, pressing it into a cool thrumming gem, then hurling it with a snarling curse at an unfeeling world. It takes true expertise to hone the ethos of filthy punk rock into something this smooth and concentrated. I can’t think of higher praise than saying picture “Raw Power” recorded by Martin Hannett in Manchester with 2023 gear. William just took a break from his role in March Violets to focus on The Bellwether Syndicate and touring, so please make sure to look for them coming to play near you. This will be the band everyone is talking about.

Vestige & Vigil | The Bellwether Syndicate (bandcamp.com)

Beborn BetonDarkness Falls Again – We waited too long for a new release from legendary German electropop from Beborn Beton. When the wait was over, dear gods was it worth it. This record is a master class on songcraft, beauty, and emotional complexity. Stefan Netschio croons away with a leather whip delivery. All eight tracks are a spinning cyberpunk ballroom to get lost in. Dancer In The Dark is an all-time own the floor banger. One of those tracks that has longevity to break through the surface of todays vast ocean of new synth music.

Darkness Falls Again | Beborn Beton (bandcamp.com)

Antipole & Paris AlexanderCrystallineAntipole is a Norway based post punk band I first fell in love with in 2017 with Karl’s first release “Northern Flux“. They have collaborated with many European top darkscene talents. In my humble opinion Karl has the best guitar tone in the genre. However that is something I have come to expect from all of Karl’s albums. That is not what made this record shine so brightly. This record was a far more collaborative effort which highlighted the soul and range of Paris Alexander and Eirene. This made characters and voices of complexity to dance on the shining crystal world Karl had built. Gorgeous and impactful, below is a link to a rare interview I did with Karl about the record. This is an album that transports you.

Crystalline | Antipole & Paris Alexander | Antipole (bandcamp.com)

A Covenant of ThornsAshesScott-David Allen has been making some of the best romantic goth since The CureDisintegration” for the last couple decades largely below the radar of the world discussion. Bringing in Gordon Young the legendary goth guitar whisperer to master and provide presence was a match made in heaven. Cascading minor tones wet with sorrow and storm cloud beauty. Some artists just know how to stab me right in the heart with emotional presence. The track “Idols” is a full on melodramatic John Hughes standing in the rain as you watch her walk away experience. Plunge headlong into the forlorn and broken beauty.

Ashes | A Covenant of Thorns (bandcamp.com)

Odonis OdonisICON – Toronto dark spectrum artists Constantin Tzenos and Denholm Whale flipped the script again with this new EP. Bringing in a series of great contributors like Tobacco, A Place to Bury Strangers, Actors, SUUNS, and Patriarchy to turn up the heat on a sizzling 90’s alternative chaos. ICON shifts boldly between styles and texture while tying each song back to the badass black leather jacket metric. Walking around with earbuds through the world, every song makes you feel cooler. A little more invincible, a little more fearless. Brilliant Things Feat: Terror Bird was my standout track on an album full of them. Bold longing flung forward as confident vulnerability.

ICON | Odonis Odonis (bandcamp.com)

Black Rose BurningAd Astra – The September EP from NY’s George Grant. The man I refer to as the Peter Gabriel of goth. Transcendent stories in distant galaxies, a hyperdrive range and astral bardic delivery. All of these songs feel so timeless, vibrating on a frequency between the past and future. Jason Corbett did the mastering to create sleek lines for maximum warp. Folks are finally starting to take notice of George’s talent and vision. Your collection deserves “Ad Astra

Ad Astra | Black Rose Burning (bandcamp.com)

MALE TEARSKRYPT – LA Futurewave artists that have gone through a lineup change since this album give me hope for the future. A Young vibrant addition to the scene that forged their own path. Some people dream in synth sounds, bright fractalated hyper colors. James has a soul for the dramatic and a beautiful voice to carry the message of cleverness. This record is the ideal for the 13 person rager. Lit, but exclusive.

KRYPT | MALE TEARS (bandcamp.com)

Choke ChainMortality –  Mark Trueman the Hardcore Industrial Punk artist from Wisconsin is one of those pure souls you love to see succeed. Taking hard industrial beats and unleashing vocal wounds with genuine intensity that never feels like a performance. Mortality is another step in the evolution in this synthesis of chaotic electronic club thunder, with piercing confrontation of depression and rage. The truest art should take us to the edge of a precipice, beholding excitement and terror. That is the place Choke Chain takes us. I think this record is something that won’t be fully appreciated until we have had a decade to reflect on it.

Mortality | Choke Chain (bandcamp.com)

BRIDESThe Earth Defeats Me – I have been a major fan of Norway’s modular doom rocker Adrian Borgia for some time, through several projects. This is the record I have been waiting for. The promise of potential I have always seen brought into that perfect moment. Stirring the shadowy depths of the primordial ooze that made that first proto goth sound touch that place in the hearts of everyone on the outside of the circle. Chalices is a 10/10 eerie live in your dreams balled as familiar as it is unique. The religious dedication to modular sway pans like dark water in the underworld. Lean desperate wolf growls which have latched onto fresh meat clarity which allow the poetry to shine. For everyone waiting on the bridge between the earliest death rock and stripped down modern coldwave, it has arrived.

The Earth Defeats Me | BRIDES (bandcamp.com)

Ashes FallenWalk Through Fire – Sacramento dark rock trio Ashes Fallen had another blazing guitar forward September release from their “Chapel” recording studio. The vocal duties between Michelle and James have found a wonderful balance. The tone is a reflection of the foreboding world closing in. Sprinkled liberally with a sparkle and glam of London After Midnight. Gordan Young has yet another mastering credit on my best of list by bringing the sharpest edges to these shimmering riffs. Favorite Track: Scar , which is definitely not a single at 5:16. it is a captivating slow build emotional exposition that really highlights the range and sincerity of their collective experience. Ashes Fallen continues to be a standout example of the place where passion and execution meet in the modern era of music.

Walk Through Fire | Ashes Fallen (bandcamp.com)

Sapphira VeeFortune – Sapphira from New York state is a great example of an artist I have gotten to watch the growth and development of in real time. The daring courage of her voice and the added components of her collaborators have expanded the limits or motion and image. I feel enraptured by the emergence of a woman’s experience and sensuality expressed unfiltered. This album is intimate, nuanced, unburdened by the insecurities of the past. It harkens 90’s trip hop balanced with the soul and execution of modern darkpop. Favorite Track: Those Words feat Jean Marc Lederman – The Belgian composer is well known for finding the perfect backdrop to highlight a story. The cadence that Sapphira uses in this track is the perfect exposition of her beauty and power. The music evaporates when she steps forward, and rises as she whispers a secret. I love when a story shines in a perfect moment. There is nothing more beautiful then watching an artist evolve in a heart stopping moment.

Fortune | Sapphira Vee (bandcamp.com)

NIGHT NAILFates Explained – This record was a late comer releasing in November from the Berlin Germany transplants Night Nail. Finding a third home of Metropolis Records and mastered by sonic sculptor Pete Burns (Kill Shelter) this abstract concept darkwave has ridden the cusp of the modern scene staying under the radar of popular post punk audiences. Brandon Robert brings an expressive Mark Sandman baritone I feared we may never witness again. I know I said I wasn’t going to rank these records as they all have a distinct brilliance, but this record really hits with an intention, an impact, the transcends enjoyable club music. A complex puzzle to patiently unravel over the next decade. Favorite Track: Narcoleptic Dream Catcher – This one has a throwback Ian McCulloch beauty and depth. Valentine’s backup vocals cast the perfect backlight against the slithering groove. A forgotten hit plucked out of time.

Fates Explained | NIGHT NAIL (bandcamp.com)

VNV NationElectric Sun – Confession time, I slept on VNV Nation for WAY too long. Ronan Harris released his first full length since 2018 and it is absolutely breathtaking. The craft, the expression, the undeniable honesty of this record gets beneath your skin. I felt things, ask questions, experienced what art is meant to mean. The art of lyrics as the primary focus in modern songcraft is a sadly lost focus in 2023. This album is everything you ask from modern production while delivering Leonard Cohen level poetry. I am a convert. A believer. I will never sleep on the power and impact of VNV Nation again. Favorite Track: The Game – I have played this song 100 times and the hair on the back of my arms stand up every single time. Some songs just hit a perfect spot, in a perfect moment. They become unforgettable. This is one of those tracks.

Electric Sun | VNV Nation (bandcamp.com)

Bedless BonesMire of Mercury – Another late release November 2023 from my favorite band in Estonia. Kadri Sammel has such a unique vocal cadence and energetic world beat percussion texture. A flowing aquatic fantasy of motion and prophesy. This album is shrouded in mystery. An internal exploration of body and soul.

Mire of Mercury | Bedless Bones (bandcamp.com)

Gazelle TwinBlack Dog – Awesome UK band I just discovered this year. Lot’s of gorgeous textured analog synths. Powerful psychedelic Grace Slick style vocals. This band immediately capture me by being creative in a way no one else was doing. A tempo and attack outside the box of what is popular in this moment. The growling industrial version of the Doors of Perception. The lyrics are delivered with poetic intensity. From the moment I heard that first single Black Dog I was hooked. Music without boundaries and rules that captures my dreams. This will always move me.

Black Dog | Gazelle Twin (bandcamp.com)

HEALTHRAT WARS – LA band that waited until the end of the year to put out one of the most groundbreaking and emotive offerings I heard all year. I know I said I wasn’t going to rank these albums but this was an instant classic banger. It perfectly rides the pipe of beauty and destructive power. Lightning in a bottle of honey dripping warm amber vocals and sand blasting cannon guitars. “Hateful” is an inferno club banger that builds an obsidian castle in your brain and never lets go. This album came out December 2023 so I didn’t get to spend as much time with it as others on this list. That in no way diminished that the first time I heard it I was floored with just how perfectly it balanced the range of human emotion. This record will be something people talk about for years to come.

RAT WARS | HEALTH (bandcamp.com)

Aurelio VoltaireThe Last Halloween Party – As a comedy goth artist the niche pool of artists to look up to is not a vast pool. It is no secret that Aurelio Voltaire is a bit of a personal hero, getting to open for him in 2023 was a highlight of my musical career. Getting a chance to drive him around while listening to this record pre-release was one of those moments that reminds me why I do this. Dark music can be fun, it can be clever, it is diverse and connects with us in all aspects of the human experience. I remember him saying to me “I am a goth who plays music, not a goth musician.” It’s jazz, folk, fusion, all prancing around the fire, stories to send a chill up your spine. There is a very good reason he has continued to entrance fans around the world for decades. An understanding that exploring the darkness and gallows humor within us all is what connects all the misfit children around the world. I can’t wait to play with him again in Detroit in May.

The Last Halloween Party | Aurelio Voltaire (bandcamp.com)

SOPOR AETERNUS & The Ensemble Of ShadowsThe Rules – German band that continues to do some of the most impactful and unique darkscene music year after year. An intelligent and abstract experience in a completely different category than the rest of the genre. A little Dead Can Dance, a pinch of The Swans, a smattering of Legendary Pink Dots, all whirling through a Nick Cave mist so theatrically their own. As a reviewer it is so difficult to try and define an experience so unique. No matter how many times I discover a new Sopor Aeternus album I am always struck by how glorious and innovative it is in a sea of ships moving closer together.

The Rules (2023) | SOPOR AETERNUS & The Ensemble Of Shadows (bandcamp.com)

Lana Del RabiesSTREGA BEATA – The impressive 3rd record from Arizona artist Lana Del Rabies. A sinking bog ritual of strings and vibration. A longing prayer to darker forces. This is soulful pleading music felt in the bloodstream. Something old and dangerous called forth from dark woods to transform your dancefloor into a spell of summoning. Don’t enter into this album lightly. It is a summoning. It is a crack in the doorway between dreams and reality. To create something so unnerving and captivating is an act of courage. A thing of defiance. A challenge to the other side.

STREGA BEATA | Lana Del Rabies (bandcamp.com)

genCABSignature Flaws – Philly electronic artist David Dutton has captured an idea which seems elementary, but has continued to illude the masses. The lilting anthem driving vocals of emo, and the complex vibrating impact of electronic dance music. It’s bouncing expression you feel in your bones, while vulnerable narrative lyrics offer up something relatable and transformative. The title track Signature Flaws I takes two complex ideas and curls them into perfect synthesis. As someone who came late to the game with emo music, this record blends the best parts of the early 2000s into something fresh and progressive. An album for the future blending ideas not fully realized.

Signature Flaws | genCAB (bandcamp.com)

KorineTear – Another incredible Philly band blending the most pastel beautiful aspects of Jesus and Mary Chain shoegaze, Synthwave, and 90s Britpop. The wispy sass of the vocals are a sonic cotton candy I can always get lost in. Pure dopamine poured into your ears. Korine have major star potential and are high on the list of bands I must see live in the near future.

Tear | Korine (bandcamp.com)

SWANSThe Beggar – Return of New York electro doom folk and controversial songwriter Michael Gira with a record that both surprised me and lived up to high expectations. Winding freeform psychedelic murder ballads all clocking in over 6 minutes. Only one single Los Angeles City Of Death, mostly a hard diet of brown acid campfire tales of cosmic horror. A revealing soul exploration that left me inspired and frightened in equal measure. Don’t try and digest this in one go. You need to take many bites before settling in for the meal. It is a meal well worth the wait though. Staggering, brilliant, tortured.

The Beggar | SWANS (bandcamp.com)

Randolph & MortimerThe Incomplete Truth – The Sheffield, UK artist released this bouncing electropunk symphony of gears and pistons in perpetual motion. It walks heavy with blue collar confidence through a warehouse district after dark. I think one of the hardest things to master in electronic dance music laden with samples is the exact moment to drop them for maximum impact. To not overuse so that the single spoken line sets the scenery without the need for poetic lyrics. The Incomplete Truth achieves an almost robotic precision in it’s efficiency and impact. Never a wasted line, never a bridge that wears out it’s welcome. A place for everything and everything in it’s place.

The Incomplete Truth | Randolph & Mortimer (bandcamp.com)

OMDBauhaus Staircase – Another big name legacy band with a return to form in this dystopian fantasywave. I really love how they found new ways to attack the same vamp. A whimsical dance through the streets of a crumbling society. Kleptocracy was my favorite single, the vocals had a slippery magma quality. Bright pop with a thoughtful political relevance. I don’t know if anyone had thought OMD had started to miss the beat, but they most certainly have not.

Orchestral Manoeuvres in the Dark – Bauhaus Staircase – Amazon.com Music

††† (Crosses)Goodnight, God Bless, I Love U, Delete. – LA band that folks are always recommending to me but I never really dug into until this year. I real David Gahan sensuality in the vocals with a more modern glitchy vibe to the darkpop sound. Lot’s of club singles to choose from, an album of dance floor bangers. The occasions when things turn up to 11 quickly against the smooth poppy hooks to smash you with morning star intensity. It’s deceptive in ways that keep you on high alert. Unexpected depth, unexpected intensity, a return to mystique I have longed for.

Amazon.com: Goodnight, God Bless, I Love U, Delete. (2 LP): CDs & Vinyl

thePicassosDivination Scars: among the dead in symmetry – As a big fan of the Detroit band the thing that has always impressed me most about Charles and company is the intention and thought that goes into every aspect of their performance. Such an eclectic bizarre mixture of styles from 50s doo wop to 90’s Pixies dark alt. Charles has a slippery devotion to every story he sets. Another of my favorite 2023 discoveries that the wider world needs to jump on board with.

Divination Scars: among the dead in symmetry | thePicassos (bandcamp.com)

Ritual HowlsVirtue Falters – 5th record from Detroit post rock Ritual Howls. My obsession with Yee haw goth is well documented and Virtue Falters really plays up the Johnny Cash aspect of country caught in the current of Fields of the Nephelium tragic guitars. The real power comes from how much complexity the songs have while maintaining a very straight forward groove. it’s no easy feat to capture both ideals in equal measure. It feels like one of those old school records where 3 humans locked themselves in an abandoned warehouse and got weird together for two months. Something that either leads to brilliance or madness. Never in between and Virtue Falters tapped the former.

▶︎ Virtue Falters | Ritual Howls (bandcamp.com)

ASSASSUNChronic Quicksand Depression Morning – Alexander is one of those infuriating brilliant humans who puts out such a vast amount of quality work I often wonder if he is a person or a fey. Not only is it always amazing, it is always vastly different and mind jarringly weird. I’ve never followed a stranger into an abandoned train station in Berlin in 1987 where 12 people in masks were playing abstract electronic brap music as a party performance piece. I have to imagine this would have been what it felt like and it is awesome. I think the most impressive aspect of this ambient mind goo is that it never feels pretentious. It should, but it never does.

Chronic Quicksand Depression Morning | ASSASSUN | Blackjack Illuminist Records (bandcamp.com)

C

Witch Pop | CRUNE (bandcamp.com)

Jean-Marc LedermanSoul Music For Zombies – Legendary Belgian composer Jean-Marc Lederman has an uncanny ability to constantly will into being something my heart had no idea it yearned for. A dark funky industrial blender on roller skates spinning under a disco ball. Frequent contributor Emileigh Rohn does another vocal contribution which soars and cascades with waterfall beauty. Diverse as the shades of human emotion. Jean-Marc spews forth brilliant concepts that need to be shown the light. Underappreciated in our scene doesn’t tell the whole tale.

Soul Music For Zombies | Jean-Marc Lederman (bandcamp.com)

Scorpion TeaScorpion Tea – Finally a band that is equal measure fresh on the scene, as well as brimming with OG street cred from drummer Edley ODowd (Psychic TV). Hard mean motorcycle revving skids on the floor of a condemned church. Untamed death rock with tube amp crunch and Raw Power sensuality. I expect 2024 to be a meteoric rise for the NYC band that could find a place in three different scenes.

Scorpion Tea | Scorpion Tea (bandcamp.com)

October Sounds and Shadows Darkscene Singles Chart

  1. Bootblacks – Forbidden Flames
  2. Vaselyne – Necromancer
  3. Moris Blak (Feat Gencab) – The Abstract
  4. Black Angel – Killer
  5. Brides – Private Apocalypse
  6. Grabyourface – Haine X Guillotine
  7. Dead Cool – Faith Or Misery
  8. The Waning Moon – Annabel
  9. Who Saw Her Die – Burn It All
  10. Dues Ex Lumina – We Are Dead Tonight
  1. BootblacksForbidden Flames – Brand new single we have all been waiting for. Well worth the wait. New lineup, new Post Apocalypse Disco sound. Panther is charging to the front of the mix with a Dave Gahan croon that I didn’t know I was missing in life until I heard it. Northern light synth pastels twined with dancing delay guitars. Holy crap this has me excited for the next record.

Forbidden Flames | Bootblacks (bandcamp.com)

2) VaselyneNecromancer – Another trip to our charts for Amsterdam shadow rock Vaselyne. Loving this chorus vocal right out of the jump. Like Abba on a bad acid trip. You really feel the protagonist emotions of scared and horny as you back towards the corner from this stalking master of the undead. Slow, filthy, captivating. Really love the Kill Shelter remix as well.

Necromancer | Vaselyne (bandcamp.com)

3) MORIS BLAKThe Abstract with GenCAB – Two great tastes that taste great together. Boston Bass Wizard Moris Black pulls back the mayhem to combine electro emo songsmith David Dutton to make this absolute banger. Songs don’t need to be this catchy while making me want to break stuff. This track would make every club night better.

The Abstract with GenCAB | MORIS BLAK | MOЯIS BLAK (bandcamp.com)

4) Black AngelKiller – Matt with another flame thrower opening riff out of his headstock. I just did a full review of the album but this single is definitely the flagship. Large, leathery, audacious, a danger energy that doesn’t quit. These vocals are two people standing on the back of a moving motorcycle, balanced and fearless.

KILLER | Black Angel (bandcamp.com)

5) BRIDESPrivate Apocalypse – Adrian has really found his true voice in this project. Just slipping between the cracks of The Swans and Sisters why spitting poetry in the voice of Gmork from The Neverending Story. People really need to get aware of Brides because they are bridging the gap between traditional goth and the filthy dark future.

Private Apocalypse | BRIDES (bandcamp.com)

6) grabyourfaceHaine X Guillotine – Our favorite French Sadustrial Revolutionary Marie with a poignant call to arms. The opening salvo is a lovely spoken word build into a gatling gun drum machine. This makes my brain feel like it is inside Akira.

You made our lives hell.
You turned every second into suffering.
There is gonna be retribution some day.
We will burn your palaces.
We will burn your banks.
You starved us so well, you have made us capable of literally eating you.

But while you’re dying in the flames of the hatred you have sowed.
Never forget.
You killed us before we killed you.

Haine X Guillotine | grabyourface (bandcamp.com)

7) DEAD COOLFaith or Misery – North Carolina darkSynth with a new single who’s opening volley slashes so hard it must have been done on a keytar. Johhny spits out lyrics with lip curled menace. Angela’s bass line is hot asphalt winding through the city. A banger that asks an important question.

Faith or Misery | DEAD COOL (bandcamp.com)

8) The Waning MoonAnnabelAriel Maniki and Zac Campbell return to the chart once again. Complex as a spell weaving the mist around the battle field. A high speed ballad of fingertips and rumble. I could see this project becoming the main focus for both of them.

Annabel | The Waning Moon (bandcamp.com)

9) Who Saw Her Die?Burn It All – Terrordustrial from Louisville, Kentucky, Stephen Beasey and Brian Cain served up this mechanical spider nightmare fuel. I’m glad I got to visit the broken world in this single, because I would shiver at the idea of seeing it in reality.

Burn It All | Who Saw Her Die? (bandcamp.com)

10) Deus Ex LuminaWe Are Dead Tonight – Berlin by way of Buenos Aires, velvet cloth unspooled and wrapped around the room in synthy seduction. I close my eyes and I am in a cathedral rave where all the statues and painting’s eyes are following me. I didn’t know much about this band before but they are a great find.

We Are Dead Tonight | Deus Ex Lumina (bandcamp.com)

Darkscene Albums currently making my heart sing

Always a chaotic and wonderful time of year. I’ve had a huge focus in my review writing lately around singles. I think the whole industry has felt a shift in this direction. That is why it is important to take time and celebrate artists who release full albums tied together with an idea. To recall times sitting together around the speakers with friends pulling apart the strands of lyrics and ideas. Before I work on the Oct Darkscene Singles Chart, I am going to dive into some more expansive work driving my mind. Be on the lookout as well for some exciting new interviews on our youtube channel. If you like what we do, feel free to support with our Patreon page below

Sounds and Shadows | Music Reviews, Interviews, Videocast Connecting the Darkscene | Patreon

genCABSignature Flaws – Philly based industrial synthwave full of jagged glass and insight on the human condition. had a new October release. David Dutton is a master at surfing the razor edge between pop hook and unnerving dissonance. Infectious drum beats that hang just outside of time, never allowing you to feel comfortable. Combining this with clear delivery and an emo cadence. A unique vision within a genre full of repetition. With this 3rd full album release I am ecstatic to see David lean further into the abstract edges that makes his music connect.

Album Flow: It really fits together. The sound has over-arching themes but the dynamics really take a journey. I also love the emphasis placed on lyrics. These songs really let you into the mind of the author, flaws and all. This is a record you can really feel the intent, and attention to detail that went into subtitle sounds. The order of delivery holds true meaning.

Favorite Tracks:

Signature Flaws II – This song is a total masterpiece, the perfect break and epiphany moment in the middle of the record. Beautiful soft fur behind razor teeth. The background of strange electronic harpsichord tones make perfect accents.

Cancer Causes Life – Just shimmering with spinning violet light. Gorgeous vocal shifts to really make this slow jam feel full of movement. As a song writer I just love to hear this level of craft and soul.

Signature Flaws | genCAB (bandcamp.com)

VNV NationElectric Sun – I recently got to do an interview with Rowen which will be released soon. This album came out April 2023 and has been spinning around my rotation ever since. This album has a dark color to it. Every track feels large in scope and sets a tone of impending doom. In true VNV nature, it also is a call for unity and hope. A desire to face this darkness hand and hand. The synth banks form towering shapes that rise in terrifying representations of order. The narrative quality of the lyrics and the expressive delivery of the vocals leave me feeling like a spectator in some grand playhouse. Watching the protagonist belt his sorrowful story to the back of the wall. Is that to say there aren’t club bangers? Of course not, the energy is infectious, stomp your feet. Just also take the time to sit on a rooftop in the evening air and reflect on the world rolling by while you take in every word.

Favorite Tracks:

The Game – A scathing view of the post Capitalist world. The gorgeous Peter Gabriel cadence makes the message here feel enormous. The back beat on the drums is a marching rhythm, constantly driving forward like the game itself. The house always wins. This one got under my skin.

Run – 100% Bonafide BANGER. The tempo is slow and crawling but this is a boot stomping through the concrete with water spraying overhead from the sprinklers as you spin in time. It builds you up, it breaks you down. The breakdown at the four minute mark is an emotional outpour into a sky splitting elation. I felt like my soul ran to the top of a mountain.

Electric Sun | VNV Nation (bandcamp.com)

VEiiLASentimental Craving For BeautyVEiiLA is pronounced “Vay-la.” It’s a stylized reference to a Baltic mountain-dwelling demon that lures men into her cave by singing and then devours them. Don’t threaten me with a good time. A new album on Projekt Records sent to me by Sam which I feel headlong into. A delicate beauty with 90’s trip hop elements, including a sprinkling of Beth Gibbons in the vocal delivery. Twinkling light arpeggiation taking us to an other worldly fairy fire mystery. This album makes great use of the “whisper factor”. When you shout something to the rooftops people natural lose focus. When you whisper a secret, everyone wants to lean in to be part of the inner circle. Veiila makes you lean in close, hanging on that whisper, then explodes in a shower of color. The flow of this whole record always leaves you shrouded in mystery. The other master stroke is the jazzy loose guitar winding clean and instinctive tendrils around that voice.

Favorite Tracks:

I Had A Dream – This song is full of magic and dark whimsey. You follow that lovely sound into a shadowy place and suddenly you are lost. Menacing low synth bass sounds bounce against the tiny bell sound sparkles. This track is a expert class on how to build tension, hit a peak, and explode with energy. The whole record excels at this but this track hits you right in the iris.

Common Decency – Nice glitchy witchaus drum beat that really frees the vocals to shine. Range and soul in equal measure. One of those tracks that would be at home in almost every situation.

▶︎ Sentimental Craving For Beauty | VEiiLA | Projekt Records (bandcamp.com)

Black AngelLASCIVIOUS – I know you were all starting to think, Ken, are you only reviewing electronic trance and future pop? Well count on Matt Vowles, Corey Landis, and Maneesha Jones to hit us with a hot dose of gothic rock wrapped in tight leather on the back of a roaring engine. The title drips with danger and sensuality. Cracking organic drum snaps. Overlapping guitar lines weaving around a race track. I really enjoy the way Corey’s vocals fit a very Eldrich rhythm while having a lip curl snarling tone of his own. This record runs around a lot of trad goth elements then sprays them down with late 80’s LA hedonism. The effect becomes a blend of stalking shadows and care free excess.

Favorite Tracks:

She’s My Suicide – Loving this filthy guitar sound with a slow Concrete Blonde crawl. Landis uncorks a mixture of burning beam and rusty metal. This song was made for loud club speakers.

Killer – The drums in the opening here scream Banger. Guitar riff is a drag race right down your throat. Jones does a nice chorus harmony here sprinkling some Vision Thing spice.

BLACK ANGEL – ‘LASCIVIOUS’ | Black Angel (bandcamp.com)

daddybearIA MALI EN – A new release from Matt Fanale (Caustic/Klack) where he again teamed up with French revolutionary artist Marie (Grabyourface) to make fog machine sensual grindwave. The pairing produces something I can best describe as modern. Because there really isn’t anything like it. Glitterbomb gold raining on a floor of midnight epoxy. Marie’s vocals drip a haunting whisper muffled by a lit Gauloises dangling from their lip. It is so effortless, lounging within the slashing beat.

IA MALI EN | daddybear (bandcamp.com)

Bedless BonesMire of Mercury – Brand new record from my favorite band from Estonia. Kadri Sammel is a unique vocal experience in her timing and enchanted forest delivery. This record seems to follow itself in reaction like rippling currents on still water. Every shift setting up another variation. This isn’t an album for the thumping club speakers. This is a record for an exclusive party with friends on the rooftop overlooking ancient ruins. A shimmering atmospheric hallucination that echos faintly in your memory.

Favorite Track:

Blood Citadel – This track stands out for it’s immersive Projekt Records world beat transportive nature. Running barefoot through the night through ancient ruins listening to the whistling breath of yesterday’s spirits. Great use of toms thrumming to a build. It makes me feel lost with cold wind biting at my face.

Mire of Mercury | Bedless Bones (bandcamp.com)

EVERYTHING YOU SEE IS MINE by genCAB

Okay, so shoot me. I lagged.

genCAB’s newest EP, EVERYTHING YOU SEE IS MINE, has been out for over a month by this point. But life has a funny way of distracting us from that which we are truly passionate. Better late than never, I say.

Regardless, this four-song collection is still worth mentioning as one of my standout favorites of 2022. Starting off with Soft, genCAB’s (short for generation CABLE) ability to seamlessly blend styles is very much on display throughout this release. This track never stays in one place long enough to get tedious, although each part is catchy in itself. With its jumpy rhythm pattern and in-your-face lyrics, I haven’t heard anything so “Grebo” since the second Pop Will Eat Itself album.

Cake has a pleasing mid-tempo beat and an atypical melodic progression which I think makes genCAB a standout among their peers.

Wasp Factory pulverizes you from the onset with its grinding metal-on-metal percussion which doesn’t take away from the articulate songwriting.

Only Skin closes the EP with an guitar-fueled epic which shows genCAB is far from a one-trick pony; being able to straddle both rock and industrial without sounding contrived. The somber piano at the end gives the listener a strong sense of closure.

Don’t let EVERYTHING YOU SEE IS MINE get lost in the shuffle among the awesome releases of 2022. genCAB’s game is legit and I, for one, am a true believer.

https://gencab.bandcamp.com/album/everything-you-see-is-mine

Aesthetic Perfection – Live at The Casbah, San Diego, CA, 11/06/2022

I didn’t write this review the very next day after the show. I spent the following day basking in the afterglow and just reminiscing this sublime experience; like a freshman the morning after a classic rager. With some shows, the band plays and the crowd stands there and watches. Other shows make the crowd feel like they were truly part of an event. Seeing Aesthetic Perfection’s American Psycho Tour come through San Diego was such an event.

I’m glad I arrived at The Casbah early. Turns out there were actually FIVE bands on the bill, rather than the advertised three. More on that later.

Opening the show was LA’s Arden & The Wolves, which came as a total surprise to me. As we’re both friends of Sounds & Shadows, Arden Leigh and I had been in communication for various reasons over the last several months. But as A&TW was a last minute addition to the bill, I was thrown a pleasant curveball on this. If fact, so many members of the “family” were present this night, it felt like a Sounds & Shadows mixer.

Photo: Mary Strong

Simply put, A&TW have their shit together. The playing was solid and on-point, with Nick Mason (NOT the Nick Mason of Pink Floyd ) having the tightest drumming of the night. Pete Mills on guitar and Justin Emord on bass compliment Arden Leigh’s commanding stage presence. With the disciplined polish to her look and sound, I got the feeling Arden could have done this show in her sleep. She was, however, very much awake with an energy and enthusiasm that sucked in any onlookers. And with the number of San Diego fans who turned out to see this LA band on a Sunday night, it’s obvious that this is a band with traction and an appeal that will only grow over time.

Photo: Mary Strong

Next up was an act I knew nothing about ahead of time, Halo Boy. Now this was an interesting twist I didn’t see coming; hip-hop infused indie pop with a none-too-subtle industrial edge. Sounds like it would be a hot mess, right? Instead, Cameron Cade takes all these influences and intelligently combines them into an eclectic blend where no two songs sounded the same and kept the crowd guessing where it would go next. Afterwards, I overheard people in the audience comparing them to everything from Imagine Dragons to Hollywood Undead. Linkin Park was another name that popped up more than once in the conversation as well.

Halo Boy’s live show is very energetic with the zeal of youth. This guy was on fire and wasn’t afraid to singe the onlookers who were standing too close; jumping into the crowd, giving random hugs and starting a mosh pit. The rhythm section was locked in and took the songs where they needed to go. And I had to give the bass player credit for showing grace under pressure after his E string broke on the last song.

Following Halo Boy came the band I was most excited to see initially, Philadelphia’s genCAB. Having written about genCAB previously, I was intrigued by how they would pull off their sound live. Turns out the lineup on this night was stripped down to the duo of David Dutton and Cristian Carver.

Don’t get the idea that this made the show any less. They were having a ball onstage and the enthusiasm was contagious. And while the band was perhaps a bit socially lubricated courtesy of the friendly Casbah bar staff, they steered into the skid and made even their mistakes work for them in a fun and powerful live show.

David exudes a natural onstage charisma and Christian was on a epic tear with crazy flying hair and flying drumsticks. And while all the bands brought their “A” game, genCAB proved to be on a level that was easily on-par with their LA counterparts.

Three bands in and not a dud yet. Josie Pace hit the ground running to keep the show moving along. Talk about showmanship! Josie and accompanist Ken Roberts stepped onto that drum-cramped stage and proceeded to own it. Funny thing, but I realized that I was more familiar with Josie’s oeuvre than I thought thanks to the Sounds & Shadows Spotify playlist. Next thing I know, I’m singing along to songs like Underestimated and Storm And Stress.

I’m hard-pressed to decide between Arden and Josie who had the strongest voice of the night, as both of them kicked my ass with epic vocal performances. I’ll just call it Apples & Oranges and leave it there. Pace closed her truncated set with a cover of Placebo’s Pure Morning that I liked better than the original. I went in thinking I didn’t know what to expect only to come away with a fanboy crush.

And, of course, we have Aesthetic Perfection as the headliner.

Sexy, weird and loud; this show had three of my favorite flavors. Daniel Graves is certainly a performer with an ability to move the crowd, even if he did get a humorous talking to from drummer Joe Letz for forgetting the next song on the setlist. Constance Antoinette Day did the heavy lifting; playing guitar, keys and bass variously throughout the set as she effectively played up the gothic sex kitten image.

It took me a while to recognize Letz, although the androgynous latex look doesn’t disagree with him. And his fetching blond wig was a nice touch. He flailed, he gyrated, he drank from a dildo-shaped water bottle. Those of us in the front were in danger of being hit with water or flying drumsticks at any given time. At one point, I was worried about getting smacked by the floor tom. I feel for the drum tech on this tour.

Most of the songs were newer, if not from the newest release, MMXXI, but there were indeed a few crowd-pleasers to be had. It wasn’t the tightest set I’ve seen, but that didn’t seem to be the point. Make it hard, make it punchy, make it memorable; that was the order of the day.

My only complaint? It turns out that A&TW and Halo Boy were added to the bill after winning a battle of the bands in Los Angeles. However, it was explained to me that each tour stop was supposed to have a local act as an opener. As a native-born lifelong San Diegan, I wish to point out the following: LOS ANGELES IS NOT SAN DIEGO. Thank you, that is all.

San Diego was the last leg of the American Psycho Tour in California. Those of you who get a chance to check out Aesthetic Perfection on the road have a raucous night full of music and antics to look forward to. Although there may be moments when you’ll want to keep a safe distance from the stage.

(CORRECTION: Halo Boy and Arden did not win the Battle of the Bands for Los Angeles, BlakLight did and played with AP on that date. Arden won for San Diego. Halo Boy was a last minute addition to all the California shows.)

https://ardenandthewolves.bandcamp.com

https://www.youtube.com/c/HaloBoy

https://josiepace.bandcamp.com

https://gencab.bandcamp.com

https://aestheticperfection.bandcamp.com