As the scene of Goth/Industrial/Darkwave/Post Punk/Shoegaze music continues to experience an amazing renaissance, live shows are becoming a haven for the masses of fans to connect. This year boasts a boatload of amazing festivals where bands and fans can meet and share their love of this scene, so I will try and put together a guide of some of the great ones so you can plot a trip full of memories to last a lifetime.
Dark Spring Festival– (Boston) I am super excited for and will be at this one. This a brand new festival is anticipating its first year and they are already starting out strong with an amazing lineup including some of my favorite up-and-coming bands, mixed with long-term favorites. Great town with a cool scene. *Best New Festival
Golden Apes at Boston Dark Spring FestDark Spring Festival Berlin
Dark Spring Festival Berlin – This brilliant festival inspired the aforementioned Boston one. It was started by Christian of Golden Apes and features Swiss darkwave act Hapax, Finnish Goth Rock elders Two Witches, Russian New Wave quintet Brandenburg, and French No Wave duo Dear Deer. Lots of Representation from Switzerland’s ‘Dark Nights’ label.
Absolution Fest– (Tampa Bay, FL) Located in Tampa’s legendary club The Castle, this festival started last year and works closely with our friends at Obscura Undead. Tampa Bay has an outstanding scene, and this lineup is off the chain. I mean, fucking Drab Majesty! This one was spectacular last year and every band who played it told me how inspiring it was. Plus, you’re in Florida heat at one of the most renown goth clubs in the US. *Best Value
Cold Waves– (Chicago) – So we went to this show last year and it was a life changing experience. The scene, the venue, the cause, the history, this is everything you hope for from a top-notch music fest. This one has been doing it right for a long time, and the lineup is absolutely stacked. Phenomenal mix of goth and industrial, old and new, plus the fact that Chicago, as a city, is so deeply entrenched in music history. Finally, Jim Marcus is doing a DJ set and I am here for that content! *Best Lineup
Convergence – (Louisville KY) Interesting new venue for this long running festival. Amaranth applied for this one but sadly didn’t make it this time. Maybe next year. However when I look at this boss lineup I can’t feel mad. They packed this show with top talent in lots of genres. *Great lineup Fresh New Scene
Cold Transmission Fest – (Cologne Germany) – Our dear friends at Cold Transmission records started their first festival last year and we had the opportunity to cover it. It was amazing. The way people traveled from all over the world to come together and share a passion for great music. After the success of last year Suzy, Andy and team have expanded and have another wonderful lineup and more to be announced. My heart will be with them again. *Great Lineup, Intimate show
ASH CODE BEDLESS BONES IAMTHESHADOW MARK E MOON DILK
Dark Side of the Con – (Parsippany NJ) – Another long running festival I hear everyone rave about year after year but I’ve never attended. I need to get this on my list. This year it is a who’s who of 3rd wave goth and industrial. Big line up with lots of established acts. If this time period in goth was your jam you can’t beat this. Plus it has a convention feel with a lot of things beyond the music (panels, art, DIY, access to bands)
Out From the Shadows Fest – (Portland) – Another festival I have heard wonderful things about from a great music city. This lineup is stellar and really runs the entire frequency of music styles. Great focus on fresh bands doing 3 stacked nights of music. Huge lineup with a lot of bigger named acts blending well with fresh faces. Plus Portland is just a great place to have a vacation if you are goth.
Thursday:
SYZYGYX (Wash. DC) FEARING (LA) KOMRADS (Rochester NY) LOVE HATE AFFAIR (Austin) THE ELECTRIC WEST (LA) PHYSICAL WASH (PDX) RITUAL VEIL (PDX) – TBD –
Friday:
BODY OF LIGHT (Arizona) AUTOMELODI (Montreal) SSLEEPING DESIRESS (SF) MAYFLOWER MADAME (Oslo) PUSH BUTTON PRESS (Tampa) V.E.X. (members of MOIRA SCAR) (Oakland) VERSARI (Paris) WE ARE PARASOLS (PDX)
Saturday:
RITUAL HOWLS (Detroit) TEARFUL MOON (Austin) KORINE (Philadelphia) ASTARI NITE (Miami) SICK WISH (Boise) SEVENTEEN AT THIS TIME (Paris) MR WRONG (PDX) LIES WE WERE TOLD (PDX)
Ritual Howls will be at Out of the Shadows FestSan La Muerta Festival
San La Muerta Festival – (Austin Tx) Austin is probably one of the best cities for goth industrial in the US. The list of bands currently out of this town is staggering. Great DJ support. I imagine this party is off the chain. They boast a monster lineup from all over the globe. The Vanishing doing a reunion and Shes Past Away.
San La Muerte Fest 2020 Sept. 17th – 19th Austin Texas
-This year SLM proudly presents: from Spain ANA CURRA (formerly of Paralisis Permanente, Alaska y Los Pegamoides, Los Seres Vacios) Ana Curra will perform Friday Sept. 18th, 2020 in Austin Texas Venue: TBA Tickets available now on SLM website
-SHE PAST AWAY One of the best current Darkwave Post Punk bands. Only Texas Show! All the way from Turkey! Sept. 19th with The Vanishing Elysium Austin Texas
-THE VANISHING (San Francisco) 20 YEAR REUNION! Only Texas Date! The Vanishing will be playing Saturday Sept. 19th alongside She Past Away! Venue:Elysium Tickets available now on SLM website
The Vanishing at San La Muerte Fest
Dark Malta Festival – (Malta) Great mixture of Euro darkness. Some big names in goth/Industrial/ and metal here. Plus it is in Malta in April which i imagine is gorgeous. If you have the means, I highly recommend checking it out, so choice 😉
When i write reviews one of the common traps I try hard not to get lost in is comparing every new band I review to one of the sacred dark gods of the 80’s and 90’s. It’s a pretty common tactic and lets face it an effective one. It’s easy to associate with what is familiar. Often feels like the world of goth/industrial/darkwave/new wave/ect has pretty much been discovered and artists are searching for ways to test the boundaries of what is possible and find some new ground. I figured I would take a moment to acknowledge this is a reality for a lot of people.
I am very open about our special relationship with Cold Transmission Records from Frankfurt Germany. I feel like their musical family approach to releasing Post Punk/Dark Wave/Electronic/Goth music is a template for how new labels can grow bands through a personal relationship and passion for distributing the art they are creating for new fans. Andreas Herrman, Suzy Herrman, and Yvonne Kiel have been working to build something wonderful through an emphasis on quality of music and artistic freedom for their artists which through word of mouth is growing into one of the fastest up and coming labels in this scene. This concert was special and represented what is possible when someone has a vision that puts personal gain aside and instead fosters an environment for unity, beauty, and friendship that brought together fans of this music style from all over the world. We came from America to meet friends from Germany, France, Belgium, Portugal, Denmark, Canada, Sweden, Israel, Turkey and many more all in one club to celebrate without pretense the music we love and what Cold Transmission has accomplished in bringing all these people together. It’s really hard to express in words in the digital age just how special that was and what it felt like to be a part of it. You see that was the secret, anyone could do this. It was one of the most welcoming inclusive environments I’ve ever witnessed at a show, and I have seen a lot. If you loved music there is a place for you here and it made my head spin thinking about the possibilities for how do I make this happen in America. Because everyone needs this. Everyone deserves it.
Lets talk about the epic lineup that was brought together for this show. One of the things that was a cultural shock for me as an American. The show was in Cologne Germany at this wonderful club called the Blue Shell. Doors opened at 7pm (Still quite light out during the summer) 1st band started at 7:30 pm sharp. This was no exaggeration. In America the idea of getting “goth” people to show up before 10:30 pm is laughable. Even when the event says doors at 8pm. So when we showed up at 7:20 pm thinking we will have a long wait before music we saw a packed sold out house that went from the stage to the back wall. People were engaged and clamoring to get to that stage. I was speechless to see this level of passion for new music and the energy and excitement was crackling through the air from the moment the doors opened.
A shot from outside the Blue Shell! That club was full. This was the overflow. (Spot Rachel for 151 bonus points)
First up was Crying Vessel. I had been extremely excited to see Slade play live for a while and it did not disappoint. Hearing the snapping drive of the live drums Basil was laying down really added an urgency and and fierceness to the melodic beauty of Slade’s singing. The sound system was honed right from the get go and each lyric cut across the distance of a room full of excited fans. Slade reached up with a bit more edge and length on his notes to really lift up the power of his performance. Mixed with those floating effect driving guitars this had even more of the energy and swagger that has been missing in dark wave music.
Band number two was IAMTHESHADOW featuring Karl Morten Dahl of Antipole. What an amazing team up. It was at this point I was really struck by how diverse the sounds of the bands on display were. Pedro Code has such a deep rich voice and passionate delivery. The crowded room was drawn in to such a level of intimacy and enveloped in the dark crooning style. Karl’s signature syncopated guitar sound added a unique flavor to Rui and Victors pulsing rhythm section to give this show a one of a kind experience. The rises and falls were so dynamic as Pedro lifted and diminished the power of his voice without much movement. (The stage was tightly packed to give little room for dancing). The beauty of this album which i have reviewed before is powerful and staggering. However I found myself overwhelmed with emotion hearing it raw and exposed this this format and looking out at a captivated audience swaying in time by the dynamic waves of sound washing over us. Then as a surprise the band played two Antipole songs with Pedro providing his resonant artistry to treat the crowd to a performance never heard on stage or album. When they played my favorite Antipole song “Closer” and I heard Pedro’s voice burn forth through the crowd I was overwhelmed. Breathtaking. Hard to image how seamlessly these two bands wove their songs and styles together to make something new.
Set list:
01. into your eyes 02. Fall apart 03. Everything in this Nothingness 04.the skin 05.october novel(Antipole) 06. Closer( Antipole) 07. This violence 08. Embracing theFall
Playing third was Joy/Disaster from France a band I had limited exposure to before the festival. Having them play after IAMTHESHADOW ended up being a master stroke. All the eloquent subtle beauty was left behind for a blast of pure energy and intensity. It started as a dark foreboding creep with Nicolas Rohr’s echoing rhythmic chanting solemnly floating on top of Soupa Rundstadlers room swelling bass lines. The air crackled with intensity from the contrast. Following a performance like IAMTHESHADOWS was no small feat and Joy/Disaster delivered with a show stopping set full of lashing venom differing from the their album. It was a breakneck march of driven tempo charging up a hill in battle cadence . Because this was the set I had the least expectation for I think it was the one that left me most moved. I was expecting post punk and was assaulted with burning punk aggression played with precision and sweeping melody. The performance was capped by a touching moment where the band presented Andy with a signed guitar for his 50th Birthday present to the ovation of the crowd. Again showing the emotion and sense of family this label has with it’s artists.
Set List:
CRITICAL PLACE PARANOIA FADE AWAY STRANGERS KISSES & PAIN OMEGA EXTINCTION DEALER OF LIFE LOBOTOMY RESURRECTION HUMAN ROBOTS
Joy/Disaster – Photo by Jean- Francois Galler Joy/Disaster – Photo by Jean- Francois Galler A touching moment with Andy and Nicolas Rohr
Closing the bands for the night was Silent Runners a band I had some knowledge of before the festival. I can tell you the album did not prepare me for the quirky and intense performance they had live on stage. Hailing from the Netherlands singer Dolf Smolenaers oozed with stage presence and connected with the crowd setting up a blistering atmospheric set of laser sharp texture and melodic longing. The off kilter drum beats and and carefully timed guitar and keyboard lines left me in mind of Factory records Happy Mondays. Stanley’s guitar riffs came in varying waves and set the boundaries of the controlled chaos. It surged at you from all over the stage while the crowd swayed and stared in rapture. What a sizzling close to a night of amazing live music
Setlist: Human Capital, Wilderness, Dark Mountain, I Walk Away Again The Knife, Roadkill, Forgotten, Through The Night, Cavemen.
As the bands finished the fun was just beginning. The dance floor flooded and Rule of Three with Christian and Pete started spinning wax with expert hands and discerning ears. Epic set list below
The night was finished by Cologne Disorder blasting everyone’s favorite retro dance hits until we couldn’t dance anymore.
Rachel being a dance commander
This was the first Cold Transmission Festival but with it’s resounding success it certainly won’t be the last. I felt something special in the Blue Shell that night. I know everyone around me felt the same. People traveling a great distance to feel a part of the magic they created. We came from many places, spoke many languages, but we were all united in what Suzy, Andy, and Yvonne have built. Bands, Dj’s , Music Writers, and fans. Basking in the connection and glow of the music we love. This was a experience I will hold in my heart and my mind until my dying day. When you get the chance to be a part of something magical like this I can only say grab it and hold on as tight as you can. Moments like this are what make existence worth while and it is never too late for you to be a part of something monumental.
Sounds and Shadows with Cold TransmissionGallit ( Highway 7 Radio ) Karl (Antipole) Pedro (IAMTHESHADOW) Me 😉
So since we have started doing interviews with bands to add another layer of content to Sound and Shadows it got me thinking about all the other pieces that go into creating a vibrant and exciting music scene. Djs, promoters, and record labels. At the moment the world of music is changing to a focus on global reach and grass roots distribution. No one is doing more to build a base and put out great music for Post Punk/Dark wave/ Cold wave/ Shoegaze genre than Frankfurt Germany based label Cold Transmission Music. Run by Andreas and Suzy Herrmann with Yvonne Kiel as graphic designer, this label is on the forefront of the multimedia movement happening in dark music. They aren’t just a record company, they are music lovers that are looking to lift all ships and find exciting new ways to share the music they love with the world. They have made the idea of musical distribution into a family with a caring touch to foster the people on their label as much as putting out albums and compilations. The Cold Transmission playlists have come to set a standard for support of what is cutting edge. I had the opportunity of getting to know the people behind Cold Transmission a little better and want to share that experience with our readers. Bands currently on Cold Transmission Music: Elz and the Cult, White Mansion, Push Button Press, Carlo Onda, Rosi, Monographic, La Mécanique, Reconverb, S Y Z Y G Y X, Silent Runners, The Blue Beard’s Castle, Icy Men , Palais Ideal, Bedless Bones, Closed Mouth. We have reviewed some of these bands and the more I hear from them the more I like, I can’t wait to continue working my way through their catalog.
This was a Cold Transmission/Sound and Shadows joint effort which includes some of our favorite new music for your listening pleasure. I think we had a wonderful mixture of bands from all over the globe. This show was 1st in the global post-punk chart, 1st in the global punk chart, 1st in the global indie dance chart, 4th in the global alternative chart and 5th in the global new wave chart.
(Ken) When did you start the label and what was your goal starting out with Cold Transmission?
(CT) In 2017 Cold Transmission began as a Mixcloud show because we had the burning desire to make more people aware of the new music and bands that were coming up in our scene. The shows were very well received on Mixcloud and the number of followers grew steadily so we created the name „Cold Transmission“ and launched the Facebook page. The next idea was to create a digital compilation, so our ZEITGEIST series was born. Although Andreas always thought about starting a label from the beginning, it was a spontaneous idea that evolved over time, a next logical step. We are still growing into it, learning new things every day about what it takes to be a label and it makes us very happy to support up-and-coming bands and help them grow. So our greatest respect goes out to all other independent labels that are doing this for many years now with enthusiasm and passion. It’s a lot of work especially when doing this next to your normal jobs. The music is our true satisfaction.
(Ken) I feel like goth music has always been a genre focused on the past, in the last couple years this style of music is seeing a huge resurgence with fresh new talent in unprecedented levels since the 80s/90s. What do you think is leading this? What do you see as Cold Transmissions role?
(CT) Yes, we have the same feeling about the scene. You can hardly find a band that is not referencing one of the 80s bands like Joy Division etc. Even our name is inspired by a Joy Division song! Those are all icons we really love but time doesn’t stand still and music is developing further with fresh impulses, techniques and sounds combined with the classic Post-Punk influences. Jason Corbett of ACTORS once called it Post-Punk 2.0 which is an apt description. When you go to parties or festivals a lot such as we have since the 80s we had the feeling of hearing the same music all the time in the last 10 years. We talked to many people from all over the world who had the same experience. Maybe people had gotten a bit fed up with this. We created Cold Transmission to show people from the scene what great new music is out there and what great new bands are surfacing from all parts of the world – through our Mixcloud shows, social media accounts and our label. We’re going to concerts and festivals, sometimes hosting them ourselves. We did a Cold Transmission party, re-invested the money we earned with it to buy new music to support the bands. We also see Cold Transmission not just as a label but as a platform to connect bands and supporters from all over the world. There is a great community of artists, labels, blogs, radio stations, growing up around us and we’re proud to be part of it and support it with all our energy. There also have been great collaborations between the bands already doing remixes of each others songs which is great to see. We created our t-shirts and sent them to supporters, bands and friends around the globe – for us it’s a statement of being part of a wonderful and growing community in our scene.
(Ken)You had a lot of success in 2018, I have watched your support base grow. What are you excited for on the horizon in 2019? What new albums are you looking to release this year?
(CT) In 2019 we’re looking forward to growing our label further – we will release the new albums by La Mécanique, White Mansion, The Blue Beard’s Castle and many more in the future. (Since this interview they had a very exciting release from Palais Ideal currently available) Also we will release four new ZEITGEIST compilations this year. And of course there will be our first little Cold Transmission Festival in Cologne, Germany in July. Still there is no 5-years-plan or anything for Cold Transmission. We love to see things develop organically – we have amazing friends around who are supporting us in so many ways, bands that became friends, interesting people that we are discussing partnerships with to allow us all new opportunities. We have hundreds of ideas in our minds and the day only has 24 hours so let’s see what happens!
(Ken) Recently I interviewed Jim Walker of Push Button Press (amazing new album) and Ashe Ruppe of Delphine Coma. Both are American bands that spoke of how happy they are signing with European labels. What do you think is drawing American bands to think of European labels for the dark music scene?
(CT) Since we are very new to that business we don’t really know about the major differences between European and American labels yet to be honest. We as Cold Transmission try to be as professional and committed as we can when signing bands to our label – a typical German attitude maybe. We are still a small label and the personal contact is very important to us and also to our bands. We want them to feel like they are part of a little family that believes in them and motivates them. A way of working that is maybe difficult when you are a bigger label with many bands. The scene in Europe is very old, still vibrant and much more concentrated simply because of the size of the continent compared to America. Maybe that is also a reason why so many bands are looking to Europe and has nothing to do with the differences between European and American labels in particular.
(Ken) What inspired you to become a part of this music scene? Was there a band in particular that let you know this was your chosen path in life?
(CT) We have to distinguish here between us due to our age difference of nearly ten years. Andreas was more into electronic music since 1980 starting with bands like Kraftwerk, Ultravox, Gary Numan, Cabaret Voltaire etc. In 1986 he was really convinced to be part of the scene through bands like Click Click, The Klinik, Skinny Puppy and Front 242. Suzy was more into guitar music, and a real 90s Dark Wave girl – so was Yvonne. Starting with Depeche Mode, The Smiths and Sisters of Mercy in the late 80’s her first „dark love“ was Deine Lakaien in the early 90’s
(Ken) Talk to me about the Post Punk/Darkwave scene in Germany, what is it like today and how has it changed in the last 20 years?
Cold Transmission with Antipole
(CT) The scene was always great in Germany from our point of view. You have so many huge festivals, concerts and parties in nearly every part of Germany. In particular the Wave Gotik Treffen in Leipzig that has become the largest Gothic festivals in the world. As said before, from a music standpoint you had the feeling that nothing really changed in the last 20 years. Sure there were new bands surfacing all the time but not many people seemed to be really interested. Especially in the last few years there are new artists emerging and we get the feeling that more people are now open to finding new music. There are more small festivals coming up in Germany next to the big ones that give you a more traditional feeling. The Wave Gotik Treffen took notice of a lot of those bands and presented many of the newer acts in 2018. This is a trend we really hope to see continue.
Cold Transmission with Crying Vessel
(Ken) Along with putting out music you got your start in creating playlists and sharing music for bands in the genre. You even had Amaranth on a few, so thank you for that. What lead you to this idea and what role do you think it will play in the future of music?
(CT) The Mixcloud shows were the starting point of Cold Transmission. Andreas is a passionate music collector and spends a lot of time searching for interesting new music on the internet. The desire behind the playlists was to make people aware of that new music – Hey guys, listen, there is more to our scene than our beloved classics! A sort of modern mixtapes we did in the 80’s. Many people don’t have the time anymore to spend hours searching for music on the internet or in record stores – they have their music players and mobile phones, listening to playlists on Spotify or other platforms. This form of listening to music will continue to play an important role in the future.
Cold Transmission with Silent Runners
(Ken) You have a festival in Cologne this July featuring some amazing acts. I’m beyond excited that Rachel and I will be going to witness it. Tell me about it, who will be there, and what are you celebrating?
(CT) The festival will be our first Cold Transmission festival. We are celebrating Andreas’s 50th birthday bash. We chose the Blue Shell in Cologne since we have very strong connections to that club and also close friends in Cologne since Suzy lived there for 20 years. The club has a storied history going back to the 80’s so they are quite experienced and passionate. Some really great bands which we also call our friends are playing live that night: Crying Vessel, IAMTHESHADOW, featuring members of Antipole, Joy/Disaster and Silent Runners. The after show party is hosted by our close friends of Disorder Cologne (Holger and Chantal) who have been successfully running that party for nearly 10 years now. We are also very proud and overjoyed to have a special DJ set by Pete Burns and Christian Schaefer of Rule of Three. A music blog that inspired us from the beginning. Pete recently garnered critical acclaim with his project Kill Shelter! Pete has also became very important to us personally at Cold Transmission through his friendship and guidance from our beginning. We have the feeling that this is not only a festival but also a way of connecting people with a common love of darkwave/postpunk music. People from all over the world are planning to come to Cologne to meet with bands and friends. For example Jim Walker from Push Button Press traveling all the way from Florida. It will be a great event and we are really looking forward to that! Glad that Rachel and you will also be part of it. Let’s make this a night to remember!
Andy with IAMTHESHADOW
(Ken) What do you look for in a potential band to sign to Cold Transmission?
(CT) Since we like to call our label our “Cold Transmission family” We are currently signing bands whose music we really like and believe in. People that are as passionate with their music as we are. We have close contacts to all bands signed to our label and support them in any way we can in a variety of ways. Every success the bands have makes us very happy and proud. We want to grow up together with our bands so it’s symbiotic in a sense. We also aim for long-term partnerships to achieve that. Of course we also want to have a good mixture of different music styles from different countries on our label especially in the Post-Punk and Coldwave genre. In nearly every country of the world you can find bands and artists from our scene and we are happy to have some of them on our label to show the variety that is out there.
Cold Transmission with Jot Disaster
(Ken) If you could travel back in time and see any show ever in recorded history, what would it be and why?
(CT) That would be shows of today’s Post-Punks icons like Joy Division in the late 70’s and early 80’s. To see such a show in a small club with around 20 people, listening to the music and having the feeling that something great is happening. That would have been awesome.
Since this was our first interview with someone who wasn’t a band I thought it was important to share some perspective of some of the people who surround Cold Transmission. Musicians, artists, producers about what this label means to them. Here are some of those thoughts.
Andy and Monographic
Jim Walker (Push Button Press) “I will let a big secret about the label out of the bag, Suzy is the secret special sauce that makes everything fall into place.”
(SYZYGYX) “Suzy’s and Andy’s passion for music shows in the way they treat their artists, we’ve been lucky to work with such amazing people and label, and look forward to continue working with them. They know the scene, they’re knowledgeable on how to target the audience and promote! Love Cold Transmission”
Pedro Code (IAMTHESHADOW) “They are great enthusiasts of the dark Scene, wonderfull people and my friends. I knew them long before they started Cold Transmission, in WGT, Leipzig, 2017 but now its another level. They are growing and its a great thing for the dark scene in Europe hey are very passionate about the music being made. Its great for all the bands what they are doing, They once told me they had the idea of Cold Transmission, after we meet in WGT, 2017. :)”
Silent Runners “Like many people in the scene we met Andy and Suzy online, enthusiastically spreading our music on forums and groups within the scene. From the start they were the greatest supporters a band can hope for! They really have a personal love for music and the scene and want to spread it so other people can enjoy it as well. Since we met personally on WGT2018 we’ve been in touch weekly. Seems only logical that we recently took the next step and joined their great label family as band. We hope to do great stuff together in the future.”
Monographic “Cold Transmission is not a “normal ” record label! For us, its more a collaboration between friends for the most important thing… music!!! They’re doing a lot for new bands and for the underground scene. You can feel, its not about the money compared to other labels, its more about spreading the love … Suzy and Andreas are doing everything, for the bands to keep moving forward and you can see they are doing it right. We hope to be part of it in the many years to come and we look forward to the bright future of their label”
Pete Burns (Kill Shelter) “Andy and Suzy have been great supporters of both Rule of Three (which I run with my partner in crime Christian Schaefer) and also my personal Kill Shelter project so I can’t thank them enough for that really. They are extremely passionate, kind and energetic people and are always incredibly positive – you need unbridled enthusiasm and optimism to work in this industry and they have that in spades. I’ve been lucky enough to help them with engineering and mastering of some of their releases and that’s just been an absolute joy. I’m hoping we’ll do more of that in 2019. I’ll be heading to Germany in July for the Cold Transmission Festival & Disorder Party where Christian and I will be doing a special audio/visual DJ set and we have some surprises lined up for that. It will be an honor to be part of that event and I really hope they have a magical time – they deserve it.”
Members: Pedro
Code – voices, guitar, synthesizers and programming. Vitor
J. Moreira – Synthesizers. Herr
G – Bass, guitar.
All lyrics by Pedro Code, except “Remembrance” and “Flowers come winter” (Poems by Friedrich Holderlin). All songs by IAMTHESHADOW; Guitars on “The skin” by Karl Morten Dahl Spoken voice on “Remembrance” by Chris Göllnitz. Mixed and mastered by Pedro Code. Artwork and photos by Butow Romey.
Wow, this album absolutely blew me away. I don’t say this lightly. I keep listening to it over and over and I truly don’t know when I will hear enough. As we all know by this point I am an absolute sucker for a truly exceptional vocalist especially one that writes engaging lyrics that capture the darkness of the human spirit. Pedro Code’s voice is like a perfectly cut silk suit hanging on his form. Dripping with sensuality and beauty. It’s one of those sounds where you can truly hear the aesthetic of the artist just in the music before you even draw a picture in your head. It is deep and rich. It folds on you with it’s warmth and strength. I am reminded so much of Peter Murphy’s solo work by the effortless androgynous beauty of the melodies and high brow dancibility of these songs. Honestly if the music had been mediocre I still would be drawn in by this band. THE MUSIC IS NOT MEDIOCRE! Victors keyboards are creative and lovely. Wrapping the music in textures of Tones on Tail, Bauhaus, and more modern aspects like Bella Morte. The drum beats are tight and fierce. Herr G’s bass lines are driving and structured. I am honestly hard pressed to think of any of these aspects that are not firing on all cylinders. You can tell these are peak musicians who know and love each other because of the seamless communication happening in the song writing process. This is dynamic music that swells and falls through emotion but with an effortless simplicity of leaning against a pillar smoking a cigarette and just looking cool.
This album takes me back with it’s nostalgia but it also propels you forward. It has delicious pop hooks over the top of that thick bass lines. As a singer it is so difficult to have music with this deep romantic style and not sound cheesy, this album manages to transcend that cheese and have a truth that teeters just on that edge of too much. To attack the dark beauty observed in life with such reverence and passion. IAMTHESHADOW manages to stay just this side of a very serious concept without losing sight of itself. Understand how much respect I have for what was done in these songs. I’m truly at a loss right now. You always want to be moved and feel something . Add on top of this already amazing sound the the distinctive guitar sound of Karl Morton Dahl on “The Skin” and you have a memorizing creation which steps outside of itself and pushing the feelings within you.
Standout tracks:
The Skin – I am absolutely enamored with what is happening on every track here. However this song features Karl Morton Dahl of the incredible band AntiPole. His trademark textured guitars rich with notes of New order Movement/Reeves Gabriel – The Cure sound are plucking away like a gentle hard while Pedro is crooning a dark melody “Regressed I killed silence inside you, our flesh meets.” It’s romantic, it’s heartbreaking, it’s an intense wash of beauty.
Remembrance – The spoken word on this song is frightening in a Alester Crowley slippery drawl. The keys rise and swell. This is a deep cut that truly cuts with it’s emotional impact and sliding melody. Victor shows his ability to create subtle textures with keyboard lines and strike you with an avant garde style reminiscent of old Bauhaus tracks. Pushing you further into the place beyond your understanding. A place of imagination.
Closing – This is a dance hall burner with a falling minor key tone. It creates tension while the drum beats make an early New Order sense of loss and movement. Then Pedro’s voice is filling the space, filling your mind. During the bridge the song brightens and opens up with a dramatic flare. You are filled with a sense of hope dream like state. This song is the full gambit of emotion.
Overall this album is so strong, I know you can hear the gushing tone of my writing hear. I was moved by these songs. Shaken by the depth and the intensity. Pedro has a voice that is deep, sensual and beautiful. I needed this album, needed to hear it over and over. Buy this album and embrace what is possible when darkness touches the truth of artistic spirit. I can’t recommend this enough. In July I will get to witness this preformed live at the Cold Transmission festival in Cologne and I look forward to a transcendent experience.