“Fucking Visceral” An Interview w/ Carrion

The definition of Carrion is “the decaying flesh of dead animals” and morbid as I am that immediately peaks my interest. Enter the world of Carrion and subsequently the worlds of Swansect, FTMOB, and Missfit Toys.


HH: First off, feel free to introduce yourself and give us a quick summary of your artistic work and vision.

C: While names are inherently meaningless for this instance we can use the moniker Hide Beliya`al. My work and vision is one and the same as, in my opinion at least, is of absolute necessity. In more direct terms however I could describe it as an expression of my experience on earth in every which way.

HH: So you’re an extremely prolific artist with 4 active projects currently: Carrion, Swansect, From The Mouth Ov Belial, and Missfit Toys. Do you ever experience burn out? What keeps you inspired?

C: I guess I do in short bursts but I usually don`t let it stop me if there is work to be done. As for what keeps me inspired, this is what I`ve done my entire adult and teenage existence, it`s literally the only way of life I know so it`s quite a natural state of being at this point in time. I suppose I have a wound overflowing with various substances, I can`t stop it as I`m not in control here. As far as MissFit Toys goes it`s my first time being in a full on band with other people in a long while and it`s not something I would do if it wasn`t for me finding some sense of value in both the outcome of it as well as the people I surround myself with. I also like that it enables me to take a small step back and not have to be the one leading it at all times, I originally started out as a bass player so I never purposely went for the frontman role but through the years found myself there regardless. MissFit Toys also lets me explore a side of industrial I generally have very little interest in beyond that band in particular. It`s the only band I currently perform shows with, at least that was the plan until the horsemen arrived.

Missfit Toys

HH: What first compelled you to dedicate yourself so fully to your art? Can you talk a little bit about your song writing process?

C: I never quite understood how some people could take something so fucking visceral as art and the creation of something out of nothing as merely a hobby. I suppose it`s a sign of the times we live in but I digress..There was never a moment where I made that concious decision, I always approached this with a sense of seriousness to it. Even way back when I started my first few bands I`d find myself in a situation where I took it “too seriously”. While others may not mind skipping a rehearsal in favour of some other activity I saw this as lack of dedication which eventually led me to abandoning the idea of working with others for a long time. My songwriting process is quite abstract as most creative processes tend to be. Lyrically I don`t feel like I`m writing them as much as I`m simply dictating, taking notes of the things I`m told and shown by something I couldn`t possibly pretend to understand. There`s definitely a spiritual element to the process.

HH: Does it hurt your vocal chords to scream like that?

C: Haha, not at all. Of course if it`s been a while I might need a few minutes before I`m there so to speak but it`s not a matter of pain. I have however ended up vomiting after recording but that`s more due to pushing it as much as possible for a prolonged period of time.

HH: When I think of Norway I cant help but think of corpse paint, music videos recorded in the dark forest, and indecipherable logos. Do you draw any influence from black metal in your work? Do the goth, metal, and other scenes overlap at all?

C: Where I currently live is what I imagine people see in their minds when they think of this place. I live in kind of a middle of nowhere place surrounded by trees. I do take alot from black metal yeah, I`m more inclined to listen to rock and metal than any industrial honestly. As far as scenes overlapping that would require a scene to exist in the first place which it doesn`t really in that sense although just in terms of the people I personally know who are, let`s say darkly inclined, yes that seems to be the case.

HH: Your work very often references Christian themes, e.g. heaven, crosses, salvation, sanctity, and fire. Were you raised religious? How do these themes play into your work?

C: I wasn`t raised as anything in particular but I`ve always had a natural pull towards the more spiritual aspects of existence. I grew up in a house I`ve later been told is built upon a viking graveyard in a tiny place just 20 minutes from where it`s said Christianity first came when arriving to Norway so perhaps that`s to blame? Religion, or spirituality rather does play a big part. Carrion is in its simplest form to be seen as a diary where each entry is a retelling of a direct experience or thoughts and feelings related to the topic at hand. I tend to prefer using a highly symbolic language, if one was to dive deep one might discover a thing or two, the veil is thin once you take a proper look. On a more mundane level however I`d like the listener to not be forced into thinking what the song is about, preferably you can find your own meaning, maybe something you could even relate to on some level. I am human after all and with that it`s no surprise things sneak in there, things we all experience such as heartbreak, joy etc

HH: You split time in between an isolated village in Norway and Southern Florida. Do the contradicting landscapes inform your work at all?

C: Not necesarilly in the way you might think. I`m not one of those people who needs a certain setting to write a certain kind of music. I`m perfectly able to write a Carrion song under the scorching Florida sun as I am in the foggy Norwegian woodlands.

HH: What does the future hold as far as your music goes and what can we expect from you in the near future?

C: The most recent event would be the release of the Carrion single “The Blood Ov Saints”. I do plan to follow it up with a second single called “Until The Reaper Comes”, which is one of the heaviest songs I`ve written and it feels like a good snapshot of how I feel regarding the current apocalypse. There is also an all modular album created under the moniker of From The Mouth Öv Belial, it`s mostly improvised instrumental pieces except for two tracks which has vocals done by the entity known as AGGRESS. I may or may not gather the results of the current writing sessions and release as an EP [or an album if there is enough material] though I`m rather hesitant about making any definite statements about it as I`d rather not say something now only to have it not happen. Fans of MissFit Toys may know this already but we do have a new album in works as well as a single”Blithe Din” which will hopefully be released soon along with remixes by variety of great artists.

Stream Carrion’s “The Blood Ov Saints” here:

Artist Links:

facebook.com/officalcarrion instagram: @carrionkvlt personal IG: @Mordsengel officialcarrion.bandcamp.com fromthemouthovbelial.bandcamp.com

It’s February and the world is covered in frozen sparkles. What hot new releases are keeping my nights warm?

Caroline Blind of Sunshine Blind is back with another sizzling new single that is a cover of Goth greats The Wake. The single is called “First” and actually features members of The Wake. Does that even count as a cover then? It releases for Valentines day and is the perfect blend of old school Sunshine Blind style with intense droning power gorgeous flowing echos for vocals but with her new style of matured layered atmosphere. Get it on your spotify list tomorrow.

Caroline Blind

https://distrokid.com/hyperfollow/carolineblind/first?fbclid=IwAR3dIbgV8J2gwQm29EsGP4ryVzPjDLk_6ljjdmhaht0bupkZ_nuppn_nPuM

IAMNOONE – Italian dark Synth from Cold Transmission releases “A Primitive Trinitas” on 2/29/20. I love the uptempo bass lines blending with a background gentle chant vocal. The single is full of movement and subtle hooks.

https://iamnoone1.bandcamp.com/album/a-primitive-trinitas

White Mansion – Another Cold Transmission release from the States in Fayetteville, Arkansas. Big popping synths and beautiful Duran Duran style vocals. Very retro feel of slippery sensuality and emotional expression. This was a full album that released at the end of January and has been on my mix list ever sense.

https://whitemansion.bandcamp.com/album/human

STEREOCCULT – From Houston, TX, this came to me from Shayn Blaqk and I am really drawn in by the sound. The drums are a constant murderous pound of tom intensity. The vocals are a nice driving post-punk chant and make good use of harmony to make some electricity. I need to give this album a deeper dive soon.

https://stereoccult.bandcamp.com/releases

Electronic Substance Abuse – from the UK have released an album a lot of people have been waiting on. Burial 10 is a machine gun spray of dance madness with a concise and sizzling plan. It is focused chaos full of shake-your-ass beats with enormous variety and pop sensibility. It feels like that first time you heard Underworld and thought “this is dance music?” yet so much more. Special shout-out to the track “You Are Safe Here” which features my dear friend Caitlyn of the band Corlyx. Damn that track is a burner. The whole album demands a full review but I needed to shout out about it now.

https://esangp.bandcamp.com/album/burial-10

Missfit Toys – This album actually came out in December but I am starting to really absorb it now. It’s a twisted goblin scream full of terror-inducing ferocity. Yet somehow the music is such an accessible synth dance. The sheer audacity of the clashing sounds and swirling concepts make this record haunting and hides behind your conscious mind. Richie V. Suriv of Florida is unleashing a nightmare of sonic intensity and the live show features none other but Adrian Kjosnes of Sounds and Shadows.

https://missfit-toys.bandcamp.com/album/through-the-glass

IAMTHESHADOW – OK I know Cold Transmission is getting a lot of love in this article, but what can I say? I love them. I am so excited for this new album: Pedro and company are taking the already entrancing sound and hitting new heights of expression and dance floor grind. This new single Pitchblack is a passionate intense burner and it makes my body shake with anticipation.

https://iamtheshadow.bandcamp.com/album/pitchblack

Seven Federations – North Dakota industrial concept artists who are creating world beat textural Industrial with a thinking person’s swagger. I love the violins and future revolution feel. It’s heavy, it’s mean, but it expands your thought waves while making you want to break shit. I hear Front Line Assembly wave destruction with Prick vocal cadence.

https://sevenfederations.bandcamp.com/track/slav

Tigercide – LA darkwave band with a lovely, atmospheric trip hop vibe. Sizzling desert David Lynch driving through an ever shifting reality vibe. Lovely vocals with tender lilting emotion. I found myself lost in the brush stroke snare sounds which rise and fall as your vision melts.

Interview with RICHIE V. SURIV of Missfit Toys

By : Adrian Kjøsnes

MISSFIT TOYS
————————

FORMED IN ORLANDO,FL BACK IN 2007, MISSFIT TOYS IS A BAND WHO`S SLOWLY MAKING THEIR WAY UP. PLAYING WHAT MOST WOULD CALL AGGROTECH OR ALTERNATIVELY “TERROR EBM” THEY`VE TOURED AROUND THE U.S OPENING FOR WELL KNOWN NAMES WITHIN THE INDUSTRIAL/ALTERNATIVE SCENE SUCH AS TIM SKOLD`S (PRECIOUSLY OF MARILYN MANSON, KMFDM, SHOTGUN MESSIAH) EPONYMOUS SOLO ACT, GRENDEL, PIG, DOPE , DAVEY SUICIDE AND PSYCLON NINE.

MISSFIT TOYS RELEASED THEIR LATEST ALBUM “THROUGH THE GLASS” OCTOBER 20TH WHICH WAS ALSO THEIR FIRST DATE OPENING THE SHOW FOR PSYCLON NINE ON THEIR RUINATWOUR.

AS THE SAYING GOES THERE IS NO SLEEP FOR THE WICKED AND WITH THAT IN MIND SOUNDS & SHADOWS GOT A HOLD OF VOCALIST/BANDLEADER RICHIE V. SURIV FOR A QUICK INTERROGATION REGARDING THE BAND, RELIGION AND OF COURSE, THE ALBUM.

(Adrian) Could you give a short backstory to MissFit Toys? How long have you been around and who makes up the current incarnation?

(MT) MissFit Toys has been around since 2007 but was only active on line until 2011 when we played our first show. Currently the members are as followed my self Richie V. Suriv as the vocalist/ song writer, followed by Travis Lee our drummer, Damien Carrion our guitarist and Adrian KJØSNES as a contributing studio artist at the moment.

(Adrian) What is the meaning behind your name?

(MT) The meaning behind the name came after a suicide attempt when I was 20. Only after an argument with my family telling me I wouldn’t amount to anything and that the people I associate with are nothing more than misfit toys. Broken people that can’t do anything on their own. I took that and used it as fuel to do something more, I added “Miss” as a play on words to show my obvious androgynous nature. Thus the name was born.

(Adrian) MissFit Toys seem to fall under the industrial/aggrotech umbrella, what made you want to create music within that particular genre?

(MT) Honestly I have always loved electronic music but also metal and always wanted something that mixed the 2 but never knew how or what that would sound like until I discovered industrial.
And I fell in love.

(Adrian) Do you currently have any other musical project or have you been involved in others in the past? If so which ones and how were they different from MissFit Toys?

(MT) I have been involved in several different projects including ludovico technique and Forever Dawn ” project of the vegan black metal chef”.
Some of the projects were definitely in line with what Missfit Toys does currently and some were completely different I love all types of music.
There are talks right now of collaborating with a few different artists but I can’t disclose any of that at the moment.

(Adrian) Tell us about your new album “Through The Glass”. What does the title mean and how long has it been in the making?

(MT) Through the glass is a combination of feelings, struggles and beliefs.It was inspired by a fan that felt like they weren’t good enough for me to ever acknowledge that they existed. So I went on the hunt trying to figure out who had sent me this message when I did find them I asked them if they would be alright with me turning their message into a song and album concept.Through the glass is not only important to me but also the band as we continue to evolve.It shows the hurt, the doubt and the struggles that not only I go through in my faith but others like me go through everyday.

(Adrian) A lot of your lyrics are inspired by faith, would you say the band as a whole has an agenda tied to this or is it more an expression of yourself as a person?

(MT) –  There’s no hidden agenda behind the band whatsoever and I am very open with it’s message and my beliefs. I am a Christian and the band is full of references to that, but more importantly it shows me and who I am through it. That not everything is sunshine and rainbows. that I am not better than any one else. it shows that I am broken and that I live in a broken world and this is what every one goes through. We do everything with intent and purpose, nothing is on accident. I use music as a way to not only cope with my emotions and the struggles that I have daily but as a way to communicate with people. Listening to the music you’ll understand the struggles that I go through and what their impact on me is.This album in particular shows a sense of longing, overwhelming feelings of drowning , guilt and desperation.
So It’s more a reflection of myself and what I go through, along with the struggles of others.

(Adrian) How do you think you’ve evolved musically since the beginning of the band? Has there been any major changes as far as the creation process or is it all more or less the same?

(MT) I feel that the music took a more developed appeal than what it was in the early days.As far as writing I do put a lot more care and effort into the message than I used to mostly so the message is not twisted and manipulated into something else. But other than that not much has changed.

(Adrian) The last word is yours, feel free to promote anything you`ve got going on or just leave a message, shout out etc for your listeners.

 (MT) We love our fans. the connections that we have with them at the shows and online are amazing and without them we couldn’t do what we do.Currently we are working on our next release and at the beginning of the year we will put through the glass online and will be available on all major streaming sights.
Thank you so much for your love and support.

https://www.facebook.com/MissFitToys/