It has admittedly been tough to get behind the keyboard in October. I have had a lot of focus on my band and lots of shows I needed to see. However I wanted to take a moment to call out a few important releases this month.
First and foremost is a new single from goth legend Caroline Blind of Sunshine Blind. Sunshine Blind was so important to many of us that fell in love with goth industrial music in the 90s. It really opened my mind to how something could be both delicate and beautiful at the same time as ferocious and intense. The album, ” Liquid,” was a CD I played until the scratches looked like grooves on a record. I just had the pleasure of seeing her open for Stoneburner in Detroit, and it was like being transported back in time. This first single in far too long is a cover of my favorite Swans song, “Godamn the Sun“. It is moving in it’s nihilistic humor and gloom. I feel like this version takes everything wonderful about the original and adds a level of stark contrast from the gorgeous soul of her voice. The ringing acoustic guitar and timed delivery has an almost Leonard Cohen feel in it’s poetry. This is a must hear for lovers of dark music.
The lovely lads from Texas Twin Tribes have done it again. Their first single from a sophomore album, Ceremony’s, shows another level in the electric progression of one of post punk musics fastest rising stars. There is a smooth synthesis to the flow and texture of these singles that is surpassing the already brilliant Shadows. Each song is a Ceremony that brings you inside it’s ritual and core. The personal connection created from these songs makes it a contender for album of the year.
Our dear friends in S Y Z Y G Y X have unleashed a Halloween single called, “Samhain”. They always have a spooky, atmospheric edge, spurned on by Luna’s truly unique vocals. For this cemetery dance jam, they turned the danger up to 11. Feast on the nightmares in sonic explosive form.
Ghost of Bela Lugosi, the man too intensely punk rock to ever hold between the lines, unleashed this searing napalm of a single. I am always surprised how much every song he releases is so different and so good. This one is an unapologetic throat punch of melodic fury. It’s hard to sit still just to write about it.
Carrion N.O released a new single, “Through the Eyes of Flys.” Another Halloween sinister noise assault in the vein of the Goblins. Full of atmospheric terror and slow building tension. I don’t want to run into this song in a dark alley.
When i write reviews one of the common traps I try hard not to get lost in is comparing every new band I review to one of the sacred dark gods of the 80’s and 90’s. It’s a pretty common tactic and lets face it an effective one. It’s easy to associate with what is familiar. Often feels like the world of goth/industrial/darkwave/new wave/ect has pretty much been discovered and artists are searching for ways to test the boundaries of what is possible and find some new ground. I figured I would take a moment to acknowledge this is a reality for a lot of people.
About a year ago I had an awakening. I had spent many years wrapped in the music of my past. I clung to the same mainstay bands I had been enjoying and had given up a bit on finding something new that inspired me. Then something happened, I found this band from Texas. Two young men that created something so familiar and so fresh at the same time. Twin Tribes album Shadows spoke to me, filled me with hope for a future of dark music that took what had built my passion with intricate snake charmed guitar, thick driving bass lines, and romantic sensual vocals that transported me to another place. A place still full of magic and mystery. I decided I needed to share this feeling and started the music review page Sounds and Shadows. Since then I have discovered a whole universe and wonder in modern music. It all started with that first review of Shadows by Twin Tribes. I even got a chance to play a show with Luis and Joel and saw the same thing in their live show I first heard that first time I spun the record. Tonight I finally get to publish this long awaited interview with these talented artists. I hope it gives you a glimpse into their process and how I have also come to love the people behind that beautiful music.
Ken: Your live show and album captures such symmetry of sound and stage performance. Two people who know and care about each other. How did you meet and how does that history come through in the music you make?
Joel: – We met through a previous band we were in. Luis joined as our keyboard player, and we kind of went from there. We both learned a lot through our separate experiences in music, and with other projects. When Luis first showed me the demo for Shadows, I was instantly hooked. I told him as much, too, and made sure to let him know I was there in case he ever needed a bass player, or my help in any way. When he reached out and we came together for Twin Tribes, we were adamant about not making the same mistakes we had in the past. We have given of ourselves equally into making the music that we dearly love, and I think we can both agree that our friendship, and respect for each other, has grown in this last year working together.
Ken: Shadows is an album I play constantly and love to tell people about. It is deeply personal and stirs emotion. Tell me about how you write songs together, what is your process?
Luis: – I think the writing process differs. Sometimes I can come up with an idea/riff, record it and send it to Joel and he will give me feedback or add to it. But also sometimes we get together and create a song from scratch with both of us in the same room. Then after we have structured the song we’ll leave the lyrics for the end.
Ken: You have had such success in 2018 with the album, are you surprised by this? What is your goal for 2019?
Luis – We’re definitely surprised by the success the album has had and just the positive reaction it has caused in general. When we created Shadows we had no expectations. We simply wanted to create an album from our inspirations and put it into tape. We had no idea we would end up working with labels and releasing it on vinyl. It’s still surreal for us.
Joel – Our goal for this year is to release another album, tour, and make so many new friends along the way. Honestly, I’ve met some amazing and interesting people in our travels, and it’s one of my absolute favorite things.
Ken: Doing music as a career is a difficult journey. It takes great will and desire. What drives you to keep on and making music?
Luis: It definitely is a difficult journey, especially balancing it out with our careers on the side. I think the love for the music is what keeps us motivated. After this year, our motivation has only increased to continue, and we’re excited to share the new music soon.
Ken: You have gotten to play with some incredible bands lately. I know when we played with you it was intimidating, wanting to be our best. Is there anyone you played with that intimidated you because you respected them so much?
Luis: Getting to meet and play with other talented artists is one of the best things that Twin Tribes has brought us. I’ll always get nervous whether it’s playing by ourselves or playing a sold out show with a famous band. Just to name a few that made us feel that way were Zanias, Indradevi, Mr. Kitty, Spectres, Altar de Fey and Second Still.
Joel: All of those bands that Luis mentioned. I’ll add that the Actors, Creux Lies, Bootblacks bill we just played was especially nerve wracking. When you’re surrounded by so many talented musicians, you can’t help but feel a little nervous. It’s a humbling feeling.
Ken: I’ve listened to your LP many times and have a lot of favorite tracks but “Portal to the Void” sticks with me. What was your inspiration for this song and how did you bring it to life?
Luis: Portal was created with our Roland JX-3P’s sequencer. We used that for the main synth riff, and then started adding layers to it and the song was born. It was inspired by a clairvoyant character from a show called Penny Dreadful.
Ken: When you came to Detroit I took you to Lafayette Coney island at 1:33 am to have a true Detroit Coney. On your tours and travels what is the most amazing thing you got to eat?
Luis: This question has been asked several times and I will say it again. My most memorable moment from that tour was having hot dogs with everyone that night. I found it so funny when our friend Jack, from Panic Priest, almost killed me for putting ketchup on my hot dog, lol. That Detroit Coney was the best.
Joel: I’ll be honest, we had some pretty amazing BBQ at Smoke and Fire in Kansas City, but the one that still sticks out for me is La Chaparrita in Chicago. I ate a huarache, and tried some fermented pineapple juice for the first time. So delicious. Shout out to Benny Hernandez and his lovely wife for taking us there!
Ken: Your sound obviously plays homage to previous sounds (The Cure, Depeche Mode, My Bloody Valentine) if you could play with any band living or dead who would it be?
Luis: Part of our sound was inspired by the early 80’s albums by The Cure and Depeche Mode, of course. I would have loved to live in the decade of the dark 80’s and play with obscure bands like Asylum Party, Carmody and Samedi, just to name a few.
Joel – One of my personal Heroes and inspirations, David Bowie. Cue that song now.
Ken:For my gear head readers, your sound has a unique feel. What piece of equipment could you not have made this album without?
Luis: The gear we used is what gave us our sound aside from the hours of creating patches. Definitely the Roland JX-3P, Korg Poly 800, Roland TR-707, Roland JC 120 and the LinnDrum.
Ken: If you could download the ability to play any instrument, like in The Matrix, what would it be to enhance your sound?
Luis: I would definitely enhance my synth playing skills since it’s not my main instrument. The little I know is mostly self taught. Maybe even drums because my coordination is garbage.
Joel: If piano is the red pill, and drums are the blue pill, I’m throwing blinding powder at Morpheus and taking them both. I’m “The One”, dude, I do what I want.
Twin Tribes are currently prepping for a west coast tour. If you live in that area and love yourself at all you will witness that show.
