Label: Negative Gain
Vocals/Music: Aedra Oh
So as I listen to so much new music in the “Goth/Industrial/Post Punk” genre I hear a re-occurring trend to reach back to the sacred 80’s and revamp our holy dark forbears with a new twist. I think what immediately struck me in this album was rather than reaching back, FIRES has reached across the isle and pulled inspiration from other genre’s not typically heard in this scene and fired them like a laser through the leans of dark electronic music. Some electronic dance beats, emo, pop punk, and indie prog simmered down into a searing beam of light and fired through the ultraviolet fury of Aedra’s sorrow. The result is positively electric.
This record is such a contrast to the driving and precise darkness currently in vogue. Instead of cold and introspective it is a burning rage of passion and integrity engulfing you without pretense. Aedra was experiencing a physical and emotional awakening during these songs and that message strides forward courageously while being abstract and textural. This is a beautiful woman on a hill holding a fire hose attached to to a gasoline truck spewing forth blazing brilliance to incinerate every ignorant shadow around her. I find it almost more impressive that this chaotic sound weapon is maintained within such clear production and tight hooks of pop glory.
Show Me Life – Crackling energy is crackling off these guitar sounds. Overlapping and building. Her Vocals are a pleading shout to her inner self. It’s big drums and savage attack but it also breaks down in a focused introspection. These songs feel so much like a conversation but not one held polite in company. One shouted with emotion to a true friend in a moment of emergence.
Revive- Give me these glorious drum beats. The wave after wave bleeding synths. Then give me Aedra chanting out boot stomping cadence with her voice. ” Say my name, remember” This song makes me want to destroy a 50s diner with a sledge hammer on fire and scream.
Ever- If this album was all piss and vinegar it couldn’t have taken me so far. However “Ever” is a beautiful Cocateau Twins shoegaze dream slush ballad that wraps you like a blanket after the assault of the first few songs. It’s a memorizing comfort and an acknowledgement of Aedra’s range and the delicate beauty of her voice. The driving Martin Hannett Joshua Tree style bass line is the perfect counterpoint to the elegant beauty of this song.
This album is an experience. It’s personal, and is very unique in it’s delivery. I must have listened to it 20 times in different places and times before writing this (It actually released back on May 10th) but Negative Gain has done it again and stepped out of the comfort zone to support an artist who laid bare her soul in a fiery red aura. You need this.