Working from home has left me stir crazy with too much time alone. What a perfect time to fire through some quick reviews of what I am listening to at the moment. Tonight I went digging through Bandcamp recommendations for some new sounds. I have been a bit disenfranchised lately with the idea of nostalgia and retro. I’ve been wanting to hear fresh new ideas and not have the same conversation about the same records I’ve had before. Partway through as the things I was hearing had a very retro vibe I remembered. Avoiding the past can be just as bad as staying trapped in it. These record all had something very old and familiar in them. At the same time, the reason some ideas come around again, is because they were great ideas.
Spectres – (Nostalgia ) – The Vancouver band recorded by Jason Corbett of Actors at Jacknife Studio. Brian Gustavson was not trying to be subtle with his intent on this album. It’s like catching a whisper of a bunch of songs you know well, that stick on your head. They aren’t those songs though. Bernard Sumner rips his mask away to reveal it was something else all along. Beautiful and precise in the recording. It’s contagious and familiar in a way you can’t quite hold in your grasping hands. For those of you that want New Order and The Smiths thrown in a blender and spun on REM but don’t want to hear the same album for the 10 thousandth time, this is the jam for you.
Panic Priest – (Nighthunter) – Ok I love Panic Priest debut album. Jack’s deep rich baritone is the thing of dreams. This new single is a whole new level though. He has found such a cannon of range with his voice and the perfect blend of synthwave and his magnificent rock style. Hearing this song is like being the hero in your own coming of age story in 1984. It’s raindrops on my face and a twitch in my hips. I can’t wait for more.
Caustic – (Quarantine Tracks) – Matt is back at it again blasting out furious beats to keep us shaking in our bunkers. Some cool low key grooves here as well like Cardiac Unrest. As always from Caustic a great mixture of percussion not found in the standard sound bank that build and rise with a grinding energy. This EP definitely feels subterranean with a unique unlit blend. Have you ever wanted to drink four pots of coffee, and play VR Dig Dug in a warehouse at 2am? I never really thought about that until I heard this album.
The Birthday Massacre – (Diamonds) – So there is a reason that The Birthday Massacre is one of the biggest names in new goth. It’s because it’s bloody brilliant. I admittedly have never written much about them but it isn’t from lack of listening. Maybe I just felt like I was needed more elsewhere, this album is a burner though. Chibi has a vocal style full of such captivating energy and is a master of making goth fun. I think that can be a real challenge because dark sounds don’t make people naturally get up and jump around. These basslines are freight train speed, and the guitar riffs have retro hotrod power. I hear this album and just get lost in it like a labyrinth of subtle turns and walls of sound.
PHAZER AXE – (Synths & Tapes) – What would you hear from a record called Synths & Tapes? About what you would guess. I think this had some really masterful drum fills and keep the feel spicy. This all musical pixel smashing space journey is a fun and glitchy time slide.
Boy Harsher – (R.O.V. New Beat Edit:Part Time Punks Session )– Two things I love are Boy Harsher and everything PTP puts out. This song is a sleek and sexy ooze across the floor of the club, under the door, and into the night. It’s stripped down and full of crackling menace. I love the powerful Grace Jones feel of their voice here. An inspired oily concept and I am here for it.
Loveblind –(Sleeping Visions) – Holy fuck this album is a vision plucked out of time and raising the bar of music in 2020. I might be a little bias as this band features Josh Garman (Ex Amaranth Guitarist) as part of it’s super band lineup. However my journalistic integrity need not be swayed because this album is a game changing synthesis of 90’s shoegaze, flowing ethereal modern dream pop, and dark electronic club extravaganza. It’s Ice, it’s fire, it’s sonic texture you can chew on. This album is a filling meal of beauty and heart wrenching human emotion. It’s an early contender for top 10 albums of the year. Must have.
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