So the final Bandcamp day of 2020 is upon us. This whole year feels like an absurd blur. I continue to beat the drum hard for all Bandcamp does to support artists all year round. This day each month has become something I cherish as it usually leads to several new releases. As usual I am up at midnight firing through whiskey and trying to share some of the new music that is filling my heart with fire. As the possibility of Facebook turning away from artists sharing their work I urge you to follow the page and comment below the review music that is inspiring you that I might put it in future reviews.
Codename: Lola – Lets start out with this badass cover of one of my favorite bands Ultravox in one of their more underrated songs. The single features fireball vocals from Gothzilla frontman Tim Jarvis. It’s got a glorious walking gansta style and a wailing guitar solo. Just blistering energy that never lets up and fills me with excitement for the future of this project. Currently it is free on bandcamp and is a must grab.
Vlimmer: Alexander has done it again. His ability to crank out albums at the highest quality in record speed leaves me speechless. This latest release “XIIIIIIII” has his textured emotive stark imagery. Opening with an urgency and seamless blend of guitar slush with cascading keyboards. It’s gorgeous, immersive, and never disappoints. I am always shocked by how far from the previous concept each release leaps. This one highlights the vocals and has a brighter indie rock sensibility. I’m in awe, how does he have so many ideas that always sound so fresh.
The Funeral March of the Marionettes – New single from the Illinois post punk band called “Useless”. It’s brash and melodic with 80s Killing Joke feel. That driving bassline that never lets up and chanting devil may care vocals that add weight by floating on the wave of sound.
Dissonance Feat: Kurt Larson: If there are three things I love it is 1) Kate Bush 2) Kurt Larson (Information Society) 3) The soulful smokey croon of Cat Hall. It’s a song that has seen covers before but this one is special for the vocal duet and digital downpour of sound falling on us while we are running up that hill. A special release from one of the most underrated voices in this scene. This single comes off an amazing compilation of cover songs by electronic artists called “Numbers Covered”. A great value here but if you have to check just one track it is this.
Vertical Patrols – Another single from the San Diego synthwave artist. It’s warm and puts me in mind of catchy New Order Technique until the vocals drop with a unique accented feeling of frustration and loss. It grabs hold of your lapels and shakes you furiously searching for it’s own answers. It’s one of those bands where I hear what is coming, as much as what I am hearing. This single paves the way for something exciting in the future.
Damien Done : My fellow Michigan native has released 3 new demos songs in November. It’s always a great experience when you have an artists that you have followed the evolution of their sound. Moyal has had an impressive career with a wide range of styles. His voice really has so many tricks in the bag and shifts from album to album and even within single tracks. An impressive talent and lyrical storyteller that drenches each canvas with rich and immersive imagery. My favorite of the three tracks was “Always On Fire” with featured this beautiful harp sound. His voice takes on a rich Brendan Perry (Dead Can Dance) lilt. Then shifts into a powerful growl at just the right moment as a booming trip hop drum beat sinks in. A Master of the song writing craft Damien does not disappoint. The blistering guitar solo in the outro is a scorching flame on oil soaked waters. Powerful.
Dead Astronauts: New release out of Seattle from Cold Transmission Music called “Silhouettes“. This one is a pre order not available until January but it already has me bubbling with excitement. First single is “Chauffer and the Flame” ok to start with I love that song title. This is hungry and sensual. It features a beautifully matched duet vocal that creates duality and tension. These drum beats come from within you and burst out of your chest. The sleek electronic style feels like I am in the Tron stadium racing in a light motorcycle with everything on the line. It’s hot, tantalizing, and leaves me hungry for more.
Modal Citizan : New album Control After Delete from chaos dark grunge out of Virginia Beach. So this was admittedly a little closer to metal edge than I generally venture. My first inclination was to kick it over to Collin or Adrian. However I found it growing on me as I played it more and more. The thick as fuck crunching guitars took me back to Bad Motorfinger from Soundgarden. The vocals while full of screech and growl, also found tones of gentle beauty which rode that razor edge never quite crossing over into something to hard for me to relate to. It was one of those records I kept expecting to want to get off the ride, but found myself clutching the bar and feeling myself pulled deeper. I always know something is impressive when it is obviously out of my wheelhouse but I keep coming back to it. Even now I am not sure how I feel, other than I was never bored or lost. I think this is a record I will find me daring myself into exploring again and again in the future.
Sapphira Vee: Ok there are a lot of reasons I am excited for this album “The Mask” due out 12/15/20. One of which are the bevy of awesome collaborators including Spankthenun, The Joy Thieves, Melodywhore, and yes Amaranth. I even do a bit of guest vocals on the track “World My Voice“. Sapphira has a voice and energy that fills a room. It’s dangerous and calls you like a siren from the rocks. These tracks are so personal and really tear her open as she holds out her heart in her hand. I love the throwback tone of dropped beat triphop. It really highlights the power of her controlled elegance. It’s music that gives you a shiver. A tension in the air. An inhaled breath with every roll of the dice. In a world of darkpop about escape, this album demands your focus. It’s hard pressed to pick a favorite track, but “Mask of Happy” is such a creeping and subtle jam you don’t realize has ahold of you until it is too late. A powerful release that belongs in your collection.
Grabyourface: French ultraviolet blade runner who has just signed with Negative Gain records will release an eagerly anticipated new album 12/18/20 called “Sea“. This record is gorgeous from the get. The spoken word poetry style is engaging and draws attention to the lyrics. It’s a drowning plea cutting through an ocean of depression, trying to break the water. The music is a slow electronic cascade weathering down the rocks. I really found myself getting lost in this. Sonically it’s like the other side of the same spectrum as Mr.Kitty. My pick for favorite track was “So”. The mixture of piano sound and florescent fog synths give a beautiful setting for the melody rap poetry. Overall this is an impressive offering and one I will definitely be getting preorder for.
Caustic: Matt Fanale also of Klack released a new 5 song pandemic club massacre ep. Rhythmic robot signal beamed into your brain guiding your body as a marionette. My jam was Tu Madre. It was so hard to stop my feet from stomping and waking the house. The AI efficiency of the music is memorizing. There is so much movement with so few different sources carrying it. Around 2:50 the blasting toms start and kick the floor from under you. You also get Matts clever humor in songs like Stale Seman, Shame, and video games. The whispered secret, and old school dancedustrial beat are a delicious combination. Matt is really one of the leaders in the charge of current industrial/edm.
Remember to drop your favorite new bands you got on bandcamp day for future reviews.